That brief moment you hold me so tight
your arms tremble and your voice
breaks and for that brief moment I see
into your heart and soul, your very being
and I see how you long for me and you
ache as I ache, ache to pull me closer
to bring you in to make you a part of me of
you of we not two, one being held together by
a silver cord of connection that no one or
two can sever, the pain in your eyes when I
must let go since I am one and you are one and
together we are still two not one but
someday the goodbye will cease and I see
for that moment you long as I long and I
know no doubt because I see you and you
see me and we are as close as the sea to the shore.
You step over the threshold to the
sounds of Beethoven and Mozart. Beautifully
complicated, an enigma I plan to spend
my life solving. Figuring you out is a
full time job, but all I’m paid is promises
and disappointments, affection and fear.
The definition of forever grows smaller
and smaller, a wrung out sponge. Will
we be the ones to soak it full again?
Arpeggios leave out what’s in between.
Christmas eve past found the family on powdered hills,
toboggans dragged behind by stiff fingers.
I was the brave one, the first on my sled. The one who
never held the rope, even when my parents scolded,
told me it’s better to be safe than sorry.
I thought they were silly until I took a tumble,
my face slammed by the packed snow that had
seemed so soft just a moment ago.
I wish I knew how to listen.
Is that love in your eyes, or are you just happy to
see me? Me, naked above you, beneath you,
around you. My bible lies open in the backseat,
Samson and Delilah. My legs clench your waist,
pulling you closer, deeper, further into this
stark truth: there’s no hiding from you now.
Every inch of me bare, my ugly flaws and
rosy lies, sketched across my inner thighs.
Am I good for a game? Love and sex are not
the same. There’s nothing to see here past
the hills and valleys of dimples and curves.
One, an unfamiliar smile
I don’t know how to understand.
Fingertips brush my waist, hem
of shirt, pale skin untouched
by sun. Hot breath on my ear,
body to body. Hand resting
in the small of my back. I want to
not want you as much as I do.
Two, palm runs down my side
breast to thigh. Breathe your sharp
scent. Gasp for forgiveness. Push
away, pull me close, make me
melt into seductive warmth.
Mold to match your form.
I am in over my head, and I
like not being able to breathe.
Three, tempo moves too fast,
past the barrier that was your
car door. Pressed to you,
horizontal, clothing optional.
I can’t keep up with four/four time.
Wonder if Eve knew what she
was getting into. Did she know
fear before the fruit?
Four, I can’t understand myself.
Fear, frustration, desire, despair,
give me room to breathe, I’m not
ready to go without air, not ready
to take that bite, not ready to
want you. My skin aches as you
pull away, disappointed. I guess
I don’t know how to dance.
So ends the collection, To Save A Wretch Like Me. I hope you enjoyed, whether you read the entire collection, or only caught a few poems along the way. If you haven't had a chance to read the whole thing but enjoyed what you saw, I'd encourage you to go back to the beginning and read the collection, since I think it works well as a combined product. Whatever your feelings on my work, though, I'd love to hear from you, praise, critique, comments, or questions. Or jokes. Whatever, really.
Thank you for reading!
I worry that I do not live up to your past, but you tell me the practice is as much fun as the goal. This is not the awkward introduction, but the elusive intimacy that comes with connection. You guide me as a ship captain who loves his boat enough to go down with it. Feel you, feel me, feel we as if no me could exist without you. Lead me, love me. Touch like lightning electrifies my skin. In this moment freeze. Breathe. Release. You make me weak. I wish to hold on and never be free.