Thank God she now has Sarah and Calliope or she would be easily swallowed, even the queen is distilling poison against her. Waiting for Sarah to highlight this jewel for her only son đ¤
No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings:Â this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, bullying, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are called to court after the end of the civil war, but find yourself facing many challenges, expected and not. (fantasy medieval au)
Characters: king!Steve Rogers
Note:Â friday!
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. Iâm trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I havenât forgotten those!) Please do not just put âmoreâ. I will block you.
I love you all immensely. Take care. đ
You are summoned to the queenâs chambers shortly after your arrival. You come together with the other young ladies from courtyard in the corridor just before a set of painted doors. Within, Queen Margaret keeps court with her ladies, of whom you are to be one of. The thought alone has you devilishly unnerved.Â
The guards in their livery greet you with dull eyes. The groom announces your purpose and receives little in return aside from the one soldierâs lazy reach to tap upon the door. He lifts the lever and eases a space between the wood.Â
âYour highness, youâve some ladies requesting an audience,â he drones through.Â
There is some movement from within. A lady servant appears in her white cap and beckons you inward. You are further intimidated by the formality of it all. Marcia and Marigold rush ahead to be first and the three earlsâ daughters from the White Plans take up their train. You glance over at Calliope and trail after her.Â
The doors shut at your back and the lady maid retreats, her soles scuffing amid the murmur around you. You look around the skirts of the other debuts and see women in recline, others perched upon cushions and stools, all at leisure with needle, book, or frame. There is another at the window, sat between two ladies on the bench, the late afternoon breeze stirring the long waves that hang around her face, the rest of her chestnut hair twisted up behind her hood. Â
The lady maid stands at the wall in deference, âyour highness.âÂ
The brunette raises her chin and her eyes narrow at the lot of you. You can barely see much past the shoulders of the twins and the other ladies clustered closely in shared apprehension. Still, the twins stand tall and the other ladies hardly seem as wrought as you in the ceremony of it all.Â
âThe twins of...Mawsley, is it?â The queen declares, âyes, your father proved himself a valuable asset, didnât he?âÂ
âYour highness,â the twins recite in unison and bow, âMarcia,â the first introduces herself, âMarigold, the second adds.Â
âHow keen,â the queen chimes, âyou look as the same person. How amusing.âÂ
âThank you, your highness,â the sisters chirp.Â
âAnd those gowns, wonderful. I may have to ask after your tailor,â Queen Margaret preens, âand where is the Countessâ daughter? I recall I met you once when you were still a child.âÂ
Calliope steps dutifully, âmy mother sends her regards.âÂ
âOh, yes, that poor widow,â the queen bemoans, âshe is ever steadfast despite her plight.â She takes pause as you sway to see her, âand the rest of you, forgive me, these last days have been a whirlwind and Iâve heard an endless slew of names one after another.Â
âLady Selene,â the very lady proclaims.Â
âLady Ameri,â she bows in quick succession.Â
âLady Dorida,â the last shows her courtesy in an elegant bend.Â
As you come forward, the twins push their arms together as if to block you out with their sleeves. You sidle side to side and sweep around their skirts with an ungraceful stumble, âyour highness,â you greet as if you have something stuck in your throat. You swallow before you can muster your own name and title.Â
âWoodsdam,â the queen tilts her head and looks from the lady at her left shoulder to the one on her right, âIâve never heard of it.âÂ
âNeither have I,â the leftmost agrees.Â
âFarmland,â the right says.Â
âYes, your highness, my father is a farmer, but an earl as well,â you supply.Â
âMm,â the queen looks down her nose as her lips thin, âit appears the Woodsdam style is much... defined. I donât think Iâve seen that style gown since my grandmother was still on earth.âÂ
You look down at your modest cotton. The square cut of your bodice is much different than the other ladiesâ rounded collars. Your mother crafted the dress from pieces and the seams are tidy, yet it does lack a similar flair to the others around the chamber. You raise your eyes and keep your composure as best you can.Â
âMany thanks, your highness.âÂ
