lewisdeklein

Latest Posts by lewisdeklein

Ngh

They're not even dating 🫰❤️

Guess who my favorite is

When your girl is to tall so you gotta stand on your tippy toes

bsd wan 192: dazai, chuuya, age fourteen – if i had the power

translation by me | don't repost outside tumblr! | << 185

Hmmm cake…🤤

They should kiss or whatever

Lowkey did not finish this

It happens 😗

They're like??? Surprisingly nice to each other????

After reading the Dark Era light novel...

I have thoughts about that infamous scene where Dazai punches and shoots at Akutagawa. I've seen a lot of talk about how mean Dazai was in that scene, and how humiliating it must've been for Akutagawa to be put through that in full view of a bunch of PM goons. Which is all true...but I haven't seen much talk about Dazai's perspective during that scene...

A few things popped into my head while I was reading the light novel version of that scene...

Firstly, Akutagawa does fuck up Dazai's plan, but it's so much more complicated than that.

Dazai's plan to capture the Mimic soldiers involves gassing an entire PM gambling den; presumably, he burns that entire revenue-generating business, because who's gonna go back to a gambling den where you might get gassed, after you got shot at by a bunch of mystery soldiers? Nobody. So, Dazai probably costs the PM a good deal of money with this ploy to capture the Mimic guys.

But it works! He catches them. So it's all good...until it isn't. Because one of them wakes up early from the gas and then steals a gun and shoots the other captives. But there's still one guy alive, so they still have a guy to interrogate. Still good!

Until Akutagawa kills the last guy.

Now, I've seen a lot of analysis about how Akutagawa is all about protecting people. He says specifically that he killed the last Mimic guy to protect the other PM goons who were being threatened. Which is all fine and dandy...in theory. But in actuality? Killing that guy ruined Dazai's plan.

And to rub salt in the wound--Dazai's wound--Akutagawa did this after Dazai spent countless training sessions trying to teach Akutagawa specifically not to do that. That being using Rashoumon in an offensive capacity by reflex. In a fatal offensive capacity.

Dazai specifically says in this scene that he's told Akutagawa again and again that he needs to start using Rashoumon in a defensive capacity rather than defaulting to killing people every time he's threatened (or his allies are threatened). This has clearly a been a focus of Akutagawa's training, and yet, at this crucial moment, Akutagawa still fails to break out of that reflex. He kills the attacker yet again, and in so doing, wastes all the effort that Dazai put into catching the Mimic soldiers.

So not only does Dazai's plan to interrogate one of the Mimic soldiers fail, but so does Dazai's plan to train Akutagawa into a more versatile agent of the PM, one capable of more than simply killing everything that gets in his way.

Dazai, whose plans supposedly never fail, fails twice in this one scene. As a strategist counterattacking Mimic, and as a mentor training Akutagawa.

We don't learn what's going on Dazai's head here, since the scene is third person, but I can imagine he's a little upset about all this.

Then we get to part of this scene that riles people up: Dazai punches Akutagawa and shoots at him. A few things struck me when I read this part.

First off, Dazai doesn't punch Akutagawa until Akutagawa talks back to him. Dazai explains to Akutagawa just how and why he messed up, and then Akutagawa goes: "Information? I'll just slice everyone of them into pieces until--"

That's when the punch happens.

Dazai doesn't punch Akutagawa for failing. He punches Akutagawa because Akutagawa rejects his lesson and disrespects him...in front of other people. There are other PM goons in the room, and Akutagawa blatantly disregards an important lesson that Executive Dazai is trying to teach.

If Dazai didn't punish Akutagawa for that disrespect, everybody and their mother in the PM would've known about it by the end of the day. That would've cost Dazai a lot of face. So he punched Akutagawa to keep up his reputation. And then...

Then Dazai shoots at Akutagawa. Not to kill him. But to force him to use Rashoumon reflexively in self-defense, rather than offense.

To force Akutagawa to make the move he should've made when the Mimic soldier threatened him. The move that Dazai had been trying and failing to teach Akutagawa in countless prior training sessions, presumably with methods less potentially fatal than shooting at Akutagawa's face. And it works...shooting at Akutagawa. He develops a new reflex to use Rashoumon in self-defense.

And Dazai actually congratulates him on that progress, if only in a bitter and facetious manner, because that progress didn't occur until after it cost Dazai the success of an important plan.

A plan that Dazai had hoped to use to help his first real friend (Oda) find his other, missing friend (Ango). A plan whose failure Dazai is going to have to explain to Mori. A plan whose failure is going to put a bit of a stain on his whole genius reputation.

Long story short: Dazai is really upset in this scene, but he only shows anger, partly to maintain face as an executive and partly because...well, it's Dazai. He wouldn't show his true feelings even if he could with zero consequences. He's too damaged for that.

We end this scene with Dazai threatening to punch and shoot at Akutagawa again in the future if ever fails in a similar way again. If he ever flubs one of Dazai's plans again, no matter Akutagawa's intentions. If he ever uses Rashoumon to kill thoughtlessly again, when Akutagawa is perfectly capable of using Rashoumon defensively.

So...is Dazai being abusive to Akutagawa in this scene? Well, yeah. Obviously. This is the mafia. Not a nice place. Punching and shooting a teenage boy is abusive under any circumstances.

