Fargoth’s Hiding Place Is A Hollow Stump In A Small Pond In Town.

I've always held the belief that Khajiit honor was built around different qualities. Where the Nords favor heroes of strength, wisdom, and bravery to the degree of foolhardiness, Khajiit's greatest figures were cleverer, more agile, and sly. Khajiit don't lack honor, their honor system just stems from different qualities of the individual.

This is why they seem to revere thieves to a great extent. In Nord culture every young adventurer says they're going to be a hero just like 'blablabla of old'. Among Khajiit it's similar, as their youth desire to be the most clever and successful.

I'm not so sure about them adapting to another system of honor, but I'm sure they understand it. And being clever as they are, they'd understand how to attain rank and status within it.

Nords would probably hate khajiit because they don’t share the notion of honor, but at the same time it’s canon that they do admire the figure of the Nord hero in wulfharth - and their story does include the ones without honor being punished. I think khajiit are very communitary, and if the notion of honor is often overlooked, it’s because they’d put “flee for your life it’s important” over “defend your name”. The only loopholes being : leaving someone of your community/someone of trust (in wulfharth’s story, the khajiit that sided with his enemy and left dro'zira alone to support him where shunned); second loophole being defending your homeland and keeping elsweyri culture going strong. I think that second​ point could be applicated with the khajiit presence in Skyrim : khajiit are very clever and immigrating as individuals living in Nordic society would be accepted and easy (like j'zargo), but they still keep on their nomadic caravan lifestyle at the risk of being kicked out

Demons aren't just misguided, they're deeply corrupted, their very values made into malicious and aggressive aspects. In their state, the demons don't want to spend all the energy to cross the veil simply to occupy a weak, rotting corpse. They want to have considerable influence and ability, very difficult when you're trapped in a bag of bones. A living mage host provides extraordinary power, a much easier method to cross the veil around the already thinned aura of the mage, and a form that can not only endure physical trauma but grow in power. A living host could become stronger, a dead one cannot.

CONFESSION:

If a spirit can possess a tranquil or a dead body and restore even partially their connection to the fade (Doing this by force in the lore is called Necromancy). Why do demons take such disinterest? In that, spirits and demons are the same. Demons are the description of spirits who were once innocent and have been misguided by their own or others intentions (Such as the Fear Demon in the fade DA:I)            

Scarlet Briar

Kneel demands the dragon witch, Eyes burning like coal. Her long rifle doth seek the heart, Her eyes doth seek the soul. No, sayeth the heroes bold, We will not act for naught. Our hearts are ours as are our souls, 'Twas your black heart we sought.

I've never seen anything from lip sync battles before but MY GOD!

Tom Holland on Lip Sync Battle

Imagine with me...

Orcs discovering makeup.

Orcs finding the boldest red to coat on their lips because, "It's supposed to make it look like they're flush with blood."

Orcs circling their eyes furiously with eyeliner to bring out the PURE FIREY FURY within and terrify their opponents.

Orcs of all sexes and ages doing their daily things, talking, fighting, all with their faces done up and not one of them finding it unusual.

Orcs being touchy on the subject with outsiders because, "How did the humans find this before us? This is so much better than warpaint."

Orcs swarming high society shops whenever they raid or trade with a city and terrifying the noble customers as they march out with arms full of the highest fashions.

Orcs complimenting each other on a particular style or color as screaming people run by and surroundings burn.

Orcs pitching a fit when they can't find their favorite brands.

ORCS

Mara as the Glamorous Enchantress, from Diana Wynne Jones’ “Dark Lord of Derkholm”

Shona is not impressed.

HAPPY BIRTHDAY SENSEI

It was only when Shona, in sheer fury, turned the carnivorous sheep among them that they moved. They ran, some of them with charming little white sheep attached to their legs or backsides and the rest shouting about monsters.

Diana Wynne Jones, The Dark Lord of Derkholm (via inlittlestars)

list of characters that would be weirdly sexualized if they were made today

The most influential people succeeded because they were willing to suffer the small injustices to focus on their goals.

can we please let historical women be historical?

NOTE: I AM REFERRING HERE TO AESTHETICS, NOT MORAL/SOCIAL ATTITUDES. RACISM IS GROSS AND ENOUGH PEOPLE IN ~YE OLDEN TIMES~ WEREN’T RACIST THAT IT’S NO EXCUSE

papers are praising Emma Watson to the highest heaven for refusing to wear stays and a hoop skirt in Beauty and the Beast and honestly, I’m kind of sick of it

yes, it’s a fairytale, but Belle is living in 18th-century France. she probably would have worn stays because they’re a basic foundation garment that provides breast and back support and pretty much every woman wore them. probably hers would have been laced more loosely because she’s not upper-class. and yeah, she would have worn some kind of hoops or panniers under her fancy ball gown. which would have been significantly fancier than the new adaptation is making it and needed the support and can you tell how hard I am side-eyeing the designers

in a fairytale it doesn’t matter so much. I’ll concede that the movie’s not actually set in real-life 18th-century France, so they can do what they want. but it’s a trend I see a lot in historical fiction, too. Miss Whatsherface is a Liberated Strong Female Character and doesn’t wear a corset! how shocking! how perfectly tailored to appeal to our modern sensibilities!

here’s a truth-bomb: women wore corsets. most women didn’t lace them at all tightly and some took them off upon returning home for the evening like we take off our bras today. nevertheless, they did wear them, in almost every echelon of society. factory girls, servants, farmers, sex workers, artists, aristocrats, the earliest female politicians and doctors- almost all women. the only time I’ve seen “liberated woman doesn’t wear corsets” done well was with a character in the Artistic Reform dress movement started by pre-Raphaelite artists in the late 1800s. and then the author actually did research to reflect that Artistic Reform was more than just not wearing corsets

most women also wore skirts most or all of the time (with notable exceptions like Amelia Bloomer, Anne Lister, and other singluar ladies who defended their right to pants). many also wore hoop-skirts, panniers, or crinolines. and guess what? they were still badass.

Ada Lovelace made her groundbreaking mathematical discoveries in the dorky balloon sleeves and puffy skirts of the 1830s

Madame C.J. Walker became the first black female millionaire in the US and ran her beauty empire in bustle skirts and corsets

Mary Shelley invented science fiction in stays and an Empire-waisted dress. Charity Bryant and Sylvia Drake got commonlaw married and wrote reams of poetry in the same

Dr. Shih Meiyu got her medical degree from the University of Michigan in a corset, as did Dr. Kang Cheng at the same time

these women were products of their time aesthetically and we shouldn’t have to divorce them from that or denigrate it to appreciate their accomplishments. the same holds true for historical fiction. if your female character can’t be just as strong dressed in the typical clothing of the era, you need to go back to the drawing board