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COOPER-POSTING

(dilf manor season 2...)

AJFVSKSKFVK ON MY WAY TO WATCH IT RIGHT NOW

bring back Tony Cannoli-

I've started answering your ask, but it'll take a couple days bc there's a lot of characters and a lot I need to say

I've also been thinking about doing an updated version with the rest of the songs, and correct my opinions on the first half of the songs. I might get to that next week or later this week? That's also a hefty task, but I'll try to get to it asap :)

What's your opinion on the hazbin hotel songs?

(I've heard a few and i think they're okay..)

I'm so glad you asked bc I have some OPINIONS

(I'm not gonna talk about the pilot, just the episodes)

I've watched the first four episodes and they're better than I expected, but my expectations were on the floor

The first song is "Happy Day in Hell" from "Overture." Although this song/plotpoint should have been WAY later in the series, I like it. It feels like "Inside of Every Demon is a Rainbow" from the pilot, however both songs are on my playlist. It's a good song that serves as a recap of the pilot, showing Charlie's personality, motives, and her relationship with Vaggie (a little). It's a nice song with little substance, and feels like a Disney Princess' "i dream of something more" song. 7/10

In the same episode, we get "Hell is forever" sung by Adam. THE Adam. The first man Adam. Charlie meets with the Angels (just Adam and Lute, a girlboss exterminator who I think is in love with Adam?) and discusses her plan to redeem sinners. Adam laughs her off, singing "Hell is Forever," trying to convince Charlie that sinners can't change. Adam is such a dickbag that it's hard to like any part of this scene. He is really disrespectful towards women, grossly sexual, swears more than most characters in the show, and talks about being the "original dick." It wasn't unbearable, but it's probably the most forgettable song so far. 2/10

Next is "Stayed Gone" from the episode "Radio Killed the Video Star." It feels like a rap battle. It's a competitive song between Alastor and Vox that takes place over the radio and on TV respectively. A basic rundown is that Vox is kind of horny and down bad for Alastor, won't admit it. Vox is really pissed that Alastor came back (he was gone for 7 years) and is basically going on TV to shit on him. However, before he left, Vox had asked Alastor to join the Vees, (an influential group of overlords with names that start with 'V'; it's giving middle school popular girls) and Alastor refused. Vox is mad that Alastor didn't join, which leads Alastor to drop the iconic line "I said no and now he's pissy, that's the tea." This is probably one of my favorite songs in HH. It's catchy and unproblematic (which seems to be difficult for Viv). 8/10

"It starts with Sorry" is a song Charlie sings to Sir Pentious, telling him she'll accept him into the hotel if he owns up to his mistakes. It's an okay and forgettable song, but it's super ironic. A song about acknowledging you've hurt people, apologizing, and becoming a better person? In Vivienne fucking Medrano's show? Absolutely hilarious to listen to, if you go at it with a different perspective. Viv should take her own advice. 3/10

The episode "Scrambled Eggs" is based more around women (shocker, it wasn't written by Viv or Adam). The first song in this episode is "Respectless." It's sung by Velvette, one of the Vees, and Carmine Carmilla, an overlord. Velvette brings a decapitated angel head to an overlord meeting, and announces that angels CAN be killed, contrary to their previous belief. Velvette suggests they fight back against the angels and the exterminations, while Carmilla is adamant against it. The song's fine, but I especially love Velvette's lines. She has an English accent (Essex? I think?) and basically says "I'm not just a bitch. I'm THE bitch" and I love her for it. 5/10

Right after that, we find out that Carmilla killed the angel, which would have been shocking, but we only knew her for like, 5 minutes. The meeting's over, and it's just her and a few others. She says that she killed the angel to protect her daughters, and that going to war would endanger them again (basically "going to war endangers the people we started killing for"). She sings "Whatever it Takes" about protecting those she loves? I think, the song wasn't good enough to pay attention. This song's got a side-by-side with Vaggie, who's singing about wanting to protect Charlie. It's a sweet and nice song, but was just kinda mid. There's also a problem with Vaggie's singing, in which her voice is deep and monotonous, but her singing is light and high-pitched. 4/10

