Some Doodle Thing Idk 😞

they are just havin fun

he really needed that hug ( ཀ͝ ∧ ཀ͝ )

Inspired by this wholesome video from

@ lifeisgoodco (on instagram)

Symbol of Peace/Symbol of Fear

I've read a lot of callous takes on All Might from fans who are otherwise sympathetic to Tomura (and vice versa)-- which is sad, because I feel these characters are meant to be viewed as two sides of the same coin. It's not much of an exaggeration to say that a good bulk of the story/conflict is built on top of their crumbling bodies. It's also not much of an exaggeration to say that the resolution to this story hinges on them both being allowed to heal.

Toshinori and Tenko are both victims who were repeatedly failed by the adults around them, and are now both adults who are stuck in roles that perpetuate the same cycle that wounded their childhood selves. Their particular traumas regarding identity/loss and how they've been taught to cope with pain (that is to say, not at all) doesn't allow either of them to truly be "complete" people-- instead, they shut away core aspects of themselves and attempt to lose themselves in their respective roles in a futile attempt to run away from their wounded selves. Toshi throws himself into the role of All Might, Tenko throws himself into the role of Shigaraki Tomura-- But Toshi and Tenko still haunt every aspect of this story, and their inability to completely vanish into their alter egos remains a source of pain before it ever becomes a source of strength for them.

One of MHA's biggest messages is about the importance of society's most vulnerable people having access to good social support-- so it's no surprise that Toshi and Tomura's feelings of isolation end up fueling their blind pursuits of peace/destruction. They both gorge themselves on a fantasy they think will fill them, but are never full-- at least, not until they start allowing other people in their lives who can see beyond their respective hero/villain masks and understand that what's behind those masks is someone who desperately needs help.

Brief(ish) Thoughts on the Gravity of Their Designs

"Starvation" is very much the theme of the hour for both characters-- both characters are introduced to the series in severely emaciated, malnourished states. Toshi's true form is literally skin and bones, with his stomach having been ripped from his body by AFO. Tomura is depicted as frequently vomiting from sheer stress and suffers from nearly constant nausea-- during his debut, he's so malnourished that you can literally see the outline of his spinal column. They're both unkempt and unhealthy looking (with Tomura's clothes being visibly tattered/frayed around the collar and shirt/pant cuffs in a particularly infuriating bit of visual story telling-- AFO UR FUCKING LOADED WHY IS HE WEARING RAGS I'LL KILL YOU🗡️🗡️🗡️)

MEANWHILE, AFO himself is depicted as a cannibalistic, gluttonous, greedy monster who gorges himself on the misfortune of others and spares no expense whatsoever when it comes to maintaining his own health-- all while remaining well dressed and well groomed. Hori's art direction is simple but highly effective in how it indicates who the real enemy is, while also indicating that Tomura and Toshinori secretly share a mortal foe with one another.

Less seriously, Toshi & Tomura's muscle forms are both shams lmao.

Nana's Boys-------------------------------

God, Tomura is SUCH a fucking grandma's boy and he doesn't even know it. 😭 😭 😭You too, Toshinori. Hate u both! ❤

For all her flaws and mistakes, Nana still remains a major influence in Tomura and Toshinori's lives-- She is a source of pain for them both, but also serves as a source of strength for Toshinori and a source of deeply repressed hope for Tenko. She is the unbreakable binding thread that connects Toshinori and Tenko together as "family". Nana is also completely inextricable from the origin of both boys:

There's also the ever creeping implication that all the traits Tomura latched onto with AFO actually originated from Nana and Toshinori-- the concept of an inviolable "origin" that defines you, donning an invincible smile that hides your pain/fear, pushing past your limits by remembering why it is you swing your fists. AFO intended for both his "teacher persona" and his lessons to be a dark, twisted mockery of Nana-- but Tomura still "found" Nana in those lessons and then used them to take the first step towards breaking free.

Y e a h.

Nevertheless, Tomura can't bring himself to take the next step towards being saved until someone starts to challenge him a bit more on what his origin actually *IS* . Izuku, that's ur cue.

The Kamino Incident---------------------

mmm cinnamontography......

Kamino and its immediate aftermath is definitely the meat and potatoes of Tomura and Toshi's connection, and the story is STILL reeling from the aftershocks of this arc. AFO gleefully picks up his pen and proceeds to write Tomura and Toshi into a corner they can't escape from on their own, setting the stage for the rest of the series.

