Geat Example Of A Normal Curve I Think

#boylife

I think this might be my new magnum opus

tw: descriptions of: blood, wounds, inflicting harm

(all metaphorical)

—————

I want my love to hurt.

I want to dig in with claws and teeth and never let go,

Gouge lines that will pucker and weep their blood and drain you dry,

I want to be remembered as pain when you finally tear my curved claws from your flesh,

I want you to scream with agony

I want to take it all in

I want your wounds to cry for you

I want you to bleed out and die

I want my love to mean something

Not to be an English major, but my genuine favorite part of Malevolent is how it handles its themes. Overall Malevolent tackles such profound and interesting ideas to chew on, but it's specifically the approach it takes to those ideas that really gets me going.

For example, one of the major themes across several seasons and characters is identity. The podcast asks pretty standard questions like "How do you define yourself?" and "How do others define you?" But it doesn't choose to stop there! It constantly expands on that idea, and it also asks things like "Which of those definitions is the 'real' you?" and "Are any of them right, are any of them wrong?" and "Is there even a singular definitive version of you?"

Malevolent works out from one idea and poses all these rich lines of discussion and questioning, and then just. Doesn't provide an answer! Or, at least, not a single, one-size-fits-all answer. Instead, it gives us multiple possibilities:

John's arc tells us that your identity is what you make— what you say, what you decide— and no one else's definition of you matters. Arthur's arc tells us that you can get stuck in a rigid, self-deprecating personal identity, so you need others' perspectives to help you see and love the real "you." Larson's story tells us that you do not have the right to selectively accept/deny parts of your identity and actions, and that others can see the whole of "you" whether or not you take accountability for it. Noel's story tells us that you can choose what parts of your past define you, and that leaving behind all the other versions of yourself can be beautiful and empowering. Kayne's story tells us that leaving behind other versions of yourself is akin to murder, killing off the pieces that you don't like and pretending like you've evolved past your own self. Yellow's arc tells us that your identity is fluid and can easily be influenced or manipulated by what others tell you, and by that point you've changed your own self-definition to something entirely new that can be just as true or untrue as the old you.

With all of these characters and with every other character throughout the show, we get a unique answer to the question "What is identity?" And if you look further at all the characters, you can break down their different arcs over the seasons and find even more answers just within that one character's development and story. And some of the answers we get correspond, and some of them contradict, and none of them are the right answer, and all of them are the right answer.

Malevolent takes one idea, and then it crafts an incredibly nuanced and humanistic exploration of said idea that adapts with respect to whatever situation or character it is applied to. And it uses this approach with all of its themes: identity, morality, guilt, grief, love, hope, etc.

Malevolent knows that life is messy, that people are complicated and contradictory and diverse and ever-changing, that no part of the universe or humanity can ever be explained or defined in a simple manner. Malevolent knows all that, and it wants to help us understand that too.

Malevolent shows us that nothing can ever be easily understood or answered, and it shows us that that fact is beautiful.

A Vulcan named Stork works at the Terran adoption agency. Parents always request that he be the one to deliver their child to them.

⚠️❗️VERY IMPORTANT POST, PLEASE READ!❗️⚠️

everyone. on christmas day, december 25th, we all search up “halloween” to make it a trending search. it would be the FUNNIEST thing ever to see halloween be a trending search on christmas day. tell all your friends, repost this, do everything you can to make sure we can do this. REBLOG AS MUCH AS YOU CAN.

Twisting in your thrall to Yog-Sothoth all by yourself, handsome?

shorthands for dumbassery that i have grown to love deeply

"how dare you say we piss on the poor" in response to someone misinterpreting your post

"_ isnt gonna fuck you" for suck up behavior

"woah. should we tell everyone? should we throw a party?" for who the fuck cares

"and what if the world was made of pudding" for when would this ever matter.

"and sharks are smooth both ways" for a group of people heatedly arguing with 1 guy who is fucking with them all

".. but its about a witch in the alps finding her lost cat" for someone trying to sanitize something to the point of absurdity

The reason why God was so involved in human affairs a long time ago but then noped out after Jesus is because God is going through the same motions for every animal species: making a covenant, giving commandments, and sending down his own child to die in the form of that species. I know this because I felt an odd urge to swallow a mouse yesterday and, when I questioned it, I received a vision from God saying that He was on mice right now, and the mouse I was about to swallow was the mouse-equivalent of Jonah. Tomorrow I'm supposed to spit him out in a den of sinful mice so that he can squeak to word of God at them. I wish that little guy the best.

i love my best friend who else am i gonna slag off martin blackwood to