GONCHAROV (1973) Dir. Martin Scorsese

Hi my name is Stigmata Divine Suffering Crucifixion Christ and I have bloody stigmata wounds (that’s how I got my name) with fresh blood and a deep gash on my side that reaches my mid-back and pain-filled blue eyes like Our Lady of Sorrows’ tears and a lot of people tell me I look like Mary Magdalene (AN: if you don’t know who she is get da hell out of here!). I’m not related to Jesus Christ but I wish I was because he’s a major fucking hottie. I’m a saint but I haven’t been canonized. I have scabbed up skin. I’m also a priest, and I go to an abbey called Montecassino in Italy where I’m a newly ordained priest (I’m seventeen). I’m a catholic (in case you couldn’t tell) and I wear mostly vestments. I love the Vatican and I buy all my clothes from there. For example today I was wearing a black alb with a matching black cassock, and a black linen surplice, a red stole, and episcopal sandals. I had crimson blood dripping from the crown of thorns wounds in my head, the four nail wounds in both my hands and feet, and the spear wound in my side. I was walking outside Montecassino Abbey. It was storming and raining which made me think about Isaiah 4:6, which I was very happy about. A lot of protestants stared at me. I put up my crucifix at them.

“Hey Stigmata!” shouted a voice. I looked up. It was... Pope Francis!

“What’s up Pope?” I asked.

“Nothing.” he said shyly.

But then, I heard the archbishops call me and I had to go away.

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AN: IS it good? PLZ tell me thanks be 2 god! amen

stickers for cosplay carnival 2024. see you all lol

Rewatched Goncharov (1973) and did a few studies of my favourite scenes

CHAINSAW MUPPETS: What are "Muppets?"

a post dedicated to me laying in bed last night lining out the rules for this stupid (said lovingly) AU

CHAINSAW MAN PARTS 1 AND 2 SPOILER WARNING!

(Credit to @wyvernslovecake for the silly drawing ideas(the white text))

The burden of ideals and becoming you`r best possible self - Inspecting the themes of Horizon: Forbidden West

Horizon: Forbidden West continues and expands upon the world and story set in the first Horizon-game. The central thematic thread that runs trough the main story in Forbidden West, is connected to the protagonist Aloy and another major character, Beta. Both Aloy and Beta are clones of Elisabeth Sobeck, a genius scientist that spearheaded the Zero Dawn project, which brought life back to Earth after the Faro Swarm devoured the biosphere. As both characters are clones of Elisabeth, they are the inheritors of her legacy and dreams. It is this relationship to their their progenitor, that Forbidden West explores. How does it feel to be a clone of this respected scientist, that some people viewed as a saint? The game inspects Elisabeth as an ideal/hero, that some of the central characters, Aloy, Beta and Tilda, wish to either imitate or possess. Interestingly while Elisabeth indeed was a remarkable person, Forbidden West also dives deeper into her character and shows, that she too was a flawed individual like everyone else. Forbidden West also explores the possible pitfalls of following or trying to be an ideal or a hero, in a rigid fashion. How does that affect the person aspiring it, or how it affects the person`s views on others? What is the picture we paint of the person we put onto a pedestal? These are the questions that I will attempt to answer in this post.  

It began with a dream

A dream that Aloy recounts in the beginning of the game illustrates well, how she views Elisabeth and the relationship with her. In the dream Aloy is walking under a brilliant night sky, in a field of flowers. At the center of the field there is a tree where Aloy finds Elisabeth, inspecting her amulet. At the place where Elisabeth is sitting, a few rays of light are shining down upon her. Elisabeth wraps her amulet around Aloy and they hug warmly. Aloy explains how Elisabeth is the closest person to a mother that she never had, and that she feels whole with her. However the dream always ends the same way, the Blight corrupting everything.  

The dream communicates both verbally and visually, how Aloy views Elisabeth. The rays of light that are shinning down on Elisabeth make her look like a holy, saint-like figure. Elisabeth is a ray of hope within the darkness, but the light also illustrates how highly Aloy thinks of her. As Elisabeth wraps the globe pendant on Aloy, its symbolizes Aloy carrying Elisabeth`s legacy and dreams, the whole world on her shoulders.  Aloy seeing/portraying Elisabeth in such a high manner is not surprising, since Elisabeth Sobeck was not only a genius scientist, but a wonderful human being. Not only did she posses vast intelligence, but the emotional side of things was also important to her. That is why GAIA, the AI which governs Earth´s terraforming system, also had to care. She was supposed to be someone with emotions and an conscience. Thus this means Elisabeth is very human, and not only a calculating machine. 

However what is interesting that while the first game establishes Elisabeth as this prodigy who cared about all life, the sequel also brings up her flaws. This becomes evident during the main quest “Death`s Door”, where we see a discussion between Travis Tate and Elisabeth. Travis tries to engage Elisabeth in small, silly celebration of sorts, but she only continues to work. This prompts Travis to ask that if Elisabeth, a paragon and a near saint, had any friends or people close to her at all. 

Aloy who observes this recorded conversation tries to counter Travis´s statement by saying, that she cared about everyone. However Sylen´s interjects and says, that the path of the exceptional is one with solitude. Elisabeth`s final moments echo this statement and while she did a heroic deed, and managed to reach her home, she died alone. GAIA laments this fate.

   Keep reading

GUYS? Martin Scorsese’s daughter Francesca told him about Goncharov and he said he made that film years ago I’m fucking crying.

one of my favorite parts of moby dick is when ishmael wants/needs to tell us something but he desperately doesn't want to have to talk about it, he just buries it in a bunch of irrelevant information.

at the very beginning, he goes to church. a place filled with "silent grief... insular and incommunicable." and he sees these marble tablets on either side of the pulpit and says 'I don't really remember them all that well' (which is likely a lie. at the least it's extremely out of character for a man who directly quotes the internal monologues of other men) and proceeds to give three paraphrased examples. the first tablet is for a teenager, lost overboard off patagonia. the tablet was paid for by his sister. the second is for 6 men, taken by a whale they were hunting in the pacific. the tablet was paid for "by their surviving shipmates." the third is for a captain, killed on his own boat by a sperm whale off japan. the tablet was paid for by his widow. all seemingly normal.

except they're not. the first one is a red herring, seemingly irrelevant to our story. but the second? a memorial for a crew lost to a whale, left by their surviving shipmates? that's exactly what we're reading. the surviving shipmate is ishmael. he's all that remains. and then he pivots, drawing our attention to the much clearer parallel- the captain who loses his life on his own boat to a sperm whale. and we all immediately go "oh I know who that is! ahab!!" and ishmael succeeds. he needs us to see the sailors remembered by their surviving crew, but even more he needs to not address it. he needs us to not ask him about it. he wants this story to be told but he doesn't want to be the one telling it. he wants to pretend to be someone else, to be someone other than the one who survived. and for 135 chapters, he gets to be.

Those are Marewill flowers!

you know i forgot about that and for some reason though this was a dig at kelsier

What the past couple days have felt like