It's all but confirmed through AFO's actions and internal dialog that Kamino was a set-up meant to retraumatize Tomura and Toshinori by recreating the worst moments of their lives, while also permanently putting them at odds with each other-- AFO takes himself off the playing board willingly in a way that's deliberately meant to resemble Nana's sacrifice while also ripping Tomura's trauma about not being saved wide open. My guy played the longest con specifically so he could create a hell specifically tailored to these two, then gave them both time to "pick themselves up and dust themselves off" just so he could knock them both down AGAIN in an even MORE spectacularly traumatizing way a few months later. (I am once again encouraging people to reread MHA while actually paying attention to AFO this time and while acknowledging that Tomura and Toshinori are his victims, because the dude's a fucking FANTASTIC villain)

All Might and Tomura both get their "masks" forcibly removed in a way that's meant to humiliate them and expose their pain/humanity, which causes them to both bury themselves even deeper in their hero/villain roles and further away from each other. AFO depends on Toshi's hero mask and role as a "symbol" being the very thing that won't allow Toshi to save Shimura Tenko. Kamino is to Toshi what MVA is to Tomura-- an awful tragedy that shackles both men to their masks, masquerading as a good ol' high-energy shonen beatdown.

AFO: Hey can I copy ur homework lol

Name a bigger "Ohhhhhhh This Bitch (ʘ‿ʘ)" moment

AFO gets a sick pleasure out of masquerading as a savior and turning others into the "villain"-- he has always delighted in dragging others to his level, in bringing the absolute worst outta them, in watching them make all the same decisions *he* would make without him having to force his hand, in stealing the light from their eyes so they look just as dull and unhappy as his, in making others "another him".

Tomura is an obvious example, but Toshi himself is also a victim of AFO's particular brand of perversion (for lack of a better word)-- Kamino has AFO turning Toshi into "another him." All MIght is turned into "the villain" who takes Tomura's beloved master away from him, just as AFO took Nana away from Toshinori. All Might inflicts the same trauma he went through onto Tomura, while AFO takes a bow and proceeds to laugh himself all the way to the bank Tartarus.

(Seriously, tho-- reading "All Might: Rising" and the Kamino arc back-to-back and realizing that AFO's dramatic sacrifice was *literally plagiarized* is probably one of the biggest doses of fridge horror in the entire series-- it immediately throws EVERYTHING about Kamino and AFO's relationship with Tomura into question.)

*enraged chimpanzee shriek* THE WAY HE PRETTY MUCH SAYS EXACTLY WHAT HIS PLAN IS BUT THE PLAN WAS SO FRIGGIN INCONCEIVABLE THAT NO ONE PICKED UP ON IT. FUKX>.

From AFO's perspective, Toshi's rise to power as "The Symbol of Peace" was shaped by his rage and the loss of his beloved master. This blind hatred eventually allowed All Might to corner and "kill" AFO. AFO takes his notes and ultimately sets Kamino up to mirror Nana's sacrifice, turning Toshinori into the figure who fuels Tomura's blind hate-- which kick-starts Tomura's development into "The Symbol of Fear" in earnest. He then spends 90% of his meeting with Toshi in Tartarus talking in bullshit riddles that are ultimately meant to mock Toshi-- He's basically saying "look a little closer buddy, that's you! :)" and then ominously chuckling to himself when Toshinori completely fails to pick up on what he's actually saying.

"wait so all that talk about Tomura growing and developing into a symbol and learning how to use his rage was just AFO being a perverted freak about Toshinori/All Might?" ALWAYS HAS BEEN!

AFO "writes" an "evil" version of All Might he has complete control over, then self-inserts himself into that version of All Might. Oh, and it's also a version of his brother who "willingly" submitted to him and was totally stoked walk the path of evil with him. Oh, and it's also a vessel that has the blood of Shimura Nana running through him, who happens to be the object of AFO's strangely charged derision.

Fellas, Freud would have a fuckin' field day.

>This Action Will Have Consequences.

Toshi's kneejerk reaction in the aftermath of Kamino is to chase after Tomura, to approach him as "Shimura Tenko". His first reaction is to act on his feelings as Toshinori, not as All might. Gran Torino shuts this down immediately, shoving both Toshinori and Tenko back into the hero and villain boxes and refusing to let them remove their "masks." Toshi's fear of Gran Torino is funny, until it isn't-- he buckles immediately and defers to Torino's will like a scolded child.

