Grue: A Little Too General As A Ward Or Weaverdice Power, Especially With The Side Effects Of "blocks

She’s up to Miss Militia’s interlude:

Deadpan: “the Endbringers. They seem bad”

Also deadpan: “What do I think about Dinah?” I’ve only known her for 5 seconds”

I somehow, in what was probably a moment of poor judgement, convinced my mother to read worm.

Highlights so far (shes on 7.10):

thinking Coil was spelt Coli and pronounced Coil-ee (she refuses to wear glasses)

not knowing the names of any characters

thinking Taylor is 'very practical' in reference to her cutting Lung's eyes out

just complete incomprehension at the incompetence of Taylor's teachers and the PRT

saying that she would have attacked the trio if she were Taylor

not catching any of the Wolfspider content (tbf, this is a bi woman who doesn't call herself queer because she has never been in a relationship with a woman, so her ability to detect queerness is hardly the best)

being very mad at me for not telling her why Emma is bullying Taylor

Anyway, shes only a chapter away from the Dinah reveal and a couple of chapters from Leviathan, so I'm quite excited.

Taylor being paranoid about her passenger is such a fun character trait. Like none of her friends really seemed to give much of a shit when they learned about passengers from Bonesaw, but Taylor consistently notes the times her passenger acted without her consent, she tries to talk with it, communicate with it, just anything to learn what this thing that can control her without her say wants with her. One of my favorite little details is that during the timeskip this was the focus of a lot of her therapy sessions with Yamada, trying methods like hypnosis to communicate. I think part of it is that she's inherently just paranoid about the fact that this thing is helping her sometimes and she doesn't know why and she HAS to figure it out because no one would help out of the kindness of their heart, and another part is just that she can't bear to not be in control and this is something that threatens that in a very ominous way.

Another aspect of her paranoia towards her passenger is that she doesn't want to take blame for her own actions I think. During the Behemoth fight when her ally tried to shoot Phil Sē, she pulled the gun off target with silk and got him killed. She's the one who pulled the string, but because she's genuinely unsure if it was her being wary or her passenger setting up the string she settles on the second option because it absolves her of the possible blame or need to admit she's paranoid and ready to betray people in an instance. When Glenn shows her the video of her being the most terrifying fucker in existence she ignores how horrifying she is and fixated on how her passenger moved her, and then she doesn't have to think about the fact that she'd fit right into the ranks of the Slaughterhouse Nine because well, she can blame her passenger and focus on that instead. This applies to other people too, she sees Lung not using his power and thinks that maybe he's concerned about his passenger like she is. She projects hard onto Sophia in my opinion when she says that she got violent because of her passenger. If this person she doesn't like isn't to blame for everything she inflicted on Taylor, the surely Taylor can't be blamed for the violent steps she took to take over a city. It's another way she rationalizes everything to herself, if something is so bad that she can't justify it immediately there's always the excuse of "my passenger made me do it." But crucially, Taylor ends up being aware of the fact that she's doing this during Gold Morning.

And I think it's really good that this is something she grows and accepts about herself. It's wonderful growth for a character who's so often too stubborn to move herself forward. She's generally more in touch with her passenger during Gold Morning, like the time when she thinks that her and her passenger were in agreement in wanting to hurt Scion on the oil rig. No one else in Worm really seems to accept their passengers, Riley is questioning how much of herself has been subsumed by it, Eidolon is always annoyed it doesn't give what he wants, and most other people don't even know about them. But Taylor forms a bit of a symbiosis with hers after a long time rejecting it at every turn. I think this quote really sums up her feelings towards the end.

And by towards the end I mean like, at the very end, because immediately after this thought she becomes Khepri, and yet another fucking theme and character trait cumulates and reaches its peak with Speck. God damn what a good arc. The blur between Taylor and her passenger that she always feared is finally an actual thing consuming her, and she can finally communicate with her passenger as well. I do wonder what this is like on her passengers end. It's clearly down for the idea of killing its maker, and it's heavily implied that her passenger does care and doesn't want to actually leave Taylor as a husk (too lazy to get the quote because I've been typing for 45 minutes but Contessa remarks upon the administrator claiming everything about her until there's nothing left and she feels fear that she thinks is from both her and her passenger. 30.7 I think, near the end). But there's still so much about Taylor's passenger that's unknown. Was communication something it may have wanted when Taylor kept trying to communicate, but doing so required punching holes in the connection that would lead to more bleed through and functionally destroy its host? Did it slowly grow to care for Taylor more than the cycle, or was it always wanting to fight Scion? Did Taylor's autistic swag convince a multidimensional alien made of crystal to rebel? Is Queen Administrator trans? Idk how to end this post if it's not obvious, sorry.

i really like how worm commits to making superpowered characters weird. i think in most superhero media, superpowered characters are largely distinct, normal individuals with powers tacked on like tools they can use. but in worm, having a power kind of inherently puts you to the left of being entirely human. in worm, the lines between the power and the person are blurred, both literally in terms of how shards work & in terms of how powers present themselves. you can’t have a power without it altering your relationship to your mind and body.

