Bunch Of Persona 5 Sketches For An Au Made To Keep Myself Awake In Class

"If you look really, really close, you can see there's a dead pixel in the upper right corner."

Original:

“Until we meet again, Ace.”

Look, a warrior Penelope AU I made using your designs as inspiration

wait I actually love this so much

wait what why are my hands moving on their own what are they drawin-

• Message In A Bottle pt. 4 •

What could have been…

NOTE: In case anyone is wondering, I added the gif below the video because the video cut off the moment where Charlie pulls Vaggie closer and I wanted it in.

Now, I am going to ramble on in various bulllet points why I love this scene, from what I've notice and what other people have noticed in this reprise as well. Be prepared for a long post. And enjoy.

Vaggie's soft "Charlie?" when she sees her girlfriend upset. And Charlie being honest about her fears of losing instead of putting on a smile and brave face like she did earlier in the episode.

Vaggie's starting off the reprise by reminding Charlie of all the good she's done and all of the people she's helped by creating the Hotel.

When Vaggie starts singing, Charlie still has a forlorn expression on her face but immediately smiles when Vaggie touches her cheek; and unlike her big and implicitly forced smiles earlier in the episode, it's a small smile that shows she's still scared but deeply appreciates her girlfriend's comfort. And when Vaggie touches her cheek, Charlie goes to touch the former's wrist.

Vaggie grabbing Charlie's hand and guiding her from the dark to the light. Symbolism, anyone?

Possibly my favorite line from Vaggie in the song - "And in the end, if it's only me you saved" - Vaggie isn't a sinner but a fallen Exorcist Angel that Charlie found and rescued from near death; so, she doesn't need to be redeemed in a literal sense. But, here? Vaggie is telling Charlie that even if everything goes wrong, that even if they don't know that their plan to redeem Sinners will work, that whatever happens, Charlie must know ONE thing - the Princess saved the Soldier not only from death but also saved her soul. Vaggie was cast out by Lute and Adam for showing mercy but then rescued by the Princess of Hell who's all about mercy and forgiveness. Vaggie is telling Charlie that the latter helped her own redemption.

Charlie's smile going from a small, tired small to an even bigger, love-filled one. Vaggie's emotional comfort really helped calm Charlie's fears.

Another line from the couple that I really love, "There's something that I've been dying to say" - For the past 6 months, the duo have been under enormous stress from the upcoming 2nd extermination, helping to redeem Sinners, being mocked from all corners, and personal issues (i.e., Charlie hurt and angry over Vaggie's secrecy). It's been fast-paced and chaotic, so much they haven't been given a moment to really just be a couple. And the next day, they have to face off against Heaven's Army and might not make it. But in this quiet moment, Charlie and Vaggie are able to fully express their love for one another for the first time in a long time. No interruptions, no business, just them. And honestly, I LOVE the line so much.

Just the look of peace and vulnerability from Charlie when Vaggie gently strokes the former's hair and cheek. The Princess has been so stressed and scared but having the love of her life be by her is a truly calming presence.

The happy sighs they both make after they kiss.

Charlie pulling Vaggie closer while they are kissing.

Possible wedding foreshadowing. That's it. I predict marriage given how they are positioned. And I hope I am right.

They definitely had sex after this. I mean, you can hear them sigh happily once they kiss, Charlie pulls her closer, and they're going into battle the next day.

French version of the song translates, “More than anything” to “Tu es tout pour moi” which directly translates to “You are everything for me” or “You are my everything”.

Again in the French version, “Need you to know I love you more than anything” becomes “Je t’aime par-dessus tout et je ne veux que toi” which translates to “I love you above all and I only want you”.

In the Italian version, the line is translated to, "Whatever happens, just know that/You are my everything".

Doodle dumping my "new" fixation

it's too cold outside for angels to fly

This scene from one of the Suicide Squad movies reminded me of team ENA so I had to animate it ✨This drawing helped me a lot with the posing of the shotgun!!

Alyx - The Protagonist

Yang: But she was kind of a mean person, right? She lied and cheated her way through most of the book. Weiss: She was trying to survive. The morals of those old stories are so simplistic.

This exchange is interesting, especially because it is not the first time characters interpret Alyx in opposite ways.