The queen scoffs, âquaint, indeed.â She sits straighter though her posture is already unyieldingly staunch, âladies, please acquaint yourself. And be certain to pay heed to these ladies who know well the ways of court. For all thatâs changed in these past years, we will retain as ever our elegance and our etiquette.âÂ
You peer around, uncertain what comes next. A lady stands and calls to Calliope, âLady, it is me, Gwendolyn, of the Spades. Near Clovers, you will know it?âÂ
Calliope accepts the initiation and there is a swift storm of voices swirling around the lot of you. You flutter hopefully that someone might think of Woodsdam or mightâve been to the waterfall near Aquil, not far from your fatherâs hold. The twins confer still with the queen and her ladies, trilling and giggling, as Serena and Dorida marvel over another ladiesâ sewing frame, and Ameri is overly familiar with a lady swollen with child.Â
You drift away from the centre of the chamber, trying not to draw unwarranted attention. It would do little for any to note your insignificance. Youâve all to soon faded into obscurity. No one cares for a farmerâs daughter.Â
âEh, do you read?â The question startles you and has you spinning to face its speaker. She looks as she sounds; squawkish. Birdlike. Her blond waves are woven with strands of silver and her hooked nose is not unbecoming.Â
âYes, lady, I do,â you answer, uncertain if she is genuine or she means it as jab.Â
âHave you read Corswin? He wrote a fair tale about a shepherdess.âÂ
âIâve not heard of him,â you recover your confidence at her interest. It is clear she humours you, that she is speaking to only keep you from floundering.Â
âI must lend you a book or two,â she insists, âcome sit with me. These old hens grow tiresome.âÂ
âMany thanks, my lady,â you accept and claim the stool next to her, shifting it closer.Â
âSarah,â she gives her name, âWoodsdam. Iâve never been. I hate the swamps.âÂ
âOh,â you nod, âyes, it isnât very swampy. Only in the rainy seasons but we get the sun.âÂ
âMm, still, Iâve been down Ashton and I hated the place. My horses caught some sickness there,â she gripes, âperhaps though, your home is more pleasant. A woman old as me, though, I donât venture far as it is.â She tuts and taps her oval nails on the book in her lap, âif my son wasnât so foolish as to take up his sword, Iâd still be in my library, hidden away from these chits.âÂ
You clasp your hands together and smile. Sheâs amicable and you wouldnât want to bother too much. She flutters the pages of her book and huffs. You look around, sensing some intrigue from the other ladies though they do their best not to let their flitting eyes be caught.Â
âAll these birds know how to do is cloister themselves up like nuns,â she bemoans, âIâd as soon be out in the sunlight. If I were home, Iâd be in my courtyard with a better book than this,â she wags the volume in agitation, âand you, lady? What is it you do on the farmstead? Chase hens?âÂ
âWe have geese,â you say, âthough they arenât truly kept. They sortâve linger around. And some cattle.âÂ
âIt does sound rather bucolic, this must be all so drab to you, castle walls and dusty tapestries.âÂ
âOh, itâs all so wonderful,â you expound.Â
âIt is?â She drawls tritely, âarenât these ladies of ours so polite? The way they whisper about our hems and our titles. Donât let yourself be fooled, though I suppose that should be as good a warning against myself. Ladies of the court are like crows; the like shiny things and the hold grudges, and sometimes, they neednât even a reason to peck your eyes out.âÂ
You close your lips and swallow. Her tidings only underline the unwelcome forged in the queenâs introduction. All you might forgive is at least she seems genuine in her girding. You look down at your skirts and run your fingers down a crease.Â
âThe dress is not so hideous,â she assures gently, âsome of the ladies do forget we did just fight a war. There are those without silks and without food in their bellies. They should weigh their fortune that they are still alive and well.âÂ
Your eyes meet and she looks a little less stony. She turns her head to the window and her gaze drifts into the distance. You follow them with a sense of solemnity. Again, you snare a few glances from the others. Many men died, women and children too. It wouldnât do to care so much for what people think of your wardrobe.Â
đ
Your first day at the castle ends in a fine supper of freshly baked bread, beef with gravy, and seasoned scallions, onions, and sweet herbs. It is not so hearty as your motherâs stew which you share as often with the servants nor so delicious. Itâs a different sort of taste but not unpleasant.Â
You retire at the queenâs behest. She declares she must see to her husband and several of the other ladies claim the same of their own. You rise and wait courteously to tail after other ladies, not wanting to get underfoot as you so often did on the farm. As you stand aside, Lady Sarah swats you with her book.Â