But Dazai doesn't do these things because he's "mean." Dazai does those things because he's upset at his own failures. His failure as a strategist to capture and interrogate Mimic soldiers in order to help Oda find Ango. And his failures as a mentor to Akutagawa.

Dazai tries his absolute hardest to turn things around here. He forces Akutagawa to progress in his training, and he manages to scrounge some information off the dead bodies of the Mimic soldiers. But all in all, this scene still represents a multifaceted failure on his part (particularly in his own eyes, I imagine).

And personally, I find that angle way more interesting than just defaulting to "Dark Era!Dazai is cruel." There's so much to Dazai's character. Also, it makes the ending of the Dark Era story so much more tragic, since he also fails to save Oda at the end...as if it wasn't already tragic enough.

Damn...this got longer than I intended.

Thanks for coming to my TED talk?

K. Bye!

One of the most heartbreaking scenes in The Dark Era is seeing Dazai trying so desperately to convince Oda to live. Seeing Dazai clutching at straws, repeating back the advice he must have heard a thousand times at him, just to try and get through to Oda even though he knows already that it would never work.

And the worst part is, how through this whole scene Oda is acting just like Dazai, he has the same emptiness that Dazai normally only sees in himself. So now Dazai has to go through the impossible task of convincing HIMSELF to live, something he has been unable to do all these years.

I looked at Dazai. “There isn’t anything, Dazai. It’s all over. Everything. Whatever else happens now is meaningless—just like what I’m about to do. Am I wrong?” “Odasaku…,” Dazai said softly. “Forgive me for the absurd wording, but—don’t go. Find something to rely on. Expect good things to happen from here on out. There’s gotta be something…

And then him telling Oda why he joined the mafia, even though it was clearly something he never wanted to tell anyone, in the vague hope that it just might convince Oda to stop.

Hey, Odasaku, do you know why I joined the Mafia?” I stared at him. We had known each other for a long time, but he’d never even attempted to talk about that. “I joined the Mafia because of an expectation I had. I thought if I was close to death and violence—close to people giving in to their urges and desires, then I would be able to see the inner nature of humankind up close. I thought if I did that…” Dazai paused before continuing, “…I would be able to find something—a reason to live.”

But he can't do it, Oda is too far gone at this point, he lost not only the children, but his dream. He was in unimaginable grief and suffering and just wanted things to end.

I looked at him; he looked back at me. “I wanted to be a novelist,” I said. “I thought I wouldn’t deserve such a life if I killed someone during a mission. That’s why I never killed anyone. But that’s all in the past. There’s only one thing I want now.” “Odasaku!” I began to walk away. Dazai yelled out, but I didn’t turn around. Heading west, I started my journey.

Oda's listlessness is almost a perfect mirror of Dazai in the bar after Ango has betrayed them.

“I’m not sad. I knew from the very beginning,” Dazai said. His face was a blank mask now. “It didn’t matter whether you were with the Special Division for Unusual Powers. I always lose the things I don’t want to lose the most. That’s why I don’t feel anything anymore. The moment you get your hands on something worth going after, you lose it. That’s just how things are. There is nothing worth pursuing at the cost of prolonging a life of suffering.” I stared at Dazai. We had known each other for a while, but this was the first time he’d ever opened up about himself. I could see a thorn the size of a harpoon wedged deeply into his life.

This is why I say Oda is the only character to ever truly understand Dazai, because he saw the part of Dazai that he kept most hidden from the world, he knew Dazai's unending loneliness and emptiness. And in the end, he was consumed by the very same thing. But before he died, he did what only he could do, and gave Dazai a way to escape that emptiness.

"I need to show you something really important"

do you want the world to explode, chuuya? :( i dont think so

I remember this a few times in a day and just laugh.

forget valentines its pain and suffering day now

Goofed off, and then got this

Chubby king

stormbringer already destroyed me with one chapter

The besties ever <3

Ages ago I went to a flying tiger and saw these..... and I was like "the universe is giving me a skk sign"

Original is @ _sadeleine on tiktok

[ ID in alt text ]

Burger

tumblr kept showing me ritshou and it kind of grew on me... they have a fun dynamic

I think the whole debate over Chuuya being the clone or not is kind of dumb.

The reason Asagiri never out right states that Chuuya isn’t the clone in Stormbringer is because it gives you the uncertainty that Chuuya feels. The scar is solid evidence, but not solid enough. Chuuya doesn’t remember how he got it so he technically can’t be 100% sure that he’s the original, but that’s the point. The whole point is that it doesn’t matter. It’s his body and his mind no matter what his origin is. Before the scar is even mentioned it’s established that Chuuya has accepted that he’s human. The whole damn book tells you him and Verlaine are humans no matter if they’re possibly clones or not. It was never about them being clones, it was about their humanity.

floating.

Thoughts on Ranpo

I said something about Ranpo being a jerk but being the nicest person around from his perspective on twitter yesterday and my meta got too long to post there. This got way out of hand and is more of a Ranpo analysis than an explanation. Anyway:

Let us first consider Ranpo’s perspective in general. Ranpo can look at a person, place, or thing and know everything about it if he so chooses. He figured out Fukuzawa was an assassin in about 30 seconds and that was before he gained 12 years of experience as a detective.

