Hi Pauline - My Friend Is Trying To Get Into Poetry (and Reading In General) But Hasn't Really Read Much,

on endlings, and despair

Hey, y'all. It's...been a rough couple of weeks. So, I thought--better to light a single candle, right?

If you're familiar with wildlife conservation success stories, then you're likely also familiar with their exact polar opposite. The Northern White Rhino. Conservation's poster child for despair. Our greatest and most high-profile utter failure. We slaughtered them for wealth and status, and applied the brakes too slow. Changed course too late.

We poured everything we had into trying to save them, and we failed.

We lost them. They died. The last surviving male was named Sudan. He died in 2018, elderly and sick. His genetic material is preserved, along with frozen semen from other long-dead males, but only as an exercise in futility. Only two females survive--a mother and daughter, Najin and Fatu.

Both of them are infertile. They still live; but the Northern White Rhinoceros is extinct. Gone forever.

In 2023, an experimental procedure was attempted, a hail-mary desperation play to extract healthy eggs from the surviving females.

It worked.

The extracted eggs were flown to a genetics lab, and artificially fertilized using the sperm of lost Northern males. The frozen semen that we kept, all this time, even after we knew that the only living females were incapable of becoming pregnant.

It worked.

Thirty northern white rhino embryos were created and cryogenically preserved, but with no ability to do anything with them, it was a thin hope at best. In 2024, for the first time, an extremely experimental IVF treatment was attempted on a SOUTHERN white rhino--a related subspecies.

It worked.

The embryo transplanted as part of the experiment had no northern blood--but the pregnancy took. The surgery was safe for the mother. The fetus was healthy. The procedure is viable. Surrogate Southern candidates have already been identified to carry the Northern embryos. Rhinoceros pregnancies are sixteen months long, and the implantation hasn't happened yet. It will take time, before we know. Despair is fast and loud. Hope is slower, softer. Stronger, in the end.

The first round may not take. We'll learn from it. It's what we do. We'll try again. Do better, the next time. Fail again, maybe. Learn more. Try harder.

This will not save the species. Not overnight. The numbers will be very low, with no genetic diversity to speak of. It's a holding action, nothing more.

Nothing less.

One generation won't save a species. But even a single calf will buy us time. Not quite gone, not yet. One more generation. One more endling. One more chance. And if we seize it, we might just get another after that. We're getting damn good at gene editing. At stem-cell research. In the length of a single rhino lifetime, we'll get even better.

For decades, we have been in a holding action with no hope in sight. Researchers, geneticists, environmentalists, wildlife rehabbers. Dedicated and heroic Kenyan rangers have kept the last surviving NWRs under 24/7 armed guard, line-of-sight, eyes-on, never resting, never relaxing their guard. Knowing, all the while, that their vigilance was for nothing. Would save nothing. This is a dead species--an elderly male, two females so closely related that their offspring couldn't interbreed even if they could produce any--and they can't.

Northern white rhino conservation was the most devastatingly hopeless cause in the world.

Two years from now, that dead species may welcome a whole new generation.

It's a holding action, just a holding action, but not "just". There is a monument, at the Ol Pejeta Conservancy, where the last white rhinos have lived and will die. It was created at the point where we knew--not believed, knew--that the species was past all hope. It memorializes, by name there were so few, the last of the northern white rhinos. Most of the markers have brief descriptions--where the endling rhino lived, how it was rescued, how it died.

One marker bears only these words: SUDAN | Last male Northern White Rhino.

If even a single surrogate someday bears a son, we have erased the writing on that plaque forever.

All we can manage is a holding action? Then we hold. We hold hard and fast and long, use our fingernails if we have to. But hold. Even and perhaps especially when we are past all hope.

We never know what miracle we might be buying time for.

"this is how I reach heaven through violence"

@squeakadeeks

"Read Banned Books" a new full page cartoon essay published in The New York Times Arts & Leisure section today.