Skirts swish against the rows of chairs and benches that line the long table. The dining chamber is set with the portrait of peregrine and similarly hawkish depictions woven into tapestry and tablecloth alike. Despite the uniform decor, the furniture is mismatched and the hews of wood and metal alternate with each piece.Â
âDonât fear the stampede, little calf, run with it,â she chides, âah, Iâve decades upon these sows and they plod like heifers.âÂ
He uncouth words draw your surprise. She laughs at the look you send her and waves you off with the hardcover. She shoulders past you without pause.Â
âOne day you will see, it is better to speak the truth than let it shred up your soul,â she tosses over her shoulder. âAh, naivete, how entertaining you are.âÂ
Her voice carries and you notice how the other women shy away from her. Thereâs a glint of deference to the tilt in their chins as they part for her like a like drawn in the sand with a stick. You wonder how she can be so bold and why the other might tolerate it. As Queen Margaret girded, you are to maintain propriety. Sarah seems to carry the same manners as any farmhand youâd known.Â
You hurry to meet Calliope near the door as she departs. She seems the tamest of the lot thus far. Sharp-witted but not needlessly cruel. She turns her head slightly in acknowledgement of your presence.Â
âThere you are,â she mutters.Â
âDid you enjoy the afternoon?â You ask brightly.Â
âEnjoy? I tempered it,â she retorts, âIâve the measure of most ladies.âÂ
âThe measure? They were all quite friendly.âÂ
âYou are too friendly,â she admonishes, âthis is court, you cannot be so simple. Each lady is attached to a lord, thus they work upon his purposes. Her ears are always listening, eyes always seeing.âÂ
âWhat do you mean?âÂ
âYou represent your father and though mine may be in the ground, I carry his mantle all the same. We are our houses, not ourselves here,â she keeps her voice low and slows markedly to keep away from the others, âyou should count yourself fortunate for my wise counsel, lady, for no other would give it.âÂ
You chew on her words, tasting their bitterness, âso why do you, Lady Calliope?âÂ
âFor I despise those twins and I know they arenât so keen on you,â she sighs, âand I saw you as any other did with the dowager.âÂ
âThe dowager?â You echo.Â
âThe kingâs mother, Lady Sarah,â she sends you a sharp look, âdonât tell me you didnât realise?âÂ
âOh? No? She spoke of books and her gardens, she didnât mention...â you peter off and snap your mouth shut. But she had, she did say her son ran off to war. âOh!âÂ
âOh! Indeed,â Calliope mocks and shakes her head. âLook, Iâve not the patience for these women, but youâre not so bad. You donât speak without meaning. Shall we be companions?âÂ
âPardon?â You let your surprise bleed through.Â
âI need at least one person I might stomach, how about you? I donât think the others are so eager to be friends. Marcia did say how you look like a peasant.âÂ
âShe did?â You frown.Â
âHm, you need me,â she insists, âyou canât let yourself be so whimsical. Never mind what they say or think. What do they care so much for anyhow? They are a dukeâs daughters, they will do well enough.âÂ
You carry on next to her. You feel as if youâre being pulled in all different directions though all tell you just the same. Be waryÂ
Okay, that sparkle in his eyes? I think it was the desire to reciprocate her care, her affection, what he did with the kiss. My Steve Rogers is fighting hard to break free and I know it
Warnings: non/dubcon, violence, blood, stalking, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: Captain Hydra
Summary:Â a man marches into your life on a mission
As usual, I would appreciate any and all feedback. Iâm happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging â¤ď¸
Your pain recedes as you focus on what needs to be done. You let the soldier cling to you and lead him out of the room, away from the scent and sight of his victim. What startles you more than the scene is that you donât feel anything but relief. That man, whoever he was, could have done the same to you.Â
You enter the bathroom and face him. His head hangs forward, his eyes hooded and heavy, his shoulders sloped in exhaustion. You limp around him and tug free the bottom of his shirt. Blood smears onto your hands as you strip away the layer.Â
His face is red with the same stain. You help him undress. As you grab his belt, he winces, and looks down. Thereâs his knife and a gun, and small leather pockets containing other hidden tools. Â
âItâs alright.â You assure him. He shouldnât be afraid. You wonât hurt him. Or maybe he thinks youâd hurt yourself. Foolishly, you donât have that resolve.Â