His glasses gave him the confidence to acknowledge he was smarter than everyone else – something he was afraid of because, as he said in Origins, being smarter than everyone else meant he was all alone and because being the smartest person around meant that if he was wrong no one would catch his mistake in time as we see with Kunikida. But what we don’t acknowledge often enough imo is that the primary thing Ranpo does with his glasses is not wear them.

What Fukuzawa said when he gave Ranpo the glasses was: “If you put these on, your ability will activate, and you will be able to see the truth, right then and there. On the other hand, when you’re not wearing them, other people’s simplemindedness will not bother you anymore.”

(This is, of course, the basis of the ability Fukuzawa later manifested – “You can turn your power on and off at will” – but I digress.)

But Ranpo could already do the first part. He was like Scott Summers from X-Men who can’t turn his power off. If you notice, when Ranpo’s in Poe’s book with Yosano, Ranpo isn’t actually bothered by knowing things. He starts deducing the case out of sheer annoyance, and it’s only when Yosano goes “wow you’re on a roll” that he snaps at her and stops. Despite all his supposed self-importance, he spends the entire case trying not to be special.

He also gets mad and asks “are you saying the president lied to me?!” which. He knows. Fukuzawa told him to his face it was a lie. What matters here is that he didn’t acknowledge it because he didn’t want to know.

Imagine you have the ability to be better than everyone at nearly everything. Go to get your car fixed and they can’t figure out where the short in your electrical system is? Well, you can, so shouldn’t you do it? You go to the doctor and they’re not sure what’s going on with that click in your wrist. Well, you'll know if you just read a couple of anatomy books, so shouldn’t you do it? You go to the coffee shop, to the grocery store, to the post office, and you can do everything better than everyone else, so shouldn’t you?

Fukuzawa correctly believed that Ranpo had the confidence and support to drop the glasses charade after their first case. But what Fukuzawa really gave Ranpo with the glasses, and what Ranpo clung to for so many years, was an excuse to turn it off. To say no, I’m not taking all that energy to do all that thinking for other people. To see someone be totally, completely, maddeningly wrong and go “huh, sure I guess,” as long as it didn’t interfere with his life. To not be expected to just deduce how the trains work.

And to save his energy for more important things. Yes, some of the information comes easy, but it did take him a little thought to figure out Fukuzawa's past. He believed everyone was doing some thinking all the time, but the revelation that he was the only one would put all that effort on him. There's a reason most colleges limit the number of finals you're required to take in a day: you can't apply yourself forever without burning out. Ranpo admitting he was smarter than everyone else without the glasses would have had him on track to either run himself into the ground or harden his heart at the tender age of 14 to protect himself.

Case in point: it's Ranpo who says he has to protect all the "foolish infants" around him just seconds after he finally admits he's smarter than everyone else - and just seconds after he's been given an excuse to not kill himself doing it.

Circling back to the statement that triggered this essay: Fukuzawa’s final bullet point in his explanation of Ranpo’s ability is that nobody hates him. Ranpo digests this, and in the anime we see flashbacks to him getting thrown out of the academy, but we also see him at his parents’ grave. Now, what would his parents’ deaths have to do with people being foolish or hating him?

Potential answer: Even when he shuts his brain mostly off, Ranpo knows what people are going through. He knows their pasts, when he needs to, their bad deeds and things they’d like to keep secret. We've seen that he knows what would hurt them the most, too (re: his intro episode when he repeats Yamagiwa’s last words to Sugimoto.)

Other people don’t.

Other people might make an off-color joke that they don’t realize breaks their friend’s heart. Other people might spend two years guessing Dazai’s history and making strong generalizing statements about how evil and deplorable everyone in the Port Mafia is. Other people might accidentally get caught whispering at a funeral about how they heard the boy’s mother had an affair, which, to Ranpo, looks like intentionally being overheard saying things you know are lies about a kind and wonderful dead woman.

For two years he didn’t understand that they didn't know. For two years he walked by thousands of people who saw an energetic young boy, but he thought they saw an orphan who was lonely and hungry and sad. It looked like people hated him, because why would they say the things they said if they knew? (They didn’t.) Why would they walk by him if they knew how he felt? (They didn’t.)

In the novel he says “all the times I was suffering” at this revelation, implying it happened often and he couldn’t understand why people were so awful.

Of course, Ranpo is still a jerk – but he could be much worse. He’ll tell people they suck to their faces and advocate for leaving Atsushi to be sold on the black market and be obscenely arrogant, but legitimate stabs, those awful moments when you put your foot in your mouth and really hurt people – he never does that by accident. But other people do it to him by accident. For friends he knows just what gifts they want for the holidays, knows their favorite and least favorite foods, and a dozen other little things other people don't know and make it look like they don't care about him enough to pay attention.