Gran Torino claiming “It doesn’t matter who he’s related to” in a series where familial relationships are frequently used to humanize its characters is a particularly backhanded way of dehumanizing Tomura (especially since the death of their families was the catalyst that caused both Toshi AND Tomura to start dehumanizing themselves).

Gran Torino immediately brings Toshi's "role" as All Might back up as a means of silencing him. Reading between the lines of this scene, Toshinori is essentially being told that he isn't allowed to take off the hero mask, that he isn't allowed to act on his feelings as Toshinori. Toshi is told that he can no longer act as the symbol of peace, but in the same breath, he's told that he can't ever STOP being the symbol of peace-- it's subtle, but this dissonance is what causes him to start slowly spiraling throughout Acts 2 & 3.

In Kamino's aftermath, Tomura and Toshi are both left feeling hollow and directionless. AFO mostly succeeds in hollowing out Tomura, who spends the beginning of Act 2 as a sullen and depressed mess until he finally snaps during the events of MVA. Toshinori, however, is lucky to have people in his life who begin to fill him up again with little acts of love for who he is outside the "Symbol of Peace" mask.

Toshinori, Rising.

MHA has been about Izuku's growth into someone capable of saving Tomura, but it's also been about Toshinori's growth into someone who can live outside his alter ego and finally become the sort of hero his childhood self wanted to be-- someone who breaks the cycle of grief turning into hatred. Yagi Toshinori WANTED to be the type of hero who could save Shimura Tenko, more anything. And if Hori sticks the landing with Toshinori and Tomura's arcs, then we're going to see some massive pay off in the coming chapters.

The series supports the underlying implication that Toshi's initial impulse to go after Tomura and treat him as Shimura Tenko was the correct one, and that not going after him was ultimately a massive mistake-- and Toshi has gradually been developing into someone who can now act on that impulse without being shouted down or shoved back into a box.

Side note: I feel that people who are insisting that Toshi is gonna die are severely underestimating how important Toshi and Tomura actually are to each other's respective arcs-- Killing Toshi before he gets to meet Tomura again leaves a big part of his arc unfulfilled. It also compromises Tomura's arc and MHA's message about the importance of good social support and family in saving society's most vulnerable people-- Yagi Toshinori becomes a hero that surpasses All Might through helping Tomura, and fulfills his dream about breaking the cycle of grief and hatred. Tomura gains the closure and social support he needs to finally start healing alongside what is basically his only remaining family (on a spiritual level!).

On that note.....

"You're Just Like All Might, Ten-chan."

*gazes pointedly at the SMAAAASH* Oh, Tenko.....

When Tomura/Tenko gets pushed to his mental breaking point during the UA Fortress Battle, he manifests the biggest targets of his grief and anger to "protect" him. Tomura twists his form into a childish interpretation of All Might-- one that exists solely to protect him-- then unleashes several "SMASH"es on the heroes. Tomura betrays himself and his true desires through this form more than any other.

The unstated implication scattered throughout the entirety of MHA is that Tenko has always been waiting for All Might to "finally show up and save him," but All Might never came. It's the core of the tragedy between these two. Tomura's ""hatred"" of All Might is fueled by extreme unprocessed grief, as always-- the same cycle that Toshinori dreamed of breaking when he was a child.

Midoriya Izuku's "Role"

NOTICE: THIS IS A SET. DO NOT SEPARATE. (side note: Tomura touching All Might's screen while delicately raising his pinky to avoid destroying it.... I can see u bitch.)

Izuku is Tomura's hero for the same reason that Izuku is Toshinori's hero. Through Toshinori's relationship with Izuku, he learns that his life always had meaning, that he always had a role outside of being "All Might." He learns that it's okay for him to keep living as Yagi Toshinori, and that his "origin" didn't disappear when he lost One For All-- it's easy to see how Izuku's role in helping Toshi reconcile his identity and heroic origins ultimately bleeds into his arc with Tomura.

Izuku and Tomura learn how to define heroism and villainy through each other. Both boys start off with a vague, poorly-defined goal of wanting to save everyone/destroy everything-- and both goals are equally shallow/unattainable, at first. Thinking about those "goals" too deeply means confronting an aspect of themselves that's still wailing in pain-- they only begin to confront those feelings and the origin that fuels them through their repeat contact with each other.