Oh boy. The next episode. "Masquerade." The first song is "Poison," sung by Angel Dust. It was released early, and got lots of hype and controversy. Similar to "Addict," it's a song where Angel talks about his struggles with addiction and his sexual abuse at the hands of his pimp, Valentino. Both of these songs are also on my playlist. It's catchy and fun to listen to, while also tackling deeper topics. Angel feels like his sexual abuse is his fault, and although he absolutely hates it, he feels like he has no choice but to stay. The song on its own? 9/10. Then the episode came out. The song shows Angel dancing and singing this song while graphic images flash behind him. Images of his rape and sexual assault. This episode had ZERO trigger warnings. The creators of this song were Viv and Raph (I can't find his last name right now). We can only speculate for Viv, but Raph 100% has a Rape kink. He ships Angel x Valentino, posts cosplay and art shipping them, publicly sexually harassed (asked for the nudes of?) a 15 year old, and essentially has admitted he finds rape and SA hot. He also lied about being an SA victim. Neither Viv nor Raph are SA victims. This song is just to fuel their rape kinks. Viv and Raph have yet to apologize for sexualizing SA, and have since doubled down on why this is "good representation." Truly disgusting, I have no choice but to say 0/10

"Loser, Baby" is similar to "Poison" in the sense that's it's fine until you REALLY think about it. In this song, Husk tells Angel that he used to be an overlord, but lost his power to Alastor. He says that he understands how Angel feels, since both their souls belong to overlords. The song is supposed to portray a "you're not alone, I understand what you're going through" message, but instead feels victim blame-y, with Husk kinda telling Angel that he should just try to ignore and move past it because everyone struggles. 6/10 song, 0/10 message

The songs were kinda disappointing, especially the last two. Fuck Vivienne Medrano

I found your sketchbook (it was in the sunroom)

:)

Btw, did you draw the cover??????

(you draw so well omg-)

thanks bestie, ur a real one

I drew everything in/on my sketchbook

(I'm honestly just glad it wasn't my other sketchbook bc that'd require a lot of explaining)

the unknown my beloved evil chocolate maker who lives in the walls

Bucky Buchanan is in love with Zed Necrodopolis. They're in love. They kiss. They smooch. They hold hands and gaze into each other's eyes. 'm sorry, I don't make the rules

DO NOT MATCH MY FREAK. I AM MENTALLY ILL. SAVE YOURSELF.

What's your opinion on the hazbin hotel songs?

(I've heard a few and i think they're okay..)

I'm so glad you asked bc I have some OPINIONS

(I'm not gonna talk about the pilot, just the episodes)

I've watched the first four episodes and they're better than I expected, but my expectations were on the floor

The first song is "Happy Day in Hell" from "Overture." Although this song/plotpoint should have been WAY later in the series, I like it. It feels like "Inside of Every Demon is a Rainbow" from the pilot, however both songs are on my playlist. It's a good song that serves as a recap of the pilot, showing Charlie's personality, motives, and her relationship with Vaggie (a little). It's a nice song with little substance, and feels like a Disney Princess' "i dream of something more" song. 7/10

In the same episode, we get "Hell is forever" sung by Adam. THE Adam. The first man Adam. Charlie meets with the Angels (just Adam and Lute, a girlboss exterminator who I think is in love with Adam?) and discusses her plan to redeem sinners. Adam laughs her off, singing "Hell is Forever," trying to convince Charlie that sinners can't change. Adam is such a dickbag that it's hard to like any part of this scene. He is really disrespectful towards women, grossly sexual, swears more than most characters in the show, and talks about being the "original dick." It wasn't unbearable, but it's probably the most forgettable song so far. 2/10

Next is "Stayed Gone" from the episode "Radio Killed the Video Star." It feels like a rap battle. It's a competitive song between Alastor and Vox that takes place over the radio and on TV respectively. A basic rundown is that Vox is kind of horny and down bad for Alastor, won't admit it. Vox is really pissed that Alastor came back (he was gone for 7 years) and is basically going on TV to shit on him. However, before he left, Vox had asked Alastor to join the Vees, (an influential group of overlords with names that start with 'V'; it's giving middle school popular girls) and Alastor refused. Vox is mad that Alastor didn't join, which leads Alastor to drop the iconic line "I said no and now he's pissy, that's the tea." This is probably one of my favorite songs in HH. It's catchy and unproblematic (which seems to be difficult for Viv). 8/10

"It starts with Sorry" is a song Charlie sings to Sir Pentious, telling him she'll accept him into the hotel if he owns up to his mistakes. It's an okay and forgettable song, but it's super ironic. A song about acknowledging you've hurt people, apologizing, and becoming a better person? In Vivienne fucking Medrano's show? Absolutely hilarious to listen to, if you go at it with a different perspective. Viv should take her own advice. 3/10

