Do You Have A Dl Link That Isn’t Mega?

Jessica Chastain as Lady Lucille Sharp in Crimson peak

"You must come with me, loving me, to death;

Or else hate me, and still come with me."

Joseph Sheridan Le Fanu's Carmilla 1872

Gods help us all.

core classes as undead :)

So many of you asked for a tutorial on how I paint faces/ add a light source, so here you go! 😍 Let me know if you guys have any feedback or if you want to try it yourself! 💜

The Addams Family (1991)

a quick grass tutorial

I’ve never really wrote a tutorial before so apologies if this is bad

1. okay first thing I do is pick three colors, a mid, dark, and light. I like to check the colors in greyscale to make sure there’s enough contrast between each one.

I then plop down a blob of whatever my middle tone color is.

2. next, I take my dark color and just sort of randomly place it around. I try to make sure there’s a good amount of both the mid and dark tones spread throughout. I personally like to keep it kinda messy. I also have pen pressure on for both brush size and opacity, so I can have some blending action going on.

3. for the next step I do the exact same thing as before, except with the light color.

4. aight this is where we start adding details. see how you just have a bunch of colors and edges where two colors meet? use the eyedropper and go to an area where two colors meet, eyedrop a color, and then use that color to draw in your grass blades. I do this at every point where colors meet. should note I personally like to use a square brush, but you can really just use anything.

5. you can technically stop at the last step if you’re going for a more simple look, but to add more details I go to the “empty” areas of solid color and just draw in random strokes using a color nearby. it’s just a way to fill up the empty space.

6. basically more of the same idea of eyedropping and drawing. for more variety so things look interesting, I like to add random plant shapes.

7. and so the grass doesn’t look too plain, I add random dots of color and pretend it’s flowers and stuff.

and there you have it, this is how I approach drawing grass.

Vhagar had come at last, and on her back rode the one-eyed Prince Aemond Targaryen, clad in nightblack armor chased with gold.

He had not come alone. Alys Rivers flew with him, her long hair streaming black behind her, her belly swollen with child. Prince Aemond circled twice about the towers of Harrenhal, then brought Vhagar down in the outer ward, with Caraxes a hundred yards away. The dragons glared balefully at each other, and Caraxes spread his wings and hissed, flames dancing across his teeth.

The prince helped his woman down from Vhagar’s back, then turned to face his uncle. “Nuncle, I hear you have been seeking us.”

“Only you,” Daemon replied. “Who told you where to find me?”

“My lady,” Aemond answered. “She saw you in a storm cloud, in a mountain pool at dusk, in the fire we lit to cook our suppers. She sees much and more, my Alys. You were a fool to come alone.”

“Were I not alone, you would not have come,” said Daemon.

“Yet you are, and here I am. You have lived too long, Nuncle.”

“On that much we agree,” Daemon replied. Then the old prince bade Caraxes bend his neck, and climbed stiffly onto his back, whilst the young prince kissed his woman and vaulted lightly onto Vhagar, taking care to fasten the four short chains between belt and saddle.

Prince Daemon took Caraxes up swiftly, lashing him with a steel-tipped whip until they disappeared into a bank of clouds. Vhagar, older and much the larger, was also slower, made ponderous by her very size, and ascended more gradually, in ever widening circles that took her and her rider out over the waters of the Gods Eye. The hour was late, the sun was close to setting, and the lake was calm, its surface glimmering like a sheet of beaten copper. Up and up she soared, searching for Caraxes as Alys Rivers watched from atop Kingspyre Tower in Harrenhal below.

Some slightly different wordlbuilding activities

Ones I haven’t seen as often but apply myself. 

1.- Bedtimes stories you tell to children, or lullabies. They can be based in location or species. They can tell us about the world, history, beliefs or something specific about a creature. It can be fun to think of their origin, how they’ve changed over the years and both the meaning that was lost and the meaning that was added. 

2.- Fashion choices. I often let fashion be different for different creatures. I usually create a practical outfit that makes sense historically within the context of my world and then evolve it until I get to the present day of my story. Preferably splitting of into branches and allowing more options. It can tell us about a specific species, about their history and about how the climate has changed, or how they moved locations at some point and had to adapt their clothing to a new climate. 

A very simple example of this from my own book would be the mage’s cloak! Link to a longer post about it. Basically, mages would wear a simple one piece fabric that was easy to then set an illusion over, no wasting time mixing trousers and tops. Over time some mages stopped using illusions, seeing the outfit as acceptable. It became a staple, you saw the cloak, that wasn’t a human but a mage. And then younger generations began personalising the material, instead of boring black, white or brown they started using floral patterns, adding in cool sleeves or hoods! 

Initially, it was practicality, but it evolved. 

3.- Think about what each species does for fun! I often read YA fantasy where the stakes are so high there is no leisure, no downtown, no fun, no hobbies. But this is a great opportunity! What’s popular in your world? Books, plays, board games, long walks, playing sport? Seeing characters just chill can be a great change of pace and allow for some insight into their lives and the world they live in. 

4.- What is imported? And why? Sometimes imports are just practical, we don’t have wool here (unlikely, sheep are literally everywhere, but you get the point), wool is good for clothes, we import it. But other times it’s more complicated. 

Perhaps a species moved across the country at some point, but they were accustomed to a certain type of tea, fruit for certain festivities, so on, so on, and habit dies hard, so, importation becomes a thing. 

So those are my four world-building tips for today. I’ve said it before and will say it again, there is no master list, not check list, world-building is something you can figure out as you go in most genres (some epics may requiere more prep time). What’s important is to keep track of what you’ve said and stay consistent, but you don’t need to know everything before going in. 

As usual,  check out my book, stories I’ve written plus other social medias: here.

How’s your world coming along? 

Tree Tutorial v1