I Would Like To Force Gently Nudge Broken And Stubborn To Hug Just Once, Please.

I would like to force gently nudge Broken and Stubborn to hug just once, please.

They were arguing.

I Would Like To Force Gently Nudge Broken And Stubborn To Hug Just Once, Please.
I Would Like To Force Gently Nudge Broken And Stubborn To Hug Just Once, Please.
I Would Like To Force Gently Nudge Broken And Stubborn To Hug Just Once, Please.

More Posts from Knightoffools and Others

9 months ago
Got Reallllly Good Photos Of My Leshy Cosplay Done!

Got reallllly good photos of my leshy cosplay done!

Photos by Seckora Photography

Got Reallllly Good Photos Of My Leshy Cosplay Done!
1 year ago

What was happening when you left him in the basement? Why was he screaming? 😰

well youre not really supposed to know.

but here's a clearer lead-up

What Was Happening When You Left Him In The Basement? Why Was He Screaming? 😰
What Was Happening When You Left Him In The Basement? Why Was He Screaming? 😰
What Was Happening When You Left Him In The Basement? Why Was He Screaming? 😰

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9 months ago

need people to stop calling long quiet/shifting mound toxic. guys you are missing the point. this is not a toxic relationship. the only reason the horrible things happened was because the narrator took something that was never supposed to be separated and ripped it apart and the two halves clawed their way back to each other. its not toxic murder partners its not theyre obsessed with the cycle of violence. the point is BREAKING the cycle of violence. the point is that the love is there, its not always strong enough to stop the hurting but its always there. its about loving people even when theyre messy. its about conflict making people stronger and helping them understand every piece of each other. its about inextricable connections between people, souls, concepts. the relationship between them alone goes so far beyond "toxic cycle of violence lovers" and it drives me CRAZY to see people saying thats what the game is about because even JUST the relationship is not about that and the game in its entirety is about so much more. stop calling it toxic love. thats not what it is. you are missing the point.

- tlq

10 months ago

are you alright? you haven’t really been radio silent but you haven’t really been active either, i’m just checking on you

I’m alive, I was thinking of making an actual fan game of the swap au so ppl could actually play it instead of just see it. Which does require some knowledge of coding which I’ve been working on. Don’t worry I’ve not stopped at all on the project just refocusing it to be playable. Which will take a while. 😊

11 months ago

ok let me cook for just a split second

i read this post and i got quite inspired

Ok Let Me Cook For Just A Split Second
Ok Let Me Cook For Just A Split Second
Ok Let Me Cook For Just A Split Second
Ok Let Me Cook For Just A Split Second
Ok Let Me Cook For Just A Split Second
Ok Let Me Cook For Just A Split Second

ehh parte one


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6 months ago
It's Hard Being A Field Medic For The God Of War, Huh?
It's Hard Being A Field Medic For The God Of War, Huh?
It's Hard Being A Field Medic For The God Of War, Huh?
It's Hard Being A Field Medic For The God Of War, Huh?
It's Hard Being A Field Medic For The God Of War, Huh?

It's hard being a field medic for the god of war, huh?

7 months ago
I Don’t Wanna, Why Do I Have To? Can I Not? What If I Just Lay Here And Don’t Think About It? Maybe

I don’t wanna, why do I have to? Can I not? What if I just lay here and don’t think about it? Maybe it just won’t be an issue tomorrow.


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8 months ago

Thinking about how the Narrator doesn't really know if the world stays saved when we die, and yet in some cases He tries to reassure/console us during our 'last moments'.

"You've paid a terrible price, but you've saved us all." He doesn't know that. Maybe He's just trying to describe it into existence, hoping that if you die with the thought, it'll become true? But in other times, He's sure that our death means doom for whatever world we've left behind. "The world doesn't stay saved if you die." Then why tell us that we've saved it?

I also think it's interesting how emotional Narrator gets by the end of each chapter 1. He treats us differently based on our actions and how we approach the situation.

If we try and save the Princess, he purposely makes our death as long and painful as he possibly can, presumably, out of pure spite. "It is agony. But you aren't dead yet." "She sinks the blade into your chest again, and again, and again... and you feel every inch of burning pain that slices itself into your body."

If we resist his instructions at first, but give in later, he seems genuinely apologetic. "This can't actually be how everything ends..!" "I'm sorry, but it is." or "As much as I'd preferred for things to have gone differently, I can't deny the reality of what has happened." He wants this to work, and he wants us to come out happy and content by the end of it.

He seems caught off guard in the Spectre route if we try to kill her while she's in our body. "Slay her would slay you. Are you sure you're willing to do that?" One would expect Him to immedietly be on board with whatever plan gets rid of Her, but the "heroic"(in His eyes) gesture immedietly makes Narrator develop a soft spot and start to worry for our well being. He doesn't like the idea of the hero being denied their happy ending.

He genuinely believes the Princess to be a manifestation of everything evil in the world and constantly denies her any personhood. It's not an active choice either, as Narrator is an Echo with a set amount of beliefs that cannot be changed. He never changes His mind about anything and one of His core beliefs is that He is right. He has to be, otherwise everything he'd done, everything he went through, it would all be for nothing.

That which was once a defensive thought, shaped by his own hurt and unwillingness to see another perspective, becomes a universal truth.

1 year ago
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.

she tried to pull that shackle blade stunt again. he tries to get the lady out of your eye.

She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.
She Tried To Pull That Shackle Blade Stunt Again. He Tries To Get The Lady Out Of Your Eye.

you give him the knife. he maneuvers it to cut out one hand and release the other. he takes off the mask and "dies"

(if you investigate his Wisp Brain, the Lady gets out.)

There he is, as always, the Prisoner equivalent: The Epigram.


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11 months ago

don't know if I'll get to draw anything for pride, but here's something I need to put out there:

Slay the Princess is probably the most aromantic love story I ever seen

from the way it's told, to how the characters go about it, there's just smth inherently aromantic about the love story between Shifty and Quiet. Smth about how attraction is rarely brought up, how even the most straightforward romantic routes go about it in an unconventional way, the way the characters themselves describe their care and love for each other– it's just so. so very queer in many ways. And as an aromantic person who almost never feels any form of attraction and relates to loveless aros, there's just smth really comforting about a love story that goes about it in the most unconventional ways possible.


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KnightOfFools

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