Leivuaour - LilyVU

This must be the place

And you’re standing here beside me I love the passing of time Never for money Always for love https://www.youtube.com/watch?v=o9gK2fOq4MY&feature=share

Black Sabbath 1973 “Sabbath Bloody Sabbath / Changes” 7″ single

Me too... WTF?

This is the funniest fucking meme I’ve ever seen in my life

Society -"Arises the natural horror of any person who has discovered a wealth of impostures, affectedness and insincerity, of those who pretend to believe in those values, but that belie themselves through their own acts"

This the realist one

Todd Carpenter’s “In The Spaces Between” at KP Projects.

Currently on view at KP Projects in Los Angeles, California is artist Todd Carpenter’s masterfully brooding solo exhibition, “In The Spaces Between.”

“In the Spaces Between” brings us a new way of seeing the world around us. Bringing new meaning to the phrase “can’t see the forest for the trees”, Carpenter recognizes the tendency to consider a subject for only its material parts. We categorize, organize, and reduce things into their utility, or disutility in seconds. Snap judgements define how we see and interpret the world, and as a result, what we see becomes less and less of what really is, and is replaced by a shallow projection. Our affinity for labels and the search for belonging within only a few superficial restrictive categories leave many feeling isolated and alone, inhibiting a broader view of what surrounds us. Carpenter reminds us through the quiet resilience of a single beam of light, piercing steadily through the arms of a tree, to appreciate a subject’s surroundings as well as the subject itself.

“In The Spaces Between” will be on view until July 28th, 2018.

Don’t miss Supersonic Art on Instagram!

A giant helium balloon bearing the face of an ojisan (middle-aged man) appeared in the sky in Utsunomiya on Sunday, in an event organized by the Utsunomiya Museum of Art to bring artwork to the public outside museums.

The balloon measures 15 meters in diameter and features the face of a man who lives in the city. The man was selected from 218 applicants.

AIVAZOVSKY, Ivan (1817-1900)

Island of Patmos (Остров Патмос) 1854 Oil on canvas, 190 x 116 cm Ed. Orig. Lic. Ed.

EIKOH HOSOE http://w http://ift.tt/1QPQAUr