Which finally brings me to my original statement: Ranpo is a jerk but from his perspective he’s the nicest guy around. Assuming they're idiots and "not being bothered by the ignorance of others" lets him ignore their lack of social graces.

bungo stray dogs, themes of trauma, the abuse cycle, and how ranpo's disability+autistic trauma is an integral part of untold origins ★

🦴 abilities represent trauma and trauma responses

🦴 trauma as a theme of cycles

- the abuse cycle

- the "savior" cycle

🦴 the government, war, and society

- yosano, mori

- verlaine, chuuya

- fukuchi, teruko

- the role of the government

🦴 untold origins

- ranpo's ability is autistic masking

- his trauma

- untold origins through the lens of autistic trauma

wc; 2.6k (Origins quotes included in pictures only but I explain them briefly)

(this is also crossposted on Twitter, this is a long read format)

In this I want to cover trauma, and by extent mental illness, as an overarching theme in BSD, and how it portrays the cycles and effect of abuse, war, and is an exploration of traumatized individuals operating in a world not built for them. Additionally, Untold Origins is about autistic trauma.

Despite the approach of supernatural themes, Bungo Stray Dogs lends itself heavily to the discussion of trauma, mental illness, and its effects. One of the most notable themes in Bungo Stray Dogs is trauma and abuse, but it extends beyond the main abuse chain that most recognize to partially originate from Mori and end with Kyouka (Mori, Dazai, Akutagawa, and Kyouka, to be specific). There is a large focus on the abuse cycle and how trauma affects people. Emphasis is also placed on the specific structural abuse and violence of society within the world of BSD. The complexities of the abuse cycle are highlighted in organizations such as the Port Mafia, which is by far the most recognizable example within the series, but the government as another authoritative state plays another role in the cycle. BSD shows its readers various depictions of how trauma will manifest or affect two people who encounter the same thing. BSD shows a very honest depiction of mental illness in general, but it's specifically in how trauma affects the characters that these themes become integral to the story.

To start off the actual analysis, abilities themselves are representative of trauma responses. They arise from high stress situations in order for the user to have a protective mechanism for themself, uncanny to how actual trauma responses develop. Whether you think it is non-exclusive because abilities are based upon literature, many if not all of the characters’ abilities parallel their trauma. This is highlighted with tons of the characters, obviously, but I'll only point out a few because a separate analysis would be needed for every ability in the series (I want to one day, but not now). Each ability exhibits what each ability user needed in order to survive. Atsushi was a victim of child torture from what could have been birth, or at least since coming into the orphanage, to young adulthood, and he needed to become something to combat it. Beast Beneath the Moonlight is an ability that allows Atsushi to become something near invulnerable, with his impenetrable fur, regeneration, and the claws that cut through abilities themself. No Longer Human reflects how Dazai never allows anyone to get close to him, how he always keeps his guard up, how he never allows himself the vulnerability of being seen or touched. Both literally and metaphorically. Akuatagwa, similar to Atsushi, growing up in the slums needed a way to protect himself, Gin, and the other children around him. His ability is one that I feel is the most obvious with its connection to his trauma, as it is so important in depicting his relationship with Dazai and his own ability, though that is more about his coat itself than explicitly Rashomon. He only had the clothes on his back to protect him, so that is what manifested, the ability to control and kill his enemies with what little shield he had against the world. These will be the only ones I highlight in this section as they're some “main” examples and this is not meant to be exclusively on what the ability represents for individual characters. There are also plenty of characters that we can only speculate on, as we don't know much about their past, if at all many of them.

The cycle of abuse is the main theme present under the topic of trauma and how it relates to BSD's story. The most notable abuse chain that runs from Mori, to Dazai, to Akuatagwa, and finally ending with Kyouka is easily the most recognizable example of this. Whether you believe Mori's relationship with Dazai, and affect on him, was inherently classified as child abuse is irrelevant here and up to interpretation, I suppose, as a lot of people seem to believe so for some reason. Regardless, you cannot deny that the lessons of optimal solutions, needing to live for a purpose, and harsh treatment runs in this line of mentor/mentee relationships.

This is also the case between Mori and Yosano, though I'm not sure how much Mori would constitute as a “mentor” to Yosano over just being her superior, considering his relationship and treatment of Yosano is vastly different compared to Dazai. The cycles of abuse is not only present within the mentor/mentee cycle of BSD either, another major example is how many characters treat others based upon how they would treat themself, and this treatment arises from a place of projection. In the Dark Era, Mori acts according to his own judgment, assuming that Dazai will not act adversely based upon the shared qualities he sees of himself in Dazai. A shared logistical, observant brain and their ability to navigate a situation through predicting and utilizing their pawns. Dazai trains Akutagawa the way he does because he believes it is what Akuatagwa needs in order to be successful and survive.

Kouyou is a very great instance of this, too. The Port Mafia is a root of much of the abuse taking place within the story of Bungo Stray Dogs, and Kouyou shows this the best, aside from characters like Dazai and Akutagawa. This is where I want to specify that Mori is not the root cause or direct start of the abuse cycle within the series, as the Port Mafia itself was a tool of organizational abuse from the start. The Port Mafia has always used tactics of aggression and suppression as an operation, however, there is a stark difference between the Old Boss and Mori on how this force is used. There is no real difference on how they affect the Port Mafia individually, except the methods used and the tighter reign of control Mori uses compared to the reckless abandonment for critical thought towards the end for the Old Boss. It's an inherently corrupt organization despite the importance it holds in the balance of Yokohama. Kouyou was in the Mafia from childhood, and when she lost the hope of being able to escape that world, she lost her trust in both the organization and the greater world of people. This is the reason that she pushes her own beliefs onto Kyouka and tries so desperately to keep her in the mafia. Her disdain for hope and recognition of herself in Kyouka is the causation for her to attempt to drill this mindset into Kyouka.

