— Nitya Prakash

— Nitya Prakash

— Nitya Prakash

More Posts from Libraryidealist and Others

1 month ago
The ship that took my mother to Ellis Island
eighty-three years ago was named “The Mercy.”
She remembers trying to eat a banana
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman
who gave her a bite and wiped her mouth for her
with a red bandana and taught her the word,
“orange,” saying it patiently over and over.
A long autumn voyage, the days darkening
with the black waters calming as night came on,
then nothing as far as her eyes could see and space
without limit rushing off to the corners
of creation. She prayed in Russian and Yiddish
to find her family in New York, prayers
unheard or misunderstood or perhaps ignored
by all the powers that swept the waves of darkness
before she woke, that kept “The Mercy” afloat
while smallpox raged among the passengers
and crew until the dead were buried at sea
with strange prayers in a tongue she could not fathom.
“The Mercy,” I read on the yellowing pages of a book
I located in a windowless room of the library
on 42nd Street, sat thirty-one days
offshore in quarantine before the passengers
disembarked. There a story ends. Other ships
arrived, “Tancred” out of Glasgow, “The Neptune”
registered as Danish, “Umberto IV,”
the list goes on for pages, November gives
way to winter, the sea pounds this alien shore.
Italian miners from Piemonte dig
under towns in western Pennsylvania
only to rediscover the same nightmare
they left at home. A nine-year-old girl travels
all night by train with one suitcase and an orange.
She learns that mercy is something you can eat
again and again while the juice spills over
your chin, you can wipe it away with the back
of your hands and you can never get enough.

Philip Levine, “The Mercy”

2 months ago

"there is no platonic explanation for this--"

I fell asleep in my friends' arms. It was eleven at night, we were tired, curled up in a small pile on my tiny bed. I had my head buried in my roommate's side, and one of my closest friend's hand on my shoulder, steadying me. It was quiet and nothingness and peace and their heartbeats in my ears, my hands in their hair.

"there is no platonic explanation for this--"

We pack four people to that little bed, you know. Laps used as footrests, collarbones as pillows, little lights like moonlight in rustic yellow bathed on their faces. The TV plays an anime. The words are repeated by my dear friend on my shoulder, curled close. My legs are asleep; my roommate may be, too.

"there is no platonic explanation for this--"

The cat curls on top of our criss cross mess of legs and arms and heads on chests to absorb the warmth of us all. She purrs in contented peace. When my roommate and I are left alone in the quiet, she cries, and watches the door for our friends' return.

"there is no platonic explanation for this--"

I will never kiss them but the top of their heads. I will never touch but the warmth of their arms. I will never take more than what's freely given, and in return I put my glasses on the bedside table fashioned from a guitar amp, and when I lean into their sides, I pick up my vulnerability and place it in their capable, tender hands.

"there is no platonic explanation for this--"

I sing for them. I cry for them. I work and I run and I withstand the worst of the world for them, because some days I get to cradle their forehead on my shoulder and some days I get to see their shining eyes.

"there is no platonic explanation for this--"

Maybe to you. But look beyond explanation. I love them. With my heart in my unsteady hands, with my nose pressed to the side of their head, with the buzzing in my feet and the warmth all around Iike the sunset pushing into the window.

"there is no platonic explanation for this--"

Is it enough to say I love them? With no strings attached? With reckless abandon and utter devotion and freedom and kindness and fear?

"there is no platonic explanation for this--"

I cannot explain it any clearer. I love my friends. There is no more to say.

1 year ago

he's got a sadness about him you only see in catholic stained glass windows

1 year ago

you have to be sexy but you have to be sexy in a way that's kind of bloody. you learn this early because you are wearing a ruffled skirt and the snow around your ankles kicks little sand particles against your calves. baby's first catcall. welcome to sexiness! welcome to the eyesore of your own body!

you have to be sexy like high heels. like sculpted eyebrows. like lean stomach and highly treated hair. you have to be sexy like youth is sexy, which means you have to be sexy like boxtox and plastic. a 30 year old can be sexy but she's not going to be bloody, and they like the bloodiness of it. a 30 year old is sexy when she is a whiskey glass and a wooden desk.

but you need to be sexy like an open mouth. you need to be sexy like a bitten apple. like plucked skin and white-knuckling the waxing kit.

so sex is a performance, not an enjoyment. for a while, you just assumed everyone else was also in on the joke - nobody actually likes sex that much, right? like, some men probably do, but why would you? it is like a gender - your gender is sexy. your gender is the performance of sex. you are thigh highs and garter belts. which, to be fair, do make you feel sexy.

part of what does make sex good is that you can tell that other people want you, which means the performance of sexiness is both bloody and wanted, which is good, which means you are winning at having a body. being wanted is the prize. being wanted is the thing you are searching for, not hope. you think you are looking for a soft grave in easy loam, but that is bloody but not sexy. to be sexy you must be bloody like a red open sign. bloody like a handprint. this will make you wanted.

any wanted or unwanted body is subject to supply and demand, which is to say that the more demand, the better you are valued. you must be highly demanded to be valued. this is stated in matter-of-fact by some men. sometimes it is a priest that says it, and sometimes it is a podcaster, and sometimes it is the 45th president of the united states of america.

