"we Live In An Uncaring Universe"

How to Plot A Complex Novel in One Day (It WILL take all day)

Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin? 

What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots. 

Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow. 

Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear. 

What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story.  Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story. 

What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.

Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours. 

Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension. 

Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work. 

After you’ve plotted the loose structure of your novel from this, see my next post to work on character! 

John Singer Sargent (January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the “leading portrait painter of his generation” for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His commissioned works were consistent with the grand manner of portraiture, while his informal studies and landscape paintings displayed a familiarity with Impressionism.

Lucy Maud Montgomery, Anne of Avonlea

The Rotted Man

When I was a child of only three The Rotted man came for me late one night from my open door he slowly crept across the floor he took me by the hand and said I’ll save you from this life of dread we left the house in the early morn and took his carriage of blackened thorn we rode for hours through thick dense fog to a darkened unlit swamp filled bog where top-less trees with hanging moss were shields from the unseen winter frost the thick wet heat from the dense cool air crept up your back and through your hair he took me to his house of bones on a path laid with cobble stones upon his door hung a head of a child with hair of fiery red his hall was bathed in blood red tile the walls were stacks of flesh in piles He told me of his protective view and begged that I should join him too He smiled and through his rotted lips I saw a thousand children’s fingertips He promised me the world would pay and told me that I could stay Then we entered a smaller room and the rotted man gave me a red balloon Then I saw my mom through tinted glass The man with her was talking fast The tears were pouring from her eyes The man then held her while she cried Then the Rotted man did the strangest thing, He sat down with me and began to sing. A soft nice tune that filled my head With puppy dogs and fresh baked bread It was then I notice that the rotted man Was simply old and had a tan, And then my mom burst in the room The feel of warmth, her sweet perfume She hugged me tight and swore to me From here on out, Dad would let us be. No more bruises no more fights, No more screaming in the night, The rotted man had saved our lives, By taking those who beat their wives, And children that cry when they’re dropped, And are beaten senseless until they stop, I thank the Rotted man a lot, And never have I forgot, That the thing I feared, saved my life, They had found my father with a knife, There are real horrors on this earth, Some are subjected to them at birth, We were saved by a man made of rot, I was lucky, but many are not.

by thelirivalley

i think we should be talking about the semi-recent advancements in cystic fibrosis treatment like all the time every day. there hasn’t been a drug like this since AZT medications for HIV infection it is truly fucking miraculous and very important

"The shift from the Afro-Caribbean zombie to the U.S. zombie is clear: in Caribbean folklore, people are scared of becoming zombies, whereas in U.S. narratives people are scared of zombies. This shift is significant because it maps the movement from the zombie as victim (Caribbean) to the zombie as an aggressive and terrifying monster who consumes human flesh (U.S.). In Haitian folklore, for instance, zombies do not physically threaten people; rather, the threat comes from the voduon practice whereby the sorcerer (master) subjugates the individual by robbing the victim of free will, language and cognition. The zombie is enslaved."

— Justin D. Edwards, "Mapping Tropical Gothic in the Americas" in Tropical Gothic in Literature and Culture.

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realizing that sticking to the "do it bad" "do it scared" mentality implies theres also a "do it bored"

Getting into the comic side of a fandom is so hard. Like, yeah I want to see Harley Quinn having divious fun with Cat and Ivy robbing Bruce, but I also want to see her murder the Joker! What do you mean it's not the same story!!!!

You want me to pay HOW MUCH for the entire time line?!

hope is a skill