Oscar sees her as a child who goes on an adventure, is changed by it and struggles to go home:

Oscar: I thought the idea of falling through Remnant into a new world was exciting. I never understood why she was so sad when she finally made it back home. But now it makes more sense.

Ozpin sees her as a girl, who runs away from her problems in a fantastical dimension:

Ozpin: I was recently reminded of an old fairy tale. A young girl flees the consequences of a choice, to a magical place. But, having never learned from her initial failure, she only succeeds in spreading it.

All of these characters project parts of themselves on Alyx:

Oscar sees her as lost, because he himself feels lost and away from home.

Ozpin describes her as a coward because he himself has run away into Oscar's subconscious.

Yang criticizes Alyx's tendency to lie and cheat because she sees these 2 attributes as the worst of the worst. She is conveniently ignoring she herself has been omitting information about Raven. Not to count that lie, cheat, survive are ideas that apply to Raven specifically. This means there is a part of Yang she herself is not confronting.

Weiss sympathizes with Alyx and refuses the moral of the story as too childish. Which kind of adult would truly believe that lying and cheating to survive is wrong? Except that Weiss's whole arc revolves around her embracing childishness once again and finding the hope and wonder that was stolen from her as a child.

So, everyone sees Alyx as a part of herself, but who is Alyx really?

ALYX - THE CHARACTER

Alyx is no-one, just a shadow:

Just an empty silhouette that can be filled by anyone:

This is what characters are, especially protagonists that are meant to carry a whole story on their shoulders:

Blake: I've read so many stories... I never thought I'll be the moral of one.

Characters are in stories to teach people morals and to convey messages. Basically, they all have purposes:

Blake: Have you ever heard the namy Alyx? Little: Alyx... Is that a purpose?

Maybe this is the real reason why names equals purposes in the Ever After. It is because characters are their purposes in a story... and yet, people are much more. So, what happens when a person ends up making their sense of identity overlap with their purpose?

Little: And is to Ruby Rose your purpose?

They lose themselves. Like it is happening to Ruby and like it has most likely happened to Alyx.

Weiss: What did Jinxy want from Alyx? Blake: Her saddest memories and her happiest.

Jinxy wanted Alyx's saddest and happiest memories. If a person loses both, they lose their past self. They lose who they are. It is probable Alyx chooses to leave the previous "her" behind, but can't forge any new identity, trapped forever to be a character. A protagonist. A fairy tale.

RWBY - THE LEGENDS

Blake: We are doing the same thing Alyx did. We are ruining everything!

Here, Blake is talking about RWBY's predicament in Ever After. She thinks that since they know how the story goes, they should be able to avoid Alyx's mistakes. She is frustrated they can't and overreacts. Why is she so emotional about it?

Because Blake is not talking about the Ever After. She probably means this:

Weiss: Maybe Jaune and Winter were able to get them out. Despite everything. Despite us.

RWBY has seen the adults fail at Beacon, so they strived to be better. They learnt from their mentors' mistakes, grew stronger and chose a different approach. Only to fail in the exact same way.

Blake and Weiss are having opposite reactions to the Ever After, but deep down they are dealing with the same sense of failure.

Blake is filtering it through a fairy tale. They must do everything perfectly here in Ever After, because if they can't, what good are even they?

Weiss is dealing with it by refusing the fairy tale. They messed up so royally in Remnant, that who cares what happens in this bizzarre world, which isn't theirs?

What about Yang and Ruby?

Yang is reacting the same as ever. She is going with the flaw and cracking jokes:

Ren: It's okay to be afraid, you know. You don't always have to hide it with a joke.

Ruby is choosing to push forward:

Ruby: We may not know exactly what's going on, but for whatever reason, this place is putting us on a similar path as a book we all read as kids. I say we follow it and stop pretending we know what we are doing.

She is given the role of Alyx and she is determined to fulfill it. She is stepping once again in the role of a protagonist. And yet, to keep on following an already pre-established script without putting that much mind to it isn't the right answer.

The fairy tale should be a chance for Ruby to face heself: who she was, who she is and who she wants to become.

What if you could leave Ruby Rose behind, shed like an old coat? What might happen, if you don't?