and the “relationship to your body” bit applies to almost all capes, not just the ones who have been physically altered by their powers! whenever the experience of having a (not physically altering) power is described, it‘s phrased as being some sort of additional sense or sensation in a way that is still inextricably connected to the cape’s physical self. imp’s power isn’t just “okay, i’m invisible now,” it’s “i can physically feel my power rolling over my skin and jabbing out into the air to push memories of me away.” 

the other examples i specifically have in mind here are skitter and regent. skitter’s power isn’t just “move the bugs and make them bite people,” they’re effectively a part of her. like additional limbs. she keeps functioning in fights when her human body is knocked the fuck out on the ground because the rest of her body–a million other little bodies–is still there to work with. the fact that she has millions of extra eyeballs at any given moment means it’s not actually so bad when the two of them that happen to be physically connected to her human body are blinded, which results in my favorite Worm Out Of Context ever:

and regent has one of my favorite subtle, uncanny examples of a power that seems like it shouldn’t alter the power-haver’s connection to their own body, but does anyway. in alec’s interlude, while he’s puppeting sophia, there’s a point where the undersiders get far away enough from her that it makes it more difficult for him to control her. he starts struggling to coordinate her movements.

the uncanny part is that he starts struggling to control his own body’s movements, as well. he puts his alec-self’s earbuds in so that he doesn’t have to talk to anyone, because he knows that if he did speak, he’d start stuttering and slurring his words from loss of physical control. sure, his alec-self is the body he’ll end up in when he’s done using his power, and his sophia-self was taken by force, so there’s obviously a distinction between the two, but that doesn’t make his alec-self easier to control. his power implicitly calls the separation between himself and the people he’s puppeting into question. he doesn’t get to have a “main” body he can control without effort, he has to divide his attention between each body and put concentration into moving each of them. in that way, his own body is placed in the same category as the bodies he’s hijacked. it’s Weird!

i hope someone in this setting has time powers so 1970s magus can come and break 1999 magus' fucking jaw

73, Charlotte?

Lets see, 73 is Great King Rat by Queen. Yet another song I got into 'cause of Eidolon.

Hmm. I'll be honest, I haven't though much about Charlotte. She doesn't take up a lot of space in my head, except for thinking about how she went from White Kid with Dreads to known businesswoman and community organizer. I'd like to think that she lost the mayoral election because she still has the dreads.

If I was gonna make a fic about her....hm, we only get a limited sense of how she feels working under Taylor, especially given her past view of her from the bullying campaign. You might be able to write a neat fic that shows her view of Taylor during their schooldays as a pitiful, kind of disgusting figure, and then transfer to her viewpoint during the warlord era where she sees Taylor as powerful and worthy of respect, but still fundamentally disgusting. Something that deals with her feeling under the heel of what she'd otherwise consider vermin. I don't think that's actually how she views Taylor, but it'd be a neat spin on her character.

Zion Worm 🤝 The Queen Power Fantasy

Mysterious alien entities who decide the uk really just needs to fucking go

Finally finished worm!!!😭😭😭 So i drew some fanarts!! I may or may not make an short animation!!

When we realized they're just kids...

Bug Porn

Regent *exasperated*: Will Taylor please stop with the bug porn!

Taylor *from behind a bug filled aquarium*: It's not bug porn! They're mating because I need more!

Regent: That's exactly what a bug porn lover would say!

Aisha: Hey, we don't kinkshame in this house

Taylor: Not a kink

Lisa: Yeah, leave TayTay alone. Autistic have hobbies too.

Taylor: Not a Hobby

Regent: She needs to be stopped

Taylor: This energy isn't good for them! It took me forever to convince this many to mate!

Brian: Convince them?

Regent: Are you saying you respectfully asked the spiders to have sex?

Aisha: I too love consent

Taylor *groaning and hissing, too frustrated to properly communicate*

Rachel *aggressively body tackling everyone away*: She wants to be left alone!

heavy power fantasy is so cool i wish i could crush my enemies into meat orbs

73, Charlotte?

Lets see, 73 is Great King Rat by Queen. Yet another song I got into 'cause of Eidolon.

Hmm. I'll be honest, I haven't though much about Charlotte. She doesn't take up a lot of space in my head, except for thinking about how she went from White Kid with Dreads to known businesswoman and community organizer. I'd like to think that she lost the mayoral election because she still has the dreads.

If I was gonna make a fic about her....hm, we only get a limited sense of how she feels working under Taylor, especially given her past view of her from the bullying campaign. You might be able to write a neat fic that shows her view of Taylor during their schooldays as a pitiful, kind of disgusting figure, and then transfer to her viewpoint during the warlord era where she sees Taylor as powerful and worthy of respect, but still fundamentally disgusting. Something that deals with her feeling under the heel of what she'd otherwise consider vermin. I don't think that's actually how she views Taylor, but it'd be a neat spin on her character.