Kouyou isn't the only one who projects herself onto Kyouka specifically either, as Akutagawa follows the lessons he has learned and forces his beliefs of giving Kyouka's life a “reason” through her ability and killing ability. Which is exactly what he learned through his years in the Port Mafia as Dazai's mentee. Another example of a character projecting their own traumas onto someone they recognize themself in is very obviously Verlaine, through the events of him forcing Chuuya to his side because of his thought process.

There is a common justification that many of the characters make that they are doing what needs to be done. There are many other examples that could be made from the series, but all of this is to say that there is a large representation of the idea that “hurt people hurt people”. It's what the abuse cycle is on an interpersonal level. The actions taken are not excused by a victim’s own past, however it is a very real depiction of the abuse cycle and its effects in the series.

There is some hope to be found though as the parallel to this is being “saved”. Exemplified through the Armed Detective Agency as a whole, it ends up being essentially a safe haven for many of the members. Earlier I mentioned Kyouka, and she is specifically helped by Atsushi. I really don't want to refer to this as a savior cycle because it's really not, they're not all “saviors”, I just don't really have a better name for it.

The best examples for the roots of this cycle in the series are Fukuzawa and Oda, though they are naturally not the only cause for the chain of events within this cycle of influence. Fukuzawa brings me back to the topic of the Armed Detective Agency, which was established in the first place in order to help Ranpo and others. He left his influence on Ranpo first in Untold Origins, and Yosano when the two are able to get her away from Mori, but he also is the first in the chain that impacted Oda (though not the only), another important figure in this theme. He is the person that is able to plant a moral seed in Dazai and change the course of his life, and he was the only one able to do this. This brings me back around to Atsushi, who after being taken into the ADA by Dazai is able to save Kyouka, Lucy, and Sigma in one way or another.

It is important to highlight the Decay of Angels arc and portraying the tragic results of war. The ones I'm going to discuss are Fukuchi, Fukuzawa, Yosano, Mori, and Teruko as participants of war, Verlaine and Chuuya as the result of the government experimentation after the war, and then Tachihara from an outsider's perspective because of his brother. There is limited information that we have on The Great War itself, but what we do know is that it was a fight between ability user organizations and for the use of abilities in warfare. It is shown to be the cause of much of the suffering of many characters in the series, whether it is as a participant or a result of the inherent tragedy of war. Yosano was a child soldier exploited by Mori, who was able to use his position to prove his thesis for the beneficial use of abilities in warfare. It's unclear to me whether it was issued from upper levels, but his Infantry Division was for the purpose of proving what you could harness with abilities and warfare. This is not the only time that ability experimentation resulted during/from The Great War either, both Verlaine and Chuuya were a result of ability research and singularity creation. You could also infer that The Hunting Dogs project, though it is not confirmed (I think?), is a result of this as well. All of this to show the role that the government plays in the war, and alongside the damage that war already brings the government is shown to prey on the vulnerable within.

Fukuchi is probably the most noteworthy example of war and trauma in BSD, as he is the one who enacts the greatest damage in order to stop another war to his knowledge. His entire motivation for creating the DOA and bringing calamity was to prevent a repeat of what he had witnessed in the battlefield. Though he also has personal beliefs for world peace from the beginning, it grew to be more than that. The war intrinsically changed him due to the trauma, and soldier’s PTSD is naturally a common thing. The war changed Yosano as well, and while the two had very different circumstances, they carry the weight of their sins years later. Teruko was essentially born from war itself, and similar to Atsushi, she was forced to become something or someone that was able to fight, hence her ability forcing maturity and age. Teruko's ability itself is an example of how intense or prolonged trauma can cause a person to force self preservation in the face of it as a tactic to survive. Many of the characters show this, but it is especially prevalent with Fukuchi and Teruko because of the war. The entire arc brings into question the role of the government in war, corrupt power, the tragedy of war, and the point of it in the first place.

I'm making a seperate section to talk about Ranpo's ability, Untold Origins, and autistic trauma. Ranpo is the only character based on an author who does not have a literal ability, and I believe his lack of ability and insistence on keeping the illusion up is reminiscent of autistic masking. As to why I think he is autistic outside of the context of Origins, please refer to this thread .

Masking is camouflaging autistic traits in order to appeal to neurotypical or allistic (non-autistic) expectations. This could be internalizing discomfort, suppressing behaviors, copying others’ behavior in order to “fit in”, or an array of examples of forcing yourself out of your nature. Long-term masking can lead to extreme damage to your mental health, it can cause burnout, distressed behavior (meltdowns, shutdowns), issues with sense of self, etc.

