CULT OF THE LAMB (2022) š
i know we joke about cis artists having the weirdest sense of anatomy, but also even when the anatomy is fine, no one seems to want to draw women doing normal things
[Image Source]
Shared from Science.org.
It would be pretty easy to guess that Garfield was a tomcat even if you didnāt know his nameāor didnāt want to peek under his tail. Most orange cats are boys, a quirk of feline genetics that also explains why almost all calicos and tortoiseshells are girls.
Scientists curious about those sex differencesāor perhaps just cat loversāhave spent more than 60 years unsuccessfully seeking the gene that causes orange fur and the striking patchwork of colors in calicos and tortoiseshells. Now, two teams have independently found the long-awaited mutation and discovered a protein that influences hair color in a way never seen before in any animal.
āI am fully convinced this is the gene and am happy,ā says Carolyn Brown, a University of British Columbia geneticist who was not involved in either study. āItās a question Iāve always wanted the answer to.ā
Scientists have long been fascinated by tortoiseshell and calico cats: the offspring of a black cat and an orange cat. Multicolored cats from such a cross are almost always female, suggesting the gene variant that makes fur orange or black is located on the X chromosome. The male offspring of such a cross are typically unicolor because they inherit just one parentās X chromosome: We can guess, for instance, that Garfieldās mother is orange because he inherited his only X chromosome from her.**
But female cats inherit an X chromosome from each parent. Cells donāt generally need both, so during embryonic development each cell randomly chooses one X to express genes from. The other chromosome rolls up into a mostly inert ballāa phenomenon called X inactivation. As a result, tortoiseshell cats end up with separate patches of black and orange fur depending on which chromosome was inactivated in that part of their skin. Calico cats add white fur into the mix because they have a second, unrelated genetic mechanism that shuts down pigment production in some cells.
In most mammals, including humans, red hair is caused by mutations in one cell surface protein, Mc1r, that determines whether skin cells called melanocytes produce a dark pigment or a lighter red-yellow pigment in skin or hair. Mutations that make Mc1r less active cause melanocytes to get āstuckā producing the light pigment.
But the gene encoding Mc1r didnāt seem explain where catsā orange fur came from. It isnāt located on the X chromosome in cats or any other speciesāand most orange cats donāt have Mc1r mutations. āItās been a genetic mystery, a conundrum,ā says Greg Barsh, a geneticist at Stanford University.
To solve it, Barshās team collected skin samples from four orange and four nonorange fetuses from cats at spay-neuter clinics. As a proxy to determine how individual skin cells express genes, the researchers measured the amount of RNA that each melanocyte was producing and determined the gene it encoded. Melanocytes from orange cats, they found, made 13 times as much RNA from a gene called Arhgap36. The gene is located on the X chromosome, which led the team to think they had the key to orange color.
But when the researchers looked at Arhgap36ās genetic sequence in orange cats, they didnāt find any mutations in the DNA that encodes the Arhgap36 protein. Instead, they found the orange cats were missing a nearby stretch of DNA that didnāt affect the proteinās amino acid components but might be involved in regulating how much of it the cell produced. Scanning a database of 188 cat genomes, Barshās team found every single orange, calico, and tortoiseshell cat had the exact same mutation. The group reports the discovery this month on the preprint server bioRxiv.
A separate study, also posted to bioRxiv this month, confirms these findings. Similar experiments run by developmental biologist Hiroyuki Sasaki at Kyushu University and his colleagues revealed the same genetic deletion in 24 feral and pet cats from Japan, as well as among 258 cat genomes collected from around the world. They also found that skin from calico cats had more Arghap36 RNA in orange regions than in brown or black regions. Moreover Arhgap36 genes in mice, cats, and humans acquire chemical modifications that silence them on one of the two X chromosomes in females, Sasakiās team documented, suggesting the gene is subject to X inactivation.
