An important thing to keep in mind about Alexandria, I think, is that she (and the rest of Cauldron’s inner circle) have been sticking like glue to an organizational schema she developed when she was fifteen, using power-assisted cognition but the life-skills, worldview and experience of a fifteen year old; I think this goes a long way towards explaining why her mindset was finding the most efficient way to martially oppose villains instead of, say, finding a way to financially disincentivize villainy through social safety nets. (alternatively, she wanted society to be a thunderdome of sorts to get everyone trained up for gold morning, but that’s got just as many holes that could be explained by being fifteen.)
Her power answered her fear that she’d die without getting to grow and change by arresting all her biological processes and permanently locking her into her late-teens-early-twenties; she has to pretend in order to seem as old as she actually is. Her cognition is completely offloaded to her power; her brain is vulnerable, but it isn’t clear if she’s actually doing any thinking with that thing. Unmovable, unbreakable, clad in fortress imagery, sticking like glue to a specific plan, and a specific value (they’ll be alive, that’s all that matters) derived from her own root fear of death, her preference for mutation over death by cancer, which she projects onto everyone else in the world and uses to justify everything she does to them. Incredible calculative power, incredible resources, incredible martial power, and a fighting style that, to my recollection, consists of hitting the other guy until they stop moving.
So, you know, conclusion number one that I’m drawing from all of this is that Alexandria is Taylor with all the world’s resources at her back and no one to ever tell her no. Conclusion two is that Alexandria is subtly in the same kind of power-induced arrested development as Contessa; she’s got the brains and the brawn to think up and execute bad plans perfectly, she faces no criticism or scrutiny, she (usually) faces no consequences. She’s not “stand-on-a-beach-for-three-days-in-a-stupor” levels of brainscorched by her power but there’s a real degree to which I read the training wheels as never having come off with her. I get a vibe of R/Iamverysmart permeating Cauldron’s set-up and self-assuredness, and this is part of why.
Conclusion three (the big obvious one) is that she’s a metaphor for institutional inertia. When she dies and the Protectorate uses her as a scapegoat for everything that’s wrong with them it’s very obviously self-serving but it’s also not, like. Incorrect. She’s a synecdoche for everything wrong with the system. Rigid, inflexible, callous, arguably necessary but nearly impossible to remove or change or challenge.
And then she gets replaced by a guy whose whole schtick is that he can mix and match the best properties of wildly different component elements on the fly to create the best possible response to any problem.
amusing myself greatly with the idea of vista undergoing the Situation of
the PRT in brockton bay just like. Entirely losing. to the undersiders. and having to hand over the entire city to them while the wards just stand around being useless and getting jaded
dating one of the undersiders, which is fine and good and how it is now but it's still like objectively a bit of a "oh man how did my life even get here" situation
dating the undersider whose older brother cold-clocked her in the face zero hesitation when she was 12
like thats funny. thats really funny
I really digging the epistolary format of these. A surprising amount of characterisation can be crammed into a search term or a couple of comments. Rain's desperation jumps off the page.
Also of interest is the tidbit about cluster mechanics that wasn't picked up by the fandom; I don't think I've ever seen any fic ever have clustermates with a primary and secondary power of similar strength. This might be because Ward never expands on this idea elsewhere.
Also, we have the first mention of what will likely be a recurring bugbear for me; the classification system. In Worm, power classifications are a useless bureaucratic post-hoc kludge. There is one fight where Taylor is only given ratings instead of power descriptions and it leaves her entirely unprepared. And here we have a hero referring to a cape having a "mover power with the ability to run on walls". What does "mover power" add to "the ability to run on walls"?!?! Its fine here, because its possibly a hero, like Weaver, inflected by the PRT's bureaucratic ticks, but from what I know of Ward and of Weaverdice, it seems that Wildbow forgot that the classifications aren't useful and aren't an intrinsic part of the power system.
Internal Inconsistency Counter: 6 (nc)
Inconsistency with Worm Counter: 1 (nc)
Number of times I've complained about power classifications: 1 (+1)
the funniest part of the endgame sequence of Worm is when the narrative completely forgets about the END OF THE WORLD for a hot second to describe in great detail how sexy and effeminate Marquis is. how even though she isn't usually interested in feminine men or older men Amy's dad is gnc af and just so incredibly fuckable. Taylor there's people that are dying
I made a zine! An Inaccurate Recap of "The Power Fantasy" Issue 1. It's the dumbest, messiest thing I've drawn in a looooong time, and I laughed the entire time I was drawing it. Under the cut: spoilers for the entirety of TPF #1, swear words, and some incredibly cartoonish violence.
