I bet octopuses think bones are horrific. I bet all their cosmic horror stories involve rigid-limbs and hinged joints.
My girl knows what it's like to be locked behind bars. She's not blind though, just dumb.❤️
My deaf and blind dog Bitsy pouting because I “locked her in the kitchen”
every person is born with the taco bell logo tattooed on their forehead. the logo changes colors like the tumblr logo during pride month when the person who is going to t-bone you in a 4 way intersection is nearby. one day your taco bell logo starts flipping its shit when you wake up next to the love of your life. you feel betrayed.
They took in some people from a clothing store next door too. The employees could have gone home but couldn’t bring themselves to kick the customers out into the snow because some of them had an impossible three hours drive home and would have gotten stuck on the road in their cars so the employees and their boss opted to stay.
The woman who reported on the incident trekked alone through piles of snow on foot. She couldn’t bring a cameraman so everything was filmed with a small handheld camera.
They ate food from the cafeteria (meatballs of course), watched a Christmas show and football before getting to pick any bed they wanted in the store. In the morning they were served cinnamon buns and coffee/tea.
Just a cute little story to brighten your day.
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Never related to anything more
House intruders (don’t call the police)
Dog’s Reaction when he hears his Favourite Artist and Song.
(Source)
If you like frogs. Or possums. Or cool builds. Or happiness. This is the video for you.
In the West, plot is commonly thought to revolve around conflict: a confrontation between two or more elements, in which one ultimately dominates the other. The standard three- and five-act plot structures–which permeate Western media–have conflict written into their very foundations. A “problem” appears near the end of the first act; and, in the second act, the conflict generated by this problem takes center stage. Conflict is used to create reader involvement even by many post-modern writers, whose work otherwise defies traditional structure.
The necessity of conflict is preached as a kind of dogma by contemporary writers’ workshops and Internet “guides” to writing. A plot without conflict is considered dull; some even go so far as to call it impossible. This has influenced not only fiction, but writing in general–arguably even philosophy. Yet, is there any truth to this belief? Does plot necessarily hinge on conflict? No. Such claims are a product of the West’s insularity. For countless centuries, Chinese and Japanese writers have used a plot structure that does not have conflict “built in”, so to speak. Rather, it relies on exposition and contrast to generate interest. This structure is known as kishōtenketsu.
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