He lets you continue. You pile the layers by the door. You pant through the pain in your foot and shoulder. You turn on the faucet and guide him into the tub. Before you can draw away, he catches your arm and looks to the water lapping around his feet.Â
You shake your head, âIâll get clean soon. You first.âÂ
He squeezes then lets go. You search the wooden cabinet and find a cloth. You reach to dip it in the water then bring it to his face. You lean heavily on the porcelain to take the weight off your foot. You wipe away the crimson across his forehead and brow. You work slowly down his face. He breathes in long slow intakes, letting them out softly.Â
He leans back against the tub as he surrenders to your tendings. You stop the faucet to drain the dirty water and refill it around him. You go trade the cloth for a clean one and return to him. He catches your hand in his.Â
He tugs the washcloth from your grasp. He sits up and wets it by his leg. He moves his hand up your arm and presses the warm fabric to your shoulder. You groan and hiss but let him do it. He drags it across the gash as the dried blood chips away with the friction. He tilts his head as his forehead lines with concern.Â
You put your hand on his and still it. âWill you wait?âÂ
He grips the cloth then reclines once more. You lower his arm down carefully then retreat. You go to the bedroom and retrieve the tin box, dented and scratched, just like everything else. You bring it with you and balance it by the sink.Â
You take some gauze and the alcohol spray. You go to him and frown at his left hand. You nod, âIâm not sure what to do. That needs to come out.âÂ
He raises his hand and shows the broken bone sticking out by his thumb. Some time amid the chaos, it embedded itself in his flesh. He pinches the end and, without feeling, dislodges it. The sudden swell of blood makes you nauseous.Â
He reaches for you and grabs your wrist. He tugs you closer and directs you silently to press the gauze to the break in his skin. You squeeze tightly against the flow and shudder. Â
He lets you go after a time and you return to the kit. He snaps his fingers and you flinch. You look back at him as he stares at you intently. His eyes flick to the box. You lift the whole thing and bring it to him.Â
He sits up and reaches for it. You hold it open and he sifts around. He takes the alcohol spray and beckons you. You kneel on the floor as he reaches over the porcelain.Â
He sprays across your chest and shoulder. You whine and he stops, eyes wide. You gulp and nod, âitâs fine. It needs to be done.âÂ
He bites down so his jaw squares and continues. He wipes away the grime and sweat and blood. He takes out tubes and uncaps it. You stare at it but canât watch as he applies it to your split skin. He pinches the edges together. Itâs some sort of glue. He reseals the cuts and drops the tube in the box again. Â
You back up to look in the mirror. You can see the tortured lines but the skin is taut and firmly held. Still, you move carefully. He grunts as you put down the kit.Â
You return to him. He wants you to get in. You can just tell. Or maybe youâre breaking. Maybe you just want to believe you can understand him. You look down at your foot.Â
âI canât,â you say. âIâll wash after, when I can keep my foot dry.âÂ
He looks at you tersely. His neck tenses and you steel your nerves.Â
âYou still need to get clean,â you insist and grab the cloth from the water. You stand and add soap to it. You look down at him. âRelax, okay?âÂ
He stares at you. His eyes sparkle with confusion. Wait. They didnât have that light before. They never gleamed or glimmer or shone. They were always dull. But you see something.Â
You lather the cloth and bend to scrub his shoulders. His chest rises and falls visibly. He lays back as you wash him. When you drag the cloth to his sternum, he clutches it again, this time moving it over his heart. You feel it pound.Â
He surprises you as he grabs you with his other hand. Right around the back of the neck. You gasp as he pulls you down. His lips crush to yours as you squeak.Â
Youâre terrified by the suddenness but that same fear keeps you from fighting. You donât want to escalate. It wouldnât be smart to rile him any more than he already is.Â
He kisses you hungrily, his tongue smushes into your lips until you open for him. Itâs as if he means to devour you. Finally, he releases you and you pull back breathless. You stare at him as he stares back. He puts his fingertips to his mouth and hums hoarsely.Â
You go back to washing him. To keep yourself busy, in hopes it will ward him off from any further whims. The adrenaline trickles away as fatigue creeps through you. You need to finish before you crash back to reality.Â
HERA icons
ę§ę¨ŽŰŁâżťŕŁŠęŚ˝ŕŁĽŰ please, reblog or fav if you save it.
