"Mysteries Have A Way Of Driving People Mad."

Catching Fire (2013) | A Pearl-Mitski | Mockingjay-Suzanne Collins | Catching Fire (2013) | Peace-Taylor Swift | Mockingjay-Suzanne Collins | Catching Fire (2013)

wife….

            the   force   is   known,   to   its   most   fundamental   grounds,   by   those   who   are   able   to   p o s s e s s   it.   it   is   of   every   star,   &   every   moon.   it   is   breath,   it   is   LIFE.   it   f l o w s   between   every   stone,   &   when   its   rhythmic   turn   greets   finality   with   a   gracious   bow,   —   seeks   shelter   in   the   skies   above.   it   is   because   of   this   dance,   that   the   tempo   of   her   heart   lives   o n   …   it   is   why   she   is   able   to   visit   here,   to   travel   home   –   be   near.   ( she’s h a r d l y gone. )

              this   isn’t   the   first   time   constellations   led   her   off   a   guiding   light’s   path   to   distances   left   unfrequented   &   uninhabited   –   that   is,   by love,   by good   –   SINCE   FORGOTTEN.   by   him.

                  ❛ —- you’re  H U R T I N G. ❜

   ╱     a starter for: ⊰ @vadaer​​​ ! ⊱

ONE YEAR AGO 💕

⊰ jedichosen: ⊱

            ❛   𝐇𝐎𝐖  ?    ❜    hollowed words  :    carved and ripped from the depths of his torment.    night after night he’s been witness to such endless destruction ,    to the end of all times.    her death is a prophecy that should not be ignored.    𝐈𝐓 𝐂𝐎𝐔𝐋𝐃 𝐍𝐄𝐕𝐄𝐑 𝐁𝐄 𝐌𝐄𝐑𝐄𝐋𝐘 𝐀 𝐃𝐑𝐄𝐀𝐌    /    𝐇𝐈𝐒 𝐌𝐎𝐓𝐇𝐄𝐑 𝐓𝐀𝐔𝐆𝐇𝐓 𝐇𝐈𝐌 𝐀𝐒 𝐌𝐔𝐂𝐇.    for once ,    the softness of her skin cannot assuage his torture ,    and it’s a reminder of all he might lose.    ❛    i keep seeing you    ——    dead    .    .    .    ❜    vanishing notes ,    while blue eyes avoid her own.    but his fingers come down ‘pon her tender cheek  ;    caressing with a devotion reserved only for deities ,    finally admitting his defeat.    ❛    i don’t know what to do.    ❜          

          𝐒𝐓𝐀𝐑𝐒, 𝐓𝐎𝐎, 𝐓𝐑𝐄𝐌𝐁𝐋𝐄  &  𝐒𝐇𝐀𝐊𝐄.  ( 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐏𝐑𝐎𝐌𝐈𝐒𝐄 𝐎𝐅 𝐈 𝐌 𝐏 𝐋 𝐎 𝐒 𝐈 𝐎 𝐍 ).  galaxies bear witness with each passing day, of how too-often, ethereal light trembles  &  gives way –– leaving voids  &  their endless shadows to s p l a y.    ❛  … don’t shut me out.  ❜    trepidation stirs the breath within the fragile cage of her chest ; though it shakes, love holds her steady.  she bows her head, leaning into the ever-fleeting touch of his hand …    ❛  i’m here. with you. right now.  ❜     she’d no intention of ever  s l i p p i n g  away     /     no matter what the constellations spell  &  splay.

     ❛  &  i love you. we’ll figure this out.  ❜

My mom to her friends, my aunts, and literally everyone she knows: Yeah, my kid is so smart. She is on her phone a lot of the time, but it's not like you guys think, She is not like how kids nowadays are, She reads a lot of books on her phone!!

Me, a fanfic reader who can survive off nothing but just words and day dreams herself to sleep:

it’s not just katniss who’s descended from the covey—prim is, too. when effie sends katniss a list of possible “talents” she could have as a victor, katniss fails at cooking, flower arranging, and flute playing…“but prim has a knack for all three.”

because katniss is set on understating her similarities to her mother, she emphasizes prim’s shared qualities with asterid while positioning herself as the reflection of her father. in doing so, katniss makes it easy to forget that her voice is not the only place burdock everdeen lives on—he’s there behind prim’s blonde hair and blue eyes just as much.

the loss of their covey connection is a loss of culture for both everdeen girls. but they never truly lost their musical talent, not even with the loss of burdock and the music he brought to their home. because katniss knew her mother had returned to them the day asterid started to sing.

in a free world, a world where haymitch had been the symbol of a successful revolution, a world where the covey had been allowed to live on, katniss and prim both would have had a place in the community, the family that theirs had been forced to abandon. katniss armed with her voice and prim with her flute, clad in dresses of forest green and baby blue, they’d begin:

“nothing you can take from me was ever worth keeping…”

‘FORCE SENSITIVITY;’

padmé, as any woman during pregnancy, undergoes some radical transformations while carrying her children. only these transformations are heightened by an effect of the force-laden midi-clorians within the twin embryos. walking visions, sleepwalking manifestations of the force, the experienced agony as her body starts to react against these midi-chlorians — these occurrences shake padmé to the very bone. anakin? on mustafar? just a d r e a m. when she can’t make sense of what’s happening, she turns to her husband. – yet she almost wishes to see … what obi-wan would advise …

the carnivorous lamb, by agustín gómez arcos / in the air tonight, phil collins / body, julia jacklin / crush, richard siken / im gonna haunt you, fabienne delsol / rest energy, marina abramović / the loved and the unloved, françois mauriac