Lavendersourphantom - Meh

finally I got them all

THE 10 STAGES OF GENOCIDE, AND HOW FAR PALESTINE IS ALONG WITH THEM

This will be using the UN's ten stages of genocide map (as seen above) as a base for each stage.

So far, palestine is within its ninth stage of genocide.

*although I do not believe isreal is a real or valid country, this will be referring to its citizens as "isrealis"

First Stage: Classification.

This stage is about us and them narratives. In the Holocaust it was Jewish vs Germans, in this it is Palestinians vs israelis.

The ‘us vs them’ narrative has been drilled into young "isreali's" minds for decades and has only gotten worse.

Second Stage: Symbolism

I do not believe there are any symbols to tell an isreali apart from a Palestinian person.

Most of the time it is based off their religion, however not all Palestinians are Muslim nor are all isrealis Jewish.

Instead of symbols, they segregate.

Third Stage: Discrimination

This stage is about taking things away from their target group. isreal has taken away their housing, their land, and their property as seen in the west bank.

Fourth Stage: Dehumanisation

Dehumanisation refers to distancing the target group from humans, and making people less inclined to empathize with them.

Isreal refers to Palestinians as both animals and derogatory words such as "whores" or "monsters."

Fifth Stage: Organization

This stage is about planning the genocide, and training.

Many isreali students are taught in order for them to grow up and become IDF soldiers. They are taught how to kill without remorse and enjoy it.

Sixth Stage: Polarisation

Polarisation is about the media and spreading hate about their target group in media.

The IDF not only go on international TV and talk about palestinian "terrorists" but also spread misinfo on social media.

(see this post)

Seventh Stage: Preparation

When preparing perpetrators use code words in order to make their intentions seem brighter.

Isreal calls it "land disputes" or "self defense" when it is a genocide fueled by colonialist ideologies.

Eight Stage: Persecution

Persecution is about rounding up their target group and committing mass killings.

Isreal has rounded Palestinians up into Gaza, an open air prison, and continues to bomb their homes, shelters, and hospitals.

There is nowhere for palestinians to go.

Stage Nine: Extermination

This is the stage we are on. Isreal is destroying hospitals, relief centers, communities, and families.

They are attempting to find and kill every palestinian. Class of 2024 has been canceled due to all students dying.

This cannot continue.

Stage Ten: Denial

If we continue to let isreal kill off Palestine, we will get here. To the point where zionists will deny the genocide entirely.

SPEAK UP. DO NOT LET IT COME TO THIS.

Thank you for reading. The original post can be found under the Twitter/X account @aligaytor_. OP has given me permission to share it to Tumblr.

Hi! I was on Instagram recently and stumbled upon Nisreen Shehada's account. Before October 7, Nisreen posted very aesthetic, well crafted baking TikToks/videos (which looked delicious!) Since October 7, she has been sharing her daily life in Gaza.

This is the first reel of hers I saw. It's so important that she is not only documenting her daily life right now (for public record, for memory, for history) but that she is doing it in a format that is so familiar to anyone online right now.

I think that even well intentioned people can sometimes unintentionally dehumanize groups fighting for justice amidst tragedy. It is vital that we view Palestinians not just as victims or impoverished or assume life has always been this non-stop nightmare. Literally, Nisreen is like so many people I know. Like so many people you know! Just a regular lady who loves baking! Just your friendly neighborhood dentist! Aperson who loves their families. A devoted cat mom. A very stylish dresser.

I love that her page shows how people are living day-to-day now. And I love that it shows her finding moments of joy even in the darkest of times. ❤️

Please give her account a follow.

Edit to add: I've made a separate account for archiving videos and posts from regular people in Palestine documenting daily life. You can follow it @watermelllonarchive

Did you know that before occupying Palestine, Zionists in Europe considered establishing a state in Argentina?

Here is the story of Moise Ville, which was supposed to become the ''Promised Land'' before the occupation of Palestine.

Via TrtWorld

Aziraphale shielding Crowley from water

and Crowley shielding Aziraphale from fire

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

I wonder, too, I wonder when Crowley is going to know. The six-espressos-in-a-big-cup protective hypervigilant Crowley. Ever circling around his angel, snapping at the slightest threat, shielding him from harm.

When is he going to know that he’s been manipulated, too?

And when is he going to know what role he himself played in Aziraphale’s decision?

There are so many things he didn’t tell Aziraphale. To protect him, to spare him, to give him time. Except, of course, all of that also meant that Aziraphale had no time and space to process them.

(And yes, there were things that Crowley could not possibly tell his angel. The cruel disdain of Gabriel’s words at Aziraphale’s execution is burned forever into Crowley’s mind; how could he have taken this dagger to Aziraphale? 

Anyway, shouldn’t the fact of the execution itself be enough for Aziraphale to know?)

But Crowley’s angel is kind, is bright, never expects and is forever surprised by treachery: Rose Montgomery turning out to be a Nazi spy, a countess turning out to not be a countess. Of course Aziraphale’s sheer relief on deciding that he’s been wrong about the Metatron will be a powerful force. He wants to be aligned with something bigger than himself; he wants there to be a point.

For all of S2, Crowley deflects threats from Hell. (Aziraphale, involved? Unlikely, Crowley says with studied nonchalance. And how do you know I didn’t do that miracle?) Out of Aziraphale’s earshot, he threatens and hisses, as he has likely done for millennia. Remember Hell’s book on angels, with everything it says about Aziraphale, with instructions to ‘avvoid’ and report to Crowley? Yeah.

By the end, there are key things that Crowley hasn’t told Aziraphale: his visit to Heaven, Gabriel’s punishment, what it was that Gabriel refused to do. Yes, there were archangels in the room, watching. Yes, Crowley had rather assumed that Aziraphale is as done with Heaven as he is himself. Still, it wasn’t Crowley’s instinct to give Aziraphale all the information. And after Aziraphale’s conversation with the Metatron, Crowley was primed to go ahead with a confession, was interrupted during said confession—so in the aftershock of Aziraphale’s words, he went right back to the path he’d already committed to. Then, of course, it was too late; the pain became too much; neither of them were thinking clearly, neither of them had the time to understand.

Yes, telling Aziraphale of the danger may not have helped. Aziraphale is even better at denial than he is at forgiveness; he might have refused to see what Heaven needs him for, how they intend to keep him in line. (Also, no doubt a worrying thought for Crowley if he was conscious of it: it’s very like Aziraphale to go to Heaven to try and stop the Second Coming no matter the risk to himself.)

But the thing is, the Metatron remembers Crowley. And he must know how rash Crowley is. How impulsive, and how likely to rear up and bite when presented with an offer to be forgiven for an injustice done to him.

So yes, Crowley has been manipulated. Through Aziraphale: through his angel’s indefatigable hope, through his desire to see the best and redeem what had seemed (but surely cannot be!) irredeemable: Heaven itself. Manipulated into storming out, his heart broken, the pain of that kiss still on his lips.

Into, after so many millennia, letting Aziraphale walk straight into danger.

I wonder when Crowley is going to know.

We always talk about how David Tennant manages to pull off the duality of Crowley's look (the switch from angel to demon) and generally change his entire appearance for the different roles he plays but me personally, I am just SO baffled at how they manage to turn Michael Sheen into Aziraphale