I feel like she's trying to have the illusion of control over something, trying to cling to the false hope of being able to control him because now he lets her guide him, but sometimes even I fool myself into thinking that she has a fraction of dominance here.
Warnings: non/dubcon, violence, blood, stalking, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: Captain Hydra
Summary:Â a man marches into your life on a mission
As usual, I would appreciate any and all feedback. Iâm happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging â¤ď¸
You let your hands drift down to the soldierâs neck. Youâre shaking. Stop thinking. That hasnât done you any good. It canât. They say when youâre in life and death moment, your body takes over. Thatâs what you need to do right now. Â
You touch his high collar and feel along the front of his arm. You press your hands flat to his chest. He takes a deep breath as his hands hover around your hips. He toys with the light linen as you trace the straps of his harness. He lets you unbuckle one side, then the other.Â
He does stop you. He is entirely still but for the tilt of his head. He watches you strip away the leather harness and then his belt. He doesnât react as you hand catches the pistol. Even if you were fast, youâre not a marksman and by the scars on his body, it wouldnât be that effective.Â
You set it aside as his arms fall straight. You go back to him and remove his body arm, a piece at a time; shoulders, forearms, chest, thighs, calves. You didnât realise before how much he layers on. You stack it all then take his hand. You bring him to the couch and have him sit.Â
You get down to undo his boots. Itâs another task to keep you busy. One piece at a time. Thatâs it. Like counting. You set his boots aside and peel off his socks. You hiss at the sight of his bruised toe. He doesnât flinch.Â
You tuck the fabric into the top of the boots and turn back to him. You stand and unzip his jacket? Shirt. Itâs thick, a layer of mesh over something heavy. The high collar splits and you pull down the tab to reveal his muscled chest. You push the sleeves down and he brings his arms slightly back to help.Â
The weight of his gaze drapes over you. You stop and frown, touching the black and blue chafed around his shoulder, a slender gash at the center. You daintily flutter your fingers over the edge.Â
âOuch.â You look at him and he blinks. Youâre not sure he can feel even that.Â
You finish taking the jacket off. He shifts on the cushion as you lay the fabric over the rest of his things. As you return to him. He stands and tears open the front of his pants. You gulp. Heâs bulging to escape.Â
You near and he reaches for you, keeping one hand on his fly as he squeezes the back of your neck. You whimper and grasp his wrist, patting his stomach at the same time. You show your teeth in pain.Â
âOw, hurt,â you say. âSoft.âÂ
You spread your hand over his and he slackens his hold on you. He stretches his fingers across the back of your head instead and you slide your palm up to his chest. You reach for his other hand and move it away from his fly. He resists but lets you take over.Â
You tug his pants down little by little. He exhales deeply and you push the fabric past his thick thighs. It catches at his knees. You look down and gently brush along his swollen length. He twitches and clutches your hair even tighter.Â
âIâll be nice if you are,â you say.Â
He doesnât react. Not that you expect a vocal answer. He just stands there, still. You reach to move his hand from your hair and urge him to sit with a careful nudge and finish removing his pants.Â
He is rigid and upright. You rub along his chest and shoulders. You feel his heart beating. You lightly push until he leans back.Â
âThatâs good,â you tell him, ârelax.â You meet his eyes again. They cling to you. You trail your hands down and his stomach clench. You hush and coo at him. âI said relax.âÂ
He tenses then slowly, you feel him easing. You trace along his pelvis and thighs. He flexes but quickly shakes his head and grips the muscle along his legs as if to force them to release. You bring your hand up along his shaft and tickle up his length.Â