When Barsh and Sasaki learned their respective teams had discovered the same mutation, they decided to post their preprints at the same time. (Because they are preprints, neither study has been peer reviewed.) Both groups further found that increasing the amount of Arhgap36 in melanocytes activates a molecular pathway that switches the cells to producing light red pigment regardless of whether MC1r is active.
No one previously knew Arhgap36 could affect skin or hair colorationāit is involved in many aspects of embryonic development, and major mutations that affect its function throughout the body would probably kill the animal, Barsh says. But because the deletion mutation appears to only affect Arhgap36 function in melanocytes, cats with the mutation are not only healthy, but also cute.
Arhgap36ās inactivation pattern in calicos and tortoiseshells is typical of a gene on the X chromosome, Brown says, but itās unusual that a deletion mutation would make a gene more active, not less. āThere is probably something special about cats.ā
Experts are thrilled by the two studies. āItās a long-awaited gene,ā says Leslie Lyons, a feline geneticist at the University of Missouri. The discovery of a new molecular pathway for hair color was unexpected, she says, but sheās not surprised how complex the interactions seem to be. āNo gene ever stands by itself.ā
Lyons would like to know where and when the mutation first appeared: There is some evidence, she says, that certain mummified Egyptian cats were orange. Research into cat color has revealed all kinds of phenomena, she says, including how the environment influences gene expression. āEverything you need to know about genetics you can learn from your cat.ā
A Deletion at the X-linked Arhgap36 Gene Locus is Associated With the Orange Coloration of Tortoiseshell and Calico Cats
Molecular and Genetic Characterization of Sex-linked Orange Coat Color in the Domestic Cat
**Minor correction: Garfieldās mother could also have been a tortoiseshell.
caterpillar
things i did that forced me to be a better artist:
used a reference for everything
thinner line art (you think thats thin? go thinnerā¦.)
sketch, then do a cleaner sketch, THEN start finalizing
THUMBNAILS
color research, picking a set palette or light/dark for each work
you like that pose? redo it one more time
USE A DAMN REFERENCE
do not rely on stylization as an excuse for anatomy
draw the goddamn background you coward
just draw the hand- a bad hand is better than a hidden hand
the rule of thirds WORKS
take a considerable break between sketch and lines/paint
know that art takes longer as you get better at it
draw the seams on clothes
stop aiming for accuracy and focus on fluidity and motion, accuracy will come with practice of those two concepts
justā¦do the chiaroscuro. just DO IT. no excuses it always works
stop making excuses, make yourself an art schedule/set weekly(or daily) art goals and just DO IT.
Do you have any screen caps of Shamura's temple? I'm just looking for refs and can't find a good one
took some for you!! hope these are okay :))
the rotating fire thingies are only there in post game, the rest seems to be the same regardless though, i looked up a playthrough rq to check cuz its been a minute since ive fought regular shamura
if theres anything more specific you need lmk!! im paused in the room still so i can grab it for you real quick
(1)Learn the rules before you break them + Gather proper references
(2) Understand what you want to break and how
(3) Can't do it? Find someone who can
(4) It's going to look really bad for a while
(5) Have fun with it!
(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.
-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.
(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE⨠I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!
(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.
(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.
(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!āØļø Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that youāre supposed to do warm up sketches every time youāre about to work on serious art when youāre fuckin twenty-five
HII my character & shape design tips PDF is now available! ^_^ hope you enjoy !!
BUY HERE or HERE
People who like mantises but aren't that into entomology are always "orchid mantises" this and "orchid mantises" that. Overrated. Can we talk about Toxodera integrifolia for a minute:
(Image links because as much as it pains me I've never seen one of these beauties irl: 1 2 3)
Like how are these things real. Girl what is that thorax shape. Why are you wearing eyeliner. And the colors? Absolutely fire. This is a 10/10 insect if you ask me.
main/art account @kitunes-0 // Here I repost stuff I want to come back to later!
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