(if you do not have any experience with being told your value, i want you to grab the nearest bird to you and i want you to crush it into a thin paste in your hand. spit into the center, and then hold your fingers closed tight around it for days and days, long after the rot has set in. feel bones itch inside of your fist. this is only a fraction of what it actually feels like, but it will suffice for a moment.)

good sex feels like you have earned their desperation. you have earned your own value. for a while you operated under the understanding that everyone knew about the power structure, even him. that their desire to take you - the violence of it - means that you must desire to be caught. little prince, guardian fox - you would rather have cut your own arm off. you liked the secret, cunning little voice you keep tucked into a box. you think you are fucking me. i am not even here right now. you are fucking what i conned you into perceiving. this is a painting, not a person. dominion over the body before all things.

so you bend your body like a wheat shaft and learn the steps so perfectly that it almost seems graceful. (if you do not have experience faking your own connection to your body and sexuality, cut each of your articles of clothing just a little bit incorrectly. pour fishbones into each of your meals. this way, you will experience the average noon on a tuesday.)

you have to be sexy like light spilled over a desk, but not desperate. not a noose. you can't be sexy like an electric guitar, you are the acoustic. you have to be on top of the bull but you can't have control over the animal.

okay, okay. the little rabbit of your heart went to sleep so long ago that winter has ravaged your concept of the human soul. there's something very-bad inside you, something that has taken over, a little fetid and rabid animal, angry and hurting and willing to bite first.

oh but even that's a pain that's sexy. open your mouth. be careful not to let the canines show.

9 months ago

Btw, non UK users here, would be genuinely super helpful if you could boost posts relating to the far right violence happening and also counter protests. A lot of UK users don’t really follow each other, and also it just helps to increase the chance of people who could go to counter protests seeing posts about what’s happening when. I know posts about our politics; and non USAmerican politics really; don’t get a lot of traction on here, but like despite the UScentrism of the English speaking user base it’s really helpful and beneficial to share these things. The situation is likely downright horrifying to those being targeted right now and it really should be a priority for us to go out and counter this to the best of our abilities

6 months ago
©东予薏米  Jade Rabbits Making Mooncakes For Mid-autumn Festival
©东予薏米  Jade Rabbits Making Mooncakes For Mid-autumn Festival
©东予薏米  Jade Rabbits Making Mooncakes For Mid-autumn Festival

©东予薏米  jade rabbits making mooncakes for mid-autumn festival

2 months ago
Euripides (tr. Anne Carson) / Sade Andria Zabala / Anne Carson
Euripides (tr. Anne Carson) / Sade Andria Zabala / Anne Carson
Euripides (tr. Anne Carson) / Sade Andria Zabala / Anne Carson

euripides (tr. anne carson) / sade andria zabala / anne carson

8 months ago
"but There Is Something That Happens When You Are Told You Are Too Much. You Begin To Ask Everyone, "how

"but there is something that happens when you are told you are too much. you begin to ask everyone, "how small would you like me?""

1 year ago

Hi! do you happen to have any masquerade prompts by chance? Perferably something between two characters with a love-hate dymanic?

We didn’t see this until just now!!! Sorry for the wait

1. Your characters getting along all night, until one of their mask breaks and then it’s right back to the contempt. ( and some confusing new feelings)

2. Your rival wore the same outfit. You now have to try and ruin it as quickly as you can so they go home and change

3. One of your characters thinking they know who the other character is at the ball and being embarrassingly wrong.

4. One searching the whole party for any evidence the other one came.

5. In the weeks before the ball, one launching a campaign to figure out if the other is coming without directly asking.

6. Ditching the approved date to be with this new stranger ( the rival in a mask).

7. Anger that the other one was even invited to the event.

Hope this helps!!!

9 months ago
— Georgia O'Keeffe

— Georgia O'Keeffe

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libraryidealist - Dried flowers and art
Dried flowers and art

(She/her) Hullo! I post poetry. Sometimes. sometimes I just break bottles and suddenly there are letters @antagonistic-sunsetgirl for non-poetry

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