All Might is the one who gave Tenko and Izuku's idea of heroism its "shape"-- but Tomura is ultimately the one who helps Izuku define his idea of heroism by forcing Izuku to repeatedly examine that definition each time they encounter each other. And Izuku the one Tomura's mind instinctively drifts towards when he thinks about about "some hero"-- he's the one who consistently motivates Tomura to struggle and claw himself back to the surface from the depths of the Demon King role. If "hatred" is what allows AFO to maintain his control over Tomura, then why was Tomura able to wrench back control after Izuku asked for him? Why was he able to resist when AFO attempted to unleash decay at the very beginning of the final war arc? Because there's something other than hatred fueling him right now. Tomura's truth, as always, lies firmly between the lines and under about seven different layers of misdirection (and yes, this is just a purple-prosey way of calling him a fucking tsundere /derog).

what do u guys think they were feeding toshi at the orphanage

Toshinori gets his mask removed, but learns that it's okay for him to live without it and that lesson brings him closer to his origin than he's ever been before. He is finally "reborn" as a fully formed human, not as a symbol. Anyway! *points at Shigaraki Tomura*

So...I might have thought up one of the most badass All Might headcanons.

Picture it, guesstimately 28-29 years ago, an incident occurs. One of great devastations on a busy road.Fire, upturned concrete, and bodies were everywhere. People, screaming and crying for help. Whether it was a villain that caused this or a horrific traffic accident that may have involved a tanker truck or two is up to you.

Personally, I chose the latter.

Anyways, in this chaos of flames and smoke, the surviving victims and rescue responders fail to notice a jet coming in from the east side. It was coming, and coming fast. While still in flight, the side cargo hatch opens up so that a large blonde man (dressed in red, white, blue, and yellow) can leap out and plummet to the fiery earth below with a huge grin on his, ready to save those people.

I bet there is an interview somewhere that has All Might say something along the lines of:

"Who would've thought that my first day back in Japan would also be my debut?"

Ahaha, that would be classic All Might behavior 😂 I’ve always wondered how that first rescue went, I wish we got to see it more in detail. Like where did this huge American looking guy come from??? And why is he laughing??????

Actually this new art motivated me to do a post I've been wanting to do for a while, but I wanted to point out how the anime and Hori each give AFO a different body type.

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For example this scene, compare the difference

The helmet doesn't cover his shoulders which are broad and you can see how he's a large man

While here the helmet covers almost to the end of his shoulders

Here's him without the suit where you can see him better, he looks pretty small

While here in Hori's art he's much bigger

Unfortunately since the games and other non Hori drawn media tend to follow in the animes footsteps we get stuff like this where AFO looks tiny compared to his giant helmet 😭

-

Personally I like the more broad shouldered big boy AFO personally. Makes him super intimidating up close with his sheer size.

I rarely draw pre-Injury toshi

Playing off the current trend of Ba Sing Se residents being absolutely mindblown that Lee the nice-if-grumpy young man from the tea shop is now Fire Lord, I present another headcanon:

They don’t think that Lee was secretly Prince Zuko this whole time.  They genuinely believe that the Fire Nation straight up made a Worthy Tea Shop Waiter the next Fire Lord.  After all, they’ve had such poor luck with their last three Fire Lords, it might be better to pull their next Fire Lord from the common ranks instead, someone who has absolutely no ties to the Fire Nation, and really, who better than someone who has literally served the people before?

“No, no,” an exasperated Zuko tries to explain to well-wishers that he knew from when he lived in the Lower Ring.  “I really was Prince Zuko back then.  I was just in hiding from my family.”

Sure, they say, humoring him, but they all know that it’s just a line he has to say because that’s how the Fire Nation is justifying their choice and legitimizing his rule, that he really was the long-lost exiled Prince of the Fire Nation.  Could you imagine, though?  A prince?  Working in customer service?  In the food industry?  A spoiled little silver-spoon brat like that wouldn’t have lasted even a day as a tea shop waiter, let alone handle all those Kah-Rens with such aplomb as their Lee did.

Zuko eventually gives up, and whenever he visits the Jasmine Dragon and dons the waiter’s apron henceforth, he just lets the patrons welcome him “home.”

bakugo does that thing where you spread your legs to be at eye level with a much shorter person (he's an asshole) (request)

Just some random sketches :)

the devil is real

and he's not a little red men with horns and a tail

he can be beautiful.