Isn't it interesting that the metaphor of an old coat is used? What is a little red hood if not something similar to a coat? A mantle (similar to that of a superhero for that matter) that Ruby chooses to wear? Who is she outside it? Outside her allusion? Outside her fairy tale?

The same goes for RWBY as a whole. They aren't in training anymore. They are Huntresses and are slowly growing into legends. They saved Haven, protected an ancient Relic, decided the fate of a Kingdom. Ruby is famous worldwide as the young Huntress who is challenging Salem. They are growing into more than just themselves. And yet, this is extremely dangerous, because losing one-self in a bigger tale is rather easy:

Pyrrha: For it is in passing that we achieve immortality. Through this, we become a paragon of virtue and glory to rise above all.

This is why they are in a fairy tale they all know deep down, even if they have forgotten. It is so they can reconnect with whom they are. Metaphorically, they are going back to The Girl Who Fell Through The World, so that they can look at it from a different perspective. What teachings would they learn that they missed as kids? What will they discover?

What's sure is that they won't get anything if they keep refusing it (Weiss), not taking it seriously (Yang), being too worried about doing everything perfectly (Blake), following the script without thinking too much about it (Ruby).

ALYX - THE PERSON

RWBY must find themselves again and it would be interesting if they succeed by finding Alyx, as well.

In general, I think Neo, Jaune and Alyx are all characters the protagonists must "find" if they really want to figure out the world and their current situation. It is easy to see how this may work out for Neo, an enemy mad with grief, and Jaune, a friend traumatized and lonely.

What about Alyx?

It is possible she might stay in the background as a symbol. However, some hints suggest there might be more to it:

Weiss: He's adorable! Blake: And a lot older than I remember from the book

The world they are in isn't exactly the same of the fairy tale. Jinxy is much older and Little isn't in the original fairy tale. This is why they have no idea who Alyx is. How can they? They are too little to remember. They are in the Ever After, but in a future version of it. This ties with the idea they are confronting their childhoods as adults. It might also be there is a reason for it plot-wise.

Everyone seems to have their own idea of what happened to Alyx. Maybe the whole point is that they will have listen to Alyx's own version of the story.

THE GODS - THE WRITERS

These meta-themes are important outside this volume and for the story, as a whole. After all, let's not forget the Gods allude to the Brother Grimms. This means they are symbolically "the writers" of the characters. Through this lens, then, the whole conflict between the God of Light especially and Salem can be summarized as a writer not being able to write a character.

The God of Light wants Salem to learn an important lesson, so he comes up with a punishment and an obstacle for her to grow. This is how usually a writer approaches a character arc. However, Salem refuses to change, as the God of Light wants. She refuses to learn the theme he desires. If anything, the result is the opposite of what the God of Light expects. Why is that so?

Because the God of Light is dumb and not such a great writer on his own :P To write humans well he needs his brother's help. That is because humans are a mix of light and darkness, of selflessness and selfishness, of logic and emotions, of mind and heart. He approaches Salem as if she were to function exactly like him, but she is much more similar to his brother. Emotional and driven by her personal wishes.

So, the Gods are the writers and RWBY and the others are characters in their hands. When is it that a character overcomes their author? When they end up communicating something their author did not see coming. In this way, they surprise the writers and help them grow. This is probably how RWBY is gonna solve its conflict.

The girls will end up embodying a theme and a teaching the Gods and Salem did not account for. In this way, they will defeat them, symbolically.

At the same time, a meta-reading can very well apply to RWBY's most existentialist themes.

Let's consider these 2 lines:

Weiss: We are not in a book and even if we were we know how it ends, right over there.

Cinder: Oh, come now. Even if you know how the story ends, that doesn't make it any less fun to watch.

Even if all lives end in the same way (death), it doesn't mean they are not beautiful and worthy to be lived. Even if you know how the story ends, it doesn't mean you should not live it fully. You should dive deep into it, embrace wonder and go through it to the very end. Skipping pages means you are just giving up on new opportunities to grow and bloom.

School has been kicking my ass but I had enough time in between to draw my hc hanvi designs !!! girlhan has infected my brain/POS ,,, they are so yuriful to me,,,,,