Ranpo doesn’t mask very much in the present canon, he has a support system with his friends and family in the ADA where he is not judged for his autistic traits or behavior. Yet he keeps up the illusion of being an ability user partially for his own sake, but mostly to appear a certain way for the Agency and others. His ability is the only mask he keeps up, and the reason for this is the same reason he got it in the first place. Ranpo had to deal with the world outside of himself not accepting him for the way he is, and this is specifically because of his autistic traits. His false ability was essentially given to him by Fukuzawa as a way to quell his frustrations with the world, an explanation to Ranpo for why he is the way he is, because the world didn't understand the way he was and vice versa. He does seem to mask his autistic traits in Untold Origins, however, both due to his experiences he talks about and his parents. Masking can be traumatic, growing up in a world not built for you is traumatic, and the culmination of it all is what leads to Ranpo’s meltdown. Being autistic is not inherently traumatic, but the instability of day to day life can even be a causation for it, and this is the case for Ranpo. He goes about the story assuming that he will get adverse reactions if he speaks up or acts like himself, showing specifically his autistic traits, and this is the reason that he masks. Like any other autistic person, he masks in order to survive situations or to avoid confrontation over it when he never intended it. He was already a sheltered kid, and so he was raised with the deliberate suppression of his autistic traits, to which he cannot control and that cannot be separated from him. Even if it was an effort to protect him by his parents, it had negative consequences on Ranpo. Growing up that sheltered is damaging enough but it is dire to understand that this is in relation to Ranpo's being autistic as well, so he was thrust into a world that already did not understand him as a young autistic person after he lost his parents, an added trauma on top of the loss.

(below are the quotes I was referring/alluding to)

(In order is Ranpo's meltdown scene, an example of the double empathy problem (difficulties due in part due to a mutual lack of understanding when socializing between autistics/allistics because of the way we experience the world internally/externally) in which Ranpo looks at the same thing as someone else but they percieve it vastly different and Ranpo does not realize this, an observation from Fukuzawa on Ranpo's inherent difference, Ranpo's expectations of rejection, another observation from Fukuzawa on how Ranpo doesn't realize any of this, Ranpo expecting rejection based upon experiences in the past, and finally what I interpret to be an example of suppression of Ranpo's autistic traits (in a literal sense it is referring to his ability, which is representative of his autistic masking/really autism in general)

The manifestation of his ability is not a literal one like the other characters in the series, but it is an extension of his need to mask at times. Whether it is damaging or not, Ranpo clings to it because it is both connected to Fukuzawa and it is the first time he got an answer to why he is this way instead of being told to hide it for the convenience of others. When you grow up in a world that does not like you for what you are, it would only be natural for him to be desperate for the comfort of something after believing for so long that there was something inherently wrong with him.

There are definitely more thoughts that I have on this topic, such as poverty in relation to the Akutagawa siblings and Atsushi (Beast, specifically as well), but I want that to be a separate analysis.

bungo stray dogs, themes of trauma, the abuse cycle, and how ranpo's disability+autistic trauma is an integral part of untold origins ★

🦴 abilities represent trauma and trauma responses

🦴 trauma as a theme of cycles

- the abuse cycle

- the "savior" cycle

🦴 the government, war, and society

- yosano, mori

- verlaine, chuuya

- fukuchi, teruko

- the role of the government

🦴 untold origins

- ranpo's ability is autistic masking

- his trauma

- untold origins through the lens of autistic trauma

wc; 2.6k (Origins quotes included in pictures only but I explain them briefly)

(this is also crossposted on Twitter, this is a long read format)

In this I want to cover trauma, and by extent mental illness, as an overarching theme in BSD, and how it portrays the cycles and effect of abuse, war, and is an exploration of traumatized individuals operating in a world not built for them. Additionally, Untold Origins is about autistic trauma.

Despite the approach of supernatural themes, Bungo Stray Dogs lends itself heavily to the discussion of trauma, mental illness, and its effects. One of the most notable themes in Bungo Stray Dogs is trauma and abuse, but it extends beyond the main abuse chain that most recognize to partially originate from Mori and end with Kyouka (Mori, Dazai, Akutagawa, and Kyouka, to be specific). There is a large focus on the abuse cycle and how trauma affects people. Emphasis is also placed on the specific structural abuse and violence of society within the world of BSD. The complexities of the abuse cycle are highlighted in organizations such as the Port Mafia, which is by far the most recognizable example within the series, but the government as another authoritative state plays another role in the cycle. BSD shows its readers various depictions of how trauma will manifest or affect two people who encounter the same thing. BSD shows a very honest depiction of mental illness in general, but it's specifically in how trauma affects the characters that these themes become integral to the story.

To start off the actual analysis, abilities themselves are representative of trauma responses. They arise from high stress situations in order for the user to have a protective mechanism for themself, uncanny to how actual trauma responses develop. Whether you think it is non-exclusive because abilities are based upon literature, many if not all of the characters’ abilities parallel their trauma. This is highlighted with tons of the characters, obviously, but I'll only point out a few because a separate analysis would be needed for every ability in the series (I want to one day, but not now). Each ability exhibits what each ability user needed in order to survive. Atsushi was a victim of child torture from what could have been birth, or at least since coming into the orphanage, to young adulthood, and he needed to become something to combat it. Beast Beneath the Moonlight is an ability that allows Atsushi to become something near invulnerable, with his impenetrable fur, regeneration, and the claws that cut through abilities themself. No Longer Human reflects how Dazai never allows anyone to get close to him, how he always keeps his guard up, how he never allows himself the vulnerability of being seen or touched. Both literally and metaphorically. Akuatagwa, similar to Atsushi, growing up in the slums needed a way to protect himself, Gin, and the other children around him. His ability is one that I feel is the most obvious with its connection to his trauma, as it is so important in depicting his relationship with Dazai and his own ability, though that is more about his coat itself than explicitly Rashomon. He only had the clothes on his back to protect him, so that is what manifested, the ability to control and kill his enemies with what little shield he had against the world. These will be the only ones I highlight in this section as they're some “main” examples and this is not meant to be exclusively on what the ability represents for individual characters. There are also plenty of characters that we can only speculate on, as we don't know much about their past, if at all many of them.

