Let’s Play A Game Called Is It Bad Writing Or Bad Faith Takes On Very Small Snippets Of A Greater Whole

Jack Slash works as well as he does basically entirely on the basis of how visibly the author Does Not Like Him. There's a version of Jack Slash written by some other guy who actually unironically thinks his character archetype is hot shit, and that version sucks and the version of the story that he's in also probably sucks. This version also sucks but you can feel everyone else in the story rolling their eyes in unison at the fact that they've gotta put up with his bullshit, everyone going, "alright, can we please stop with the Dark Knight pastiche and go back to playing realpolitik with well-realized individuals who aren't homicidal cartoon characters that we're forced to take seriously purely by virtue of their inexplicable six-digit grimdark looneytunes bodycount"

But didn't have a single period

As stress is a factor in recovery, Taylor was concussed for almost the entirety of Worm.

oooh have you ever done a post about the ridiculous mandatory twist endings in old sci-fi and horror comics? Like when the guy at the end would be like "I saved the Earth from Martians because I am in fact a Vensuvian who has sworn to protect our sister planet!" with no build up whatsoever.

Yeah, that is a good question - why do some scifi twist endings fail?

As a teenager obsessed with Rod Serling and the Twilight Zone, I bought every single one of Rod Serling’s guides to writing. I wanted to know what he knew.

The reason that Rod Serling’s twist endings work is because they “answer the question” that the story raised in the first place. They are connected to the very clear reason to even tell the story at all. Rod’s story structures were all about starting off with a question, the way he did in his script for Planet of the Apes (yes, Rod Serling wrote the script for Planet of the Apes, which makes sense, since it feels like a Twilight Zone episode): “is mankind inherently violent and self-destructive?” The plot of Planet of the Apes argues the point back and forth, and finally, we get an answer to the question: the Planet of the Apes was earth, after we destroyed ourselves. The reason the ending has “oomph” is because it answers the question that the story asked. 

My friend and fellow Rod Serling fan Brian McDonald wrote an article about this where he explains everything beautifully. Check it out. His articles are all worth reading and he’s one of the most intelligent guys I’ve run into if you want to know how to be a better writer.

According to Rod Serling, every story has three parts: proposal, argument, and conclusion. Proposal is where you express the idea the story will go over, like, “are humans violent and self destructive?” Argument is where the characters go back and forth on this, and conclusion is where you answer the question the story raised in a definitive and clear fashion. 

The reason that a lot of twist endings like those of M. Night Shyamalan’s and a lot of the 1950s horror comics fail is that they’re just a thing that happens instead of being connected to the theme of the story. 

One of the most effective and memorable “final panels” in old scifi comics is EC Comics’ “Judgment Day,” where an astronaut from an enlightened earth visits a backward planet divided between orange and blue robots, where one group has more rights than the other. The point of the story is “is prejudice permanent, and will things ever get better?” And in the final panel, the astronaut from earth takes his helmet off and reveals he is a black man, answering the question the story raised. 

rachel is on top of my favorite characters list now

Reread 19.y, and noticed something I hadn't caught before:

Parents. Plural. He makes such hay over being someone who really knows her like other people don't, but he doesn't know her mom died. That's not an unreasonable or unconscionable thing, you're not rude for not knowing everything about your classmates' circumstances. But also, it was a detail that we see the trio implicitly reference, and that Emma will be explicit about without visible shock from other classmates. People who know about Taylor enough to torment her know about it—but its not something Greg knows. It highlights how he's being kinda ridiculous, thinking he has some special connection to her. Good little detail.

If Lung didn't kill Bakuda in the birdcage, I could see Amy and Bakuda making each other worse, somehow.

I could write an Amy×Bakuda piece. I really could.

worm doodles

You could make a pretty good Worm game with the bones of Tactical Breach Wizards

Just found a new Worm animatic! I don't think the artist is on tumblr sadly

I have been compiling promotional/cover images and I thought maybe other people would find it useful too, so. Will update it continually.