Thinking About The People Who Vanished Without A Trace. The Mutual Who Reblogged Something As Usual And

a sluge 😔

every time I see some bigshot scientist revealed as a fraud my knee-jerk reaction is "hell yeah elisabeth bik got 'em good" AND IM RIGHT

SHE NEVER QUITS!!!!

ICONIC!!!!

You listen and you know you could live a better life than you do, be softer, kinder. And maybe this year you will be able to do it.

Mary Oliver

DEAD BOY DETECTIVES LETTER PROJECT

Starting this Thursday we will be sending letters to Netflix! Please prepare letters with all of your love for the show to convince Netflix to reverse their decision! 💜

Please use the following address: 5808 W. Sunset Blvd, Los Angeles, CA 90028 US

Every other week will be a letter mailing week so everyone has time to prepare their letters to send them on the selected Thursday's! You can send as many as you want to Netflix HQ and show them just how much you love Dead Boy Detectives!

I don't quite- I. Okay. Hm. Hmmm.

hello. you left a neon pink post-it with pgs 194-359 due 9/12 in the book, by the way. it is now May 23rd and the library's printer is running out of ink. it jammed and tore my passport application. one of the librarians dutifully blacked out all my information (front and back!) before proceeding to use every unmarred inch as scrap paper.

i think maybe our (plural, inclusive) lives are connected. all of them. i have been thinking a lot about borrowing. about how people move through the world in waves, filling in the same spaces. i have probably stood on the same subway platform as you. we held the same book. all of us stand in the same line at the grocery, at the gas station. how many feet have stood washing dishes in my kitchen?

i hope you are doing well. the pen you used was a nice red, maybe a glitter pen? you have loopy, curling handwriting. i sometimes wonder if it is true that you can tell a personality by the shape of our letters. i'm borrowing my brother's car. he's got scrangly engineer handwriting (you know the one). it's a yellow-orange ford mustang boss. when i got out of the building, some kids were posing with it for a selfie. i felt a little bird grow in me and had to pause and pretend to be busy with my phone to give them more time for their laughing.

i have a habit of asking people what's the last good book you read? the librarian's handwriting on the back of my smeared-and-chewed passport application says the glass house in small undercase. i usually go for fantasy/sci fi, but she was glowing when she suggested it. i found your post-it on page 26, so i really hope you didn't have to read up to 359 in that particular book. i hope you're like me and just have a weird "random piece of trash" "bookmark" that somehow makes it through like, 58 books.

i wish the concept of soul mates was bigger. i wish it was about how my soul and your soul are reading the same work. how i actually put down that book at the same time you did - page 26 was like, all exposition. i wish we were soul mates with every person on the same train. how magical to exist and borrow the same space together. i like the idea that somewhere, someone is using the shirts i donated. i like the idea that every time i see a nice view and say oh gosh look at the view, you (plural, inclusive) said that too.

the kids hollered when i beeped the car. oh dude you set off the alarm, oh shit is she - dude that's her car!! one was extremely polite. "i like your car, Miss. i'm sorry we touched it." i said i wasn't busy, finish up the pictures. i folded your post-it into a paper crane while i waited. i thought about how my brother's a kind person but his handwriting looks angry. i thought about how for an entire year i drove someone to work every day - and i didn't even think to ask for gas money. my handwriting is straight capital letters.

i thought about how i can make a paper crane because i was taught by someone who was taught by someone else.

the kids asked me to rev the engine and you know i did. the way they reacted? you would have thought i brought the sun from the sky and poured it into a waterglass. i went home smiling about it. i later gave your post it-turned-bird to a tiny child on the bus. she put it in her mouth immediately.

how easy, standing in your shadow, casting my own. how our hands pass over each other in the same minor folds. i wonder how many of the same books you and i have read. i wonder how many people have the same favorite six songs or have been in the same restaurant or have attended the same movie premier. the other day i mentioned the Book Mill from a small town in western massachusetts - a lot of people knew of it. i wonder if i've ever passed you - and didn't even notice it.

i hope whatever i leave behind makes you happy. i hope my hands only leave gentle prints. i hope you and i get the same feeling when the sun comes out. soulmates across all of it.

Clement Gelly, “Graffiti, Through Grief and Discovery”, pub. Hazlitt [transcript in ALT]

Btw, non UK users here, would be genuinely super helpful if you could boost posts relating to the far right violence happening and also counter protests. A lot of UK users don’t really follow each other, and also it just helps to increase the chance of people who could go to counter protests seeing posts about what’s happening when. I know posts about our politics; and non USAmerican politics really; don’t get a lot of traction on here, but like despite the UScentrism of the English speaking user base it’s really helpful and beneficial to share these things. The situation is likely downright horrifying to those being targeted right now and it really should be a priority for us to go out and counter this to the best of our abilities

unavoidable that you will be the villain in someone else's story. You will be painted in an unfavorable light. You will be the irredeemable one. and all of this will happen despite how nice you might usually be or how kind or how respectful or how warm. and you will just have to move on.

How to Plot A Complex Novel in One Day (It WILL take all day)

Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin? 

What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots. 

Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow. 

Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear. 

What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story.  Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story. 

What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.

Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours. 

Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension. 

Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work. 

After you’ve plotted the loose structure of your novel from this, see my next post to work on character! 

The older I get the more I admire people who are earnestly, genuinely into whatever their thing is. I know it sounds like an annoying cliche but unless you're being cruel or hurtful there is really no need to be normal about things. The dude with the bad fake accent at the renaissance faire is having the time of his life. The people having photoshoots with their fashion dolls are loving it. The old lady with a yard unreasonably full of tacky ass lawn ornaments is having a blast, HOA be damned.

Don't waste your time being too cool to have fun, y'know?