The cycle of abuse is the main theme present under the topic of trauma and how it relates to BSD's story. The most notable abuse chain that runs from Mori, to Dazai, to Akuatagwa, and finally ending with Kyouka is easily the most recognizable example of this. Whether you believe Mori's relationship with Dazai, and affect on him, was inherently classified as child abuse is irrelevant here and up to interpretation, I suppose, as a lot of people seem to believe so for some reason. Regardless, you cannot deny that the lessons of optimal solutions, needing to live for a purpose, and harsh treatment runs in this line of mentor/mentee relationships.

This is also the case between Mori and Yosano, though I'm not sure how much Mori would constitute as a “mentor” to Yosano over just being her superior, considering his relationship and treatment of Yosano is vastly different compared to Dazai. The cycles of abuse is not only present within the mentor/mentee cycle of BSD either, another major example is how many characters treat others based upon how they would treat themself, and this treatment arises from a place of projection. In the Dark Era, Mori acts according to his own judgment, assuming that Dazai will not act adversely based upon the shared qualities he sees of himself in Dazai. A shared logistical, observant brain and their ability to navigate a situation through predicting and utilizing their pawns. Dazai trains Akutagawa the way he does because he believes it is what Akuatagwa needs in order to be successful and survive.

Kouyou is a very great instance of this, too. The Port Mafia is a root of much of the abuse taking place within the story of Bungo Stray Dogs, and Kouyou shows this the best, aside from characters like Dazai and Akutagawa. This is where I want to specify that Mori is not the root cause or direct start of the abuse cycle within the series, as the Port Mafia itself was a tool of organizational abuse from the start. The Port Mafia has always used tactics of aggression and suppression as an operation, however, there is a stark difference between the Old Boss and Mori on how this force is used. There is no real difference on how they affect the Port Mafia individually, except the methods used and the tighter reign of control Mori uses compared to the reckless abandonment for critical thought towards the end for the Old Boss. It's an inherently corrupt organization despite the importance it holds in the balance of Yokohama. Kouyou was in the Mafia from childhood, and when she lost the hope of being able to escape that world, she lost her trust in both the organization and the greater world of people. This is the reason that she pushes her own beliefs onto Kyouka and tries so desperately to keep her in the mafia. Her disdain for hope and recognition of herself in Kyouka is the causation for her to attempt to drill this mindset into Kyouka.

Kouyou isn't the only one who projects herself onto Kyouka specifically either, as Akutagawa follows the lessons he has learned and forces his beliefs of giving Kyouka's life a “reason” through her ability and killing ability. Which is exactly what he learned through his years in the Port Mafia as Dazai's mentee. Another example of a character projecting their own traumas onto someone they recognize themself in is very obviously Verlaine, through the events of him forcing Chuuya to his side because of his thought process.

There is a common justification that many of the characters make that they are doing what needs to be done. There are many other examples that could be made from the series, but all of this is to say that there is a large representation of the idea that “hurt people hurt people”. It's what the abuse cycle is on an interpersonal level. The actions taken are not excused by a victim’s own past, however it is a very real depiction of the abuse cycle and its effects in the series.

There is some hope to be found though as the parallel to this is being “saved”. Exemplified through the Armed Detective Agency as a whole, it ends up being essentially a safe haven for many of the members. Earlier I mentioned Kyouka, and she is specifically helped by Atsushi. I really don't want to refer to this as a savior cycle because it's really not, they're not all “saviors”, I just don't really have a better name for it.

The best examples for the roots of this cycle in the series are Fukuzawa and Oda, though they are naturally not the only cause for the chain of events within this cycle of influence. Fukuzawa brings me back to the topic of the Armed Detective Agency, which was established in the first place in order to help Ranpo and others. He left his influence on Ranpo first in Untold Origins, and Yosano when the two are able to get her away from Mori, but he also is the first in the chain that impacted Oda (though not the only), another important figure in this theme. He is the person that is able to plant a moral seed in Dazai and change the course of his life, and he was the only one able to do this. This brings me back around to Atsushi, who after being taken into the ADA by Dazai is able to save Kyouka, Lucy, and Sigma in one way or another.