The episode "Scrambled Eggs" is based more around women (shocker, it wasn't written by Viv or Adam). The first song in this episode is "Respectless." It's sung by Velvette, one of the Vees, and Carmilla Carmine, an overlord. Velvette brings a decapitated angel head to an overlord meeting, and announces that angels CAN be killed, contrary to their previous belief. Velvette suggests they fight back against the angels and the exterminations, while Carmilla is adamant against it. The song's fine, but I especially love Velvette's lines. She has an English accent (Essex? I think?) and basically says "I'm not just a bitch. I'm THE bitch" and I love her for it. 5/10

Right after that, we find out that Carmilla killed the angel, which would have been shocking, but we only knew her for like, 5 minutes. The meeting's over, and it's just her and a few others. She says that she killed the angel to protect her daughters, and that going to war would endanger them again (basically "going to war endangers the people we started killing for"). She sings "Whatever it Takes" about protecting those she loves? I think, the song wasn't good enough to pay attention. This song's got a side-by-side with Vaggie, who's singing about wanting to protect Charlie. It's a sweet and nice song, but was just kinda mid. There's also a problem with Vaggie's singing, in which her voice is deep and monotonous, but her singing is light and high-pitched. 4/10

Oh boy. The next episode. "Masquerade." The first song is "Poison," sung by Angel Dust. It was released early, and got lots of hype and controversy. Similar to "Addict," it's a song where Angel talks about his struggles with addiction and his sexual abuse at the hands of his pimp, Valentino. Both of these songs are also on my playlist. It's catchy and fun to listen to, while also tackling deeper topics. Angel feels like his sexual abuse is his fault, and although he absolutely hates it, he feels like he has no choice but to stay. The song on its own? 9/10. Then the episode came out. The song shows Angel dancing and singing this song while graphic images flash behind him. Images of his rape and sexual assault. This episode had ZERO trigger warnings. The creators of this song were Viv and Raph (I can't find his last name right now). We can only speculate for Viv, but Raph 100% has a Rape kink. He ships Angel x Valentino, posts cosplay and art shipping them, publicly sexually harassed (asked for the nudes of?) a 15 year old, and essentially has admitted he finds rape and SA hot. He also lied about being an SA victim. Neither Viv nor Raph are SA victims. This song is just to fuel their rape kinks. Viv and Raph have yet to apologize for sexualizing SA, and have since doubled down on why this is "good representation." Truly disgusting, I have no choice but to say 0/10

"Loser, Baby" is similar to "Poison" in the sense that's it's fine until you REALLY think about it. In this song, Husk tells Angel that he used to be an overlord, but lost his power to Alastor. He says that he understands how Angel feels, since both their souls belong to overlords. The song is supposed to portray a "you're not alone, I understand what you're going through" message, but instead feels victim blame-y, with Husk kinda telling Angel that he should just try to ignore and move past it because everyone struggles. 6/10 song, 0/10 message

The songs were kinda disappointing, especially the last two. Fuck Vivienne Medrano

"pasta only fills you up with empty calories" have you considered that it also fills me with love

Stolas is the most realistic depiction of an abuser out of all of Vivziepop’s characters. He’s a manipulator who refuses to take accountability for the harm his actions have caused, and he blames everyone else. Stolas is completely focused on his feelings and wants without regard for other people.

In “Seeing Stars,” Octavia runs away because she’s tired of her father’s neglect. Stolas searches for her before his lust for Blitzo distracts him, and he spends the rest of his time thirsting over him on a comedy set. It’s Loona who finds Octavia and tells her that she needs to be grateful that her father loves her and to appreciate less than the bare minimum from him. Instead of holding Stolas responsible for neglecting his daughter, it's brushed off as a "mistake” that isn’t worth Octavia getting upset over.

It gets worse in “Full Moon,” where the Goetia prince admits his deal with Blitzo is wrong and ends it. However, Stolas blames him for making their relationship purely sexual and not recognizing his romantic feelings for him. When Blitzo speaks about how awfully he’s been treated, the Goetia prince cries about how hurt he is before kicking him out. Stolas could’ve acknowledged the imp’s pain and spoken about it, but chose to prioritize his own feelings. What makes this worse is that he successfully guilt-tripped Blitzo into regretting what he said and almost apologizing.

Stolas keeps apologizing for his actions, but he’s never changing how he behaves. When someone is furious at him, he resorts to excuses and victimizes himself. Stolas always makes his victims feel guilty for being rightfully upset with him.

He's a more realistically written abuser than Stella and Valentino ever will be.