...it's not actually as inaccurate as I thought it was going to be? I want to clarify that Heavy is saying the same thing as the other four, but means it in the opposite way. I'm not doing another draft though, because any possible improvements to this would really only be making it worse.
Oh, and here's the whole thing laid out in zine format. Feel free to print, cut out along the border, and assemble- here's a decent diagram of how to fold a zine.
ok Taylor there's about a billion other ways you could have disseminated that cure to her. you could have had a bug coat itself in your sweat and then fly into her mouth when she was talking or something and you wouldn't have had to risk getting close enough for her to seriously injure or murder you. you just wanted an excuse to kiss the hot feral doggirl you've been engaging in toxic yuri with for the last 20 chapters
these two are like sisters to me.
both issues are focused on young depressed artists whose entire being, their own nature and their powers, overshadows their art.
people loving Tara (wicdiv) as a god but hating her if she wants them to see beyond her godhood with her songs/poetry vs people fearing Masumi (tpf) as a kaiju-summoning destroyer and praising her creations no matter what even though, by Masumi's own admission, she know no one really cares about her paintings.
how both are so resigned to it.
do you see my vision.
the undersiders are so funny
Hear ye, hear ye
Once again noble creatives have invented the Worm, termed on this occasion as the ‘Tactical Breach Wizard’. But be not disappointed, this is no mere repackaging, for this Worm, unlike the original, is not beloved literature but instead uses the power of lightning channeled through sigils etched in silicon to create interactable moving images. Furthermore, this Worm concerns itself with defenestration, a most joyful activity when done without harm, to a degree unconceived by the original Worm
Powers are known to be born from moments of trauma. A mother losing her child can gain necromancy to bring them back. A child in an abusive family can gain invisibility to hide when needed.
I am a therapist for those with powers. Tell me your powers, and together, we shall work through the trauma that caused it to spawn.
I love the Worm reboot; as a standalone work it’s simply brilliant, but as a reboot its overly reactive to fan criticism and fanon in a way that feels a bit mean.
Like, people didn’t like the Birdcage’s revolving door, so now it’s an inescapable super mega prison
Or how Wildbow didn’t like that people preferred Clockblocker over Golem (WB got so much hate mail after Taylor got with Golem) and so now people shipping Clockblocker with Taylor caused Clock’s career to nosedive
You think Scion is boring? Now he’s boring and evil. And everything with Amy and Vicky is obviously a reaction to a handful of (consensual) ship fics, most prominently Guts ‘n Glory, which were passed around back in the day.
What are your toughts about the 2011 edgy reboot of wildbow's characters?
First: I will let you know that i am a fan of Wilbow comics since i was 5 so i am kind of nostalgic for the 80s comics but with nearly 10 years since the end of the most important series from the reboot in 2013 with Worm i will ask you : What did you like and what did you dislike from the wildbow comics reboot? And from the pre-reboot comics?
Let me start:
From the reboots:
I loved: That they made Legend canonically gay (The tension he had with Hero in the old comics was CRAZY), that they transformed a recurrent background character with a funny hat into a plot point (Contessa) and Tattletale (They made a secondary villain into the best thing ever)
I hated: That they made Scion evil (Like really , he was boring but THIS) , Eidiolon beign the cause of the endbringers (Guy there were already a guy that did that , it was his whole thing . Why did you eliminate Fatuum and then made him into a clone) and the whole Amy with an incestous crush on Vicky (They ruined WBC's first family)
From the pre-reboot:
I loved: Taylor from teenage villain , to protectorate hero and her love triangle with golem and clockblocker , the Operation: NILBOG mini-series where we are told the origin story for Piggot and Coil and the whole Pact series (I'm a sucker for magic tales)
I hated: The revolving door prision birdcage , that they killed off hero to erase his relationship with legend and the weird clone saga.
Mostly a Worm (and The Power Fantasy) blog. Unironic Chicago Wards time jump defenderShe/her
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