It is important to highlight the Decay of Angels arc and portraying the tragic results of war. The ones I'm going to discuss are Fukuchi, Fukuzawa, Yosano, Mori, and Teruko as participants of war, Verlaine and Chuuya as the result of the government experimentation after the war, and then Tachihara from an outsider's perspective because of his brother. There is limited information that we have on The Great War itself, but what we do know is that it was a fight between ability user organizations and for the use of abilities in warfare. It is shown to be the cause of much of the suffering of many characters in the series, whether it is as a participant or a result of the inherent tragedy of war. Yosano was a child soldier exploited by Mori, who was able to use his position to prove his thesis for the beneficial use of abilities in warfare. It's unclear to me whether it was issued from upper levels, but his Infantry Division was for the purpose of proving what you could harness with abilities and warfare. This is not the only time that ability experimentation resulted during/from The Great War either, both Verlaine and Chuuya were a result of ability research and singularity creation. You could also infer that The Hunting Dogs project, though it is not confirmed (I think?), is a result of this as well. All of this to show the role that the government plays in the war, and alongside the damage that war already brings the government is shown to prey on the vulnerable within.

Fukuchi is probably the most noteworthy example of war and trauma in BSD, as he is the one who enacts the greatest damage in order to stop another war to his knowledge. His entire motivation for creating the DOA and bringing calamity was to prevent a repeat of what he had witnessed in the battlefield. Though he also has personal beliefs for world peace from the beginning, it grew to be more than that. The war intrinsically changed him due to the trauma, and soldier’s PTSD is naturally a common thing. The war changed Yosano as well, and while the two had very different circumstances, they carry the weight of their sins years later. Teruko was essentially born from war itself, and similar to Atsushi, she was forced to become something or someone that was able to fight, hence her ability forcing maturity and age. Teruko's ability itself is an example of how intense or prolonged trauma can cause a person to force self preservation in the face of it as a tactic to survive. Many of the characters show this, but it is especially prevalent with Fukuchi and Teruko because of the war. The entire arc brings into question the role of the government in war, corrupt power, the tragedy of war, and the point of it in the first place.

I'm making a seperate section to talk about Ranpo's ability, Untold Origins, and autistic trauma. Ranpo is the only character based on an author who does not have a literal ability, and I believe his lack of ability and insistence on keeping the illusion up is reminiscent of autistic masking. As to why I think he is autistic outside of the context of Origins, please refer to this thread .

Masking is camouflaging autistic traits in order to appeal to neurotypical or allistic (non-autistic) expectations. This could be internalizing discomfort, suppressing behaviors, copying others’ behavior in order to “fit in”, or an array of examples of forcing yourself out of your nature. Long-term masking can lead to extreme damage to your mental health, it can cause burnout, distressed behavior (meltdowns, shutdowns), issues with sense of self, etc.

Ranpo doesn’t mask very much in the present canon, he has a support system with his friends and family in the ADA where he is not judged for his autistic traits or behavior. Yet he keeps up the illusion of being an ability user partially for his own sake, but mostly to appear a certain way for the Agency and others. His ability is the only mask he keeps up, and the reason for this is the same reason he got it in the first place. Ranpo had to deal with the world outside of himself not accepting him for the way he is, and this is specifically because of his autistic traits. His false ability was essentially given to him by Fukuzawa as a way to quell his frustrations with the world, an explanation to Ranpo for why he is the way he is, because the world didn't understand the way he was and vice versa. He does seem to mask his autistic traits in Untold Origins, however, both due to his experiences he talks about and his parents. Masking can be traumatic, growing up in a world not built for you is traumatic, and the culmination of it all is what leads to Ranpo’s meltdown. Being autistic is not inherently traumatic, but the instability of day to day life can even be a causation for it, and this is the case for Ranpo. He goes about the story assuming that he will get adverse reactions if he speaks up or acts like himself, showing specifically his autistic traits, and this is the reason that he masks. Like any other autistic person, he masks in order to survive situations or to avoid confrontation over it when he never intended it. He was already a sheltered kid, and so he was raised with the deliberate suppression of his autistic traits, to which he cannot control and that cannot be separated from him. Even if it was an effort to protect him by his parents, it had negative consequences on Ranpo. Growing up that sheltered is damaging enough but it is dire to understand that this is in relation to Ranpo's being autistic as well, so he was thrust into a world that already did not understand him as a young autistic person after he lost his parents, an added trauma on top of the loss.

(below are the quotes I was referring/alluding to)

(In order is Ranpo's meltdown scene, an example of the double empathy problem (difficulties due in part due to a mutual lack of understanding when socializing between autistics/allistics because of the way we experience the world internally/externally) in which Ranpo looks at the same thing as someone else but they percieve it vastly different and Ranpo does not realize this, an observation from Fukuzawa on Ranpo's inherent difference, Ranpo's expectations of rejection, another observation from Fukuzawa on how Ranpo doesn't realize any of this, Ranpo expecting rejection based upon experiences in the past, and finally what I interpret to be an example of suppression of Ranpo's autistic traits (in a literal sense it is referring to his ability, which is representative of his autistic masking/really autism in general)

The manifestation of his ability is not a literal one like the other characters in the series, but it is an extension of his need to mask at times. Whether it is damaging or not, Ranpo clings to it because it is both connected to Fukuzawa and it is the first time he got an answer to why he is this way instead of being told to hide it for the convenience of others. When you grow up in a world that does not like you for what you are, it would only be natural for him to be desperate for the comfort of something after believing for so long that there was something inherently wrong with him.

There are definitely more thoughts that I have on this topic, such as poverty in relation to the Akutagawa siblings and Atsushi (Beast, specifically as well), but I want that to be a separate analysis.