What I can't cope with, OK, is L.M. Montgomery's use of bedrooms as a site of both autonomy and belonging. When Emily arrives at New Moon, she has to share the bed with Aunt Elizabeth and feels she is in bed with a griffon but when she moves into Juliet's old bedroom in the "lookout" she is overcome with the sense of nearness to her mother as well as having true space and freedom for the first time at New Moon. Later, she loses a lot of this sense of place and independence moving into Aunt Ruth's spare room where she doesn't have to share a bed, but can't even choose the pictures hanging on the walls - at the same time she loses her freedom to write fiction. Jane hates her bedroom at 60 Gay Street, finding it "hostile and vindictive" - in many ways just like Grandmother Kennedy, but at Lantern Hill, her father lets her choose everything that goes into her bedroom and she is allowed self expression. Her friends give her gifts to furnish it, as emblems of their love for her. Like Jane, Valancy has no control over the furnishings in her room, from the painted floor to the tacky artwork to the dingy and unwelcoming furniture, but she's so constrained that her only rebellion is to throw the jar of potpourri out the window because she's "sick of the fragrance of dead things". To have a sense of self, she imagines a magnificent castle as an escape and is delighted to find Barney's house is just as good a place to be who she wants to be - free from her family, making her own choices. Anne, upon marking the first anniversary of coming to Green Gables, reflects on the garrett room and finds it "as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine." Before Green Gables her life was probably a mix of dormitories and makeshift beds in attics that she couldn't change, in versions of her life with no freedom or affection. THEIR BEDROOMS ARE SYMBOLS FOR THEIR LIVES OK. When their rooms are controlled by others, their inner/emotional/creative lives are constrained. When they have their own rooms, they have autonomoy, they choose furniture, they have freedom, they have themselves, they have love, they have me gnawing armchairs about it.

Also funny that both Valancy and Emily are tormented at various times by inescapable portraits of queens - I do wonder if LM had one in her home that no one would let her take down.

Philip Levine, “The Mercy”

Once a little boy went to school. One morning The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make all kinds; Lions and tigers, Chickens and cows, Trains and boats; And he took out his box of crayons And began to draw.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, He liked to make beautiful ones With his pink and orange and blue crayons. But the teacher said “Wait!” “And I will show you how.” And it was red, with a green stem. “There,” said the teacher, “Now you may begin.”

The little boy looked at his teacher’s flower Then he looked at his own flower. He liked his flower better than the teacher’s But he did not say this. He just turned his paper over, And made a flower like the teacher’s. It was red, with a green stem.

On another day The teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy; He liked clay. He could make all kinds of things with clay: Snakes and snowmen, Elephants and mice, Cars and trucks And he began to pull and pinch His ball of clay.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” “Good!” thought the little boy, He liked to make dishes. And he began to make some That were all shapes and sizes.

But the teacher said “Wait!” “And I will show you how.” And she showed everyone how to make One deep dish. “There,” said the teacher, “Now you may begin.”

The little boy looked at the teacher’s dish; Then he looked at his own. He liked his better than the teacher’s But he did not say this. He just rolled his clay into a big ball again And made a dish like the teacher’s. It was a deep dish.

And pretty soon The little boy learned to wait, And to watch And to make things just like the teacher. And pretty soon He didn’t make things of his own anymore.

Then it happened That the little boy and his family Moved to another house, In another city, And the little boy Had to go to another school.

The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. And he waited for the teacher To tell what to do. But the teacher didn’t say anything. She just walked around the room.

When she came to the little boy She asked, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, anyway you like,” said the teacher. “And any color?” asked the little boy. “Any color,” said the teacher. And he began to make a red flower with a green stem.

~Helen Buckley, The Little Boy

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

There’s something so silly and beautiful about those Hatsune Miku pieces being made. I don’t even know who the character is or why she’s popular, but it’s so cool to see how people view their homes via this silly little trend.

Like beyond the ones where it’s cultural clothing - I saw a german one where she has pants that zip off above the knee, as germans are very practical people. A West Virginian with a NASCAR obsession. Hondurran Miku trying to survive a heat wave without electricity

Just stuff like that

please can people reply to this or send asks and tell me things that make them happy? i know it sounds really silly but ive been deeply depressed for over a month now and things aren’t getting better and it would be nice to hear what makes other people happy or smile or what keeps you going or motivates you

A little cheese some fruit some tea THATS an afternoon