One Of The Funniest Things About Enemies-to-lovers Ships Is How They’re Almost Always Obsessed With

Rohan has normal adult problems.

Random, but a really handy way to make things seem creepy or wrong in horror is to make them incongruously neat or clean:

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

And fun

you found out today that a phrase you have used before was coined by an abusive man. this felt like getting your teeth taken out. it made you sick and sad and tired, but not surprised.

bad people tell you to be careful when you talk badly of bad men, that it could "ruin" a life. you had your life ruined by a bad man, not that it ever matters to them. your real life having real consequences is not valued as highly as the potential of his future.

this has always been a frustrating little mathematics problem for you. you've missed school and had to call out sick at work and had panic attacks that lasted for weeks. it stole sleep and food and friends from you. you cried in public, fucked your relationships up. and the whole time: your present has never mattered so much as the great what if! of his future. like - one life (your life) is already ruined, should we really ruin two?

so you live with the consequences and he doesn't, and that's just like, something you need therapy for. you once discussed this with one of your friends over coffee. she chewed the wooden stirrer, looked off into the distance. "once i became a victim, everything that happens to me afterward is automatically less interesting in the eyes of the general public. it is always about him. he changed my identity. to survivor. to statistic. meanwhile this whole time - i am a person."

you learned in college that three out of five of your favorite artists and authors were actually abusive assholes. these days, you are no longer surprised. oh, is that what was happening behind closed doors? of course it was, he was a "genius," and she was just a girl. you are talking about him in art history, so obviously his career was absolutely ruined, for eternity. that's what happens, right? they strike your name from the record and refuse to remember you? nobody really knows her name, but hey. that's what you get for being close to celebrity.

you got into an argument about it, which was a bad argument, because it made you cry. he said what, you want us to just ignore all the things this man did because he made a few women uncomfortable? and you'd balled your fists up and choked on it. later, in bed, you agonized over the response you'd been trying to articulate but never found the right moment to deploy: you are ignoring what any person could do if they weren't being fucking abused. maybe her talents far exceeded his and she was just never allowed to fucking use them. maybe we only see genius in white men because they purposefully fucking squash and silence any other people with talent.

but you'd cried about it instead of saying that, because you are the cost. you are the talent and potential that he took. you used to be brave and smart and clever and unafraid. like a lich, he stole years of your life.

quiet on set made you sad and sick and tired, but not surprised. unfortunately, one of the things he said was true: an entire network of people allowed it to continue. this is not news to you, because you have seen entire networks of people make the same fucking excuses when the same thing or-worse happened to you. and your particular story isn't even in hollywood. it was just a guy. it was still difficult getting people to stand up for you.

you and your friend wait in line for your coffee. like a standup joke, one man turns to the other and says "can't wait for every bitch to come crawling out of the woodwork complaining about harassment. it's another metoo." and you think - oh, that's the network. your boss tucks her hair back and whispers that while your skirt is cute, you're giving the boys the wrong idea. that's the network. when you'd told your "friend" about what happened, she'd said oh you must have misunderstood, that would never happen. and that's the network.

you woke up this morning panting, because years later you still have panic attacks. oh, it's not a network, actually, it's a web. and you, little moth: are you still surprised you're caught in it?

The Lady with the Dog

"We used to be friends, but we're not anymore.."

Fucked up how humanity discovered electricity and radiation and made machines and learned to make airplanes and cured diseases and our takeaway isnt that "Some Magic Is Real And Here's Why", but that magic is fake this is big boy science and it's totally not magical

Ah... Dungeon food. Available as a print!

number 9 burger king foot lettuce

made this while watching ep 1 of dunmeshi

A small but crucial detail I really love about S3e12 and Reigen’s whole encounter with ??? is the fact that Reigen doesn’t break down until he lays eyes on Mob.

Reigen is calm and collected throughout the “earthquakes”, realizing that Mob’s causing the disaster, running after him, and braving his way through the tornado. He’s determined to reach Mob at all costs and never wavers or hesitates.

Reigen calls out to Mob when he sees his silhouette in the distance, but it’s not until Reigen struggles close enough to Mob to actually see the state he’s in that his composure crumbles.

And it crumbles. It’s the first time the audience has ever seen Reigen so openly upset. I am not exaggerating by saying that Reigen is genuinely desperate and distraught, and it happened the moment Reigen made visual contact with Mob.

And this isn’t even taking into account him breaking down into tears talking with Mob. This is just the start of the encounter.

I like this little detail so much because it accentuates the fact that Reigen truly didn’t have any idea what Mob was dealing with or holding inside. All of the evidence pointed to Mob being the cause of the disaster. Reigen knew on a logical level that this was Mob’s power at work (“But Mob’s in the center of that tornado, right?”). But I think Reigen still refused to believe it on a more emotional level. To Reigen, Mob can do no wrong. Reigen sees Mob with such a favorable tint, I’m sure in that moment everything seemed so unreal to Reigen that he couldn’t make himself believe Mob was capable of this.

But when he finally catches a visual of Mob in his ??? form, he sees Mob wrapped in a sinister red energy and absolutely monstrous, his shape blurry and poorly defined from his raw power distorting it into charcoal-like smudges, his face stuck in a pained grimace. ??? looks so out of place in the normal animation style that he seems otherworldly, like he belongs in a different dimension.

The only thing keeping Reigen in denial was not directly seeing Mob rampaging around the city. So when Reigen saw ???, the realizations and the gravity of the situation just hit him all at once and he flew into a desperate panic.

It just seems so like Reigen to downplay Mob’s ability to hurt, both himself and others.

I hope this makes sense lol i’m so tired