Youâre alight in that moment. Do or die. No thinking. Keep going.Â
He goes stiff again. You put your other hand on his shoulder. You tell him again, ârelax.âÂ
His jaw squares as he watches you stroke him. Your gaze falls to the easy motion of your hand. A raspy noise rises in his throat and he pulls his hand back to brace the couch cushions.Â
You lean in and lift your knee onto the couch, then the other. You straddle him as you keep yourself above your hand, pumping him as he grunts. He rips his hands from the cushions and grabs the front of your dress.Â
He stops himself from tearing it open and instead, plucks the top button carefully. He continues down the front until your chest is exposed. He spreads a large hand over your tit and kneads. His breath rises and falls shallowly. The feel of his rough palm against your nipple plucks at you.Â
You balance on your knees and yank up your skirt. He keeps his hand on your chest, fondling eagerly, as his other frames your hip. He urges you down and you lead his tip along your folds. You bite your lip as you push him to your entrance and lower yourself little by little.Â
His fingertips dig into you and a strangle sound catches in his throat. You sink down as you drone, your nerves unwinding as you give into instinct. You clasp onto his thick arm as you take him as deep as you can and blow out between your lips.Â
You tilt and moan. Heâs big and youâre not quite wet enough. You put your hand over his and move it from your hip along your pelvis. You guide his thumb to your clit and wiggle it, letting out a squeak at the flicker of heat. He presses more firmly and you slip your hand up your stomach.Â
You rock your hips and push your head back as you let the rhythm coax you. Your eyes roll into your skull and you sigh.
There is nothing but the promise of relief. No unanswered questions, no bloodstains on the floor, no wailing winds or desolate house. There is only that fleeting release that will let you feel anything but horror, if only for a split second.Â
"Cut, Casper. That's a wrap." â SCREAM (1996) dir. Wes Craven
SAM REID as  Father Ignatius in Lambs of God (2019)
for @aemondtargeryen
Summer will soon end, girlies. And, as a summer child, I, of course, want to make it last a little longer đ
So I created this challenge just cause I felt like it! It is the Summer Woes challenge.
The concept is...
Youâre on your dream vacation 𼰠but something goes off the rails đ¨
Maybe you lost your luggage on the way or swapped it with someone elseâs? Maybe you booked the wrong flight? Maybe the hotel double books you with another guest? Maybe you get lost while touring and exploring? Maybe you somehow keep running into a suspicious stranger?
Word limit is 5k!
Time limit is December 31, 2022.
No pedophilia, bestiality or watersports, please.
18+ blogs only. No minors allowed.
Any fandom or character is cool. LGBTQA+ characters or readers are very welcome.
Use the #summerwoes2022 tag when posting the story
Three submissions per blog at most
I encourage diverse submissions and dark fics are very welcome
I wonât interact with content I find uncomfortable or suspicious for any reason I damn well please
You donât have to follow me to enter, but tag me for sure.
I literally donât know what other rules to put in this...
Good luck!
âąâď¸đ
I love men who moan, men who whimper unashamedly in your ear. Men who sob, men who cry, men who bite your neck, your shoulder because you feel so good they can't help but drool a little, men who beg "Please baby, you feel so good", their pretty eyes crystallize, men who like to overstimulate themselves by continuing to come in and out of you, with broken grunts and a scratchy throat.
âDonât leave me alone in the darkness. This place where we both exist, yet serve different callings.â
ă ¤ ă ¤ 㠤㠤㠤㠤㠤 㠤㠤 ă ¤ ă ¤  㠤 ă ¤ ă ¤â Sarah J. Maas , Catwoman: Soulstealer
đđ˘đđ˘ đ: đđ. đđđŤđ¨-đĽđđđ˘đ§. đŹđĄđ/đĄđđŤ. some dark stuff, virgil van dijk and drew starkey
128 posts