Like-luke-likes - Like-Luke-Likes

When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, 5 years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try toner, you experiment with trousers, you experiment with real sexy outfits, you experiment with pin curls and darker hair and orange-toned red lipstick and you date people that look good on paper. You kiss them in public and feel only a little self-conscious. You never like them, although sometimes you really do. you think about safe sex and sometimes, kids. You think about plants, maybe succulents, or maybe even a cat? When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find things like rejection hurt less and things like nostalgia hurt more. You watch people do things you want to do, and then you do some of those things too. Things start to feel like pins on a map. You watch landmarks pass and almost note them. You eat a taco from a food truck and be careful to dab the corners of your mouth with a napkin. You smooth your shirt down. You think about details, the details of how clean the beer cup is, how you need to put the dishes away, how she smells like a perfume you wore and how his teeth are perfect and aligned. You feel a little less downtrodden by things like routine and security and a little more appreciative of things like doing nothing, finding a friend, stretching on a big couch. You hear old songs and only sometimes do they gut you. You think about your future almost always, in both a thrilling way and a very very panicked way. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did.You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do. When you get older, you barely notice it at all. Then, you are sitting somewhere you’ve been before, staring at the nothingness of the sky, and you feel the wind moving away from you, fast and almost impossible to catch.

When You Get Older, thefrenemy (via coloradocowgirlforchrist)

AMAZING! This Artist Reimagined Disney Princesses As Hastily Drawn Stick Figures!

Okay so I keep seeing people unironically posting this on my timeline all the time

I just wanna clear something up about it

1)It is an undoubtedly bad drawing, yes, the rule of art is generally “it’s wrong if it looks wrong” and this clearly looks wrong 2) The person who did that draw-over doesn’t have a much better grasp of anatomy and, I’m going to assume, isn’t very familiar with what bodybuilders look like

The Liefeld drawing was referenced from this photograph of Arnold Schwarzenegger;

this is a pretty common bodybuilding pose and photography technique, to do these slight upshots to emphasize the size of the chest as much as possible. You can find a million photos of even just Arnie striking this exact pose in different situations;

The thing about competitive bodybuilders is that their dimensions are so outside the realm of what the average person is accustomed to that they can look “out of proportion” in real life. Parts of the body that can’t change size like the head and hands appear comparatively small, and the girth of limbs can make them appear shorter than they really are

(In order these guys are Ronnie Coleman, Moustafa Ismail, Daniele Seccarecci, and Jay Cutler if you want a source) side note, comments about the body type being “unattractive” aren’t necessary in this conversation, bodybuilding on this scale is a form of body modification, akin to being heavily pierced or tattooed. In other words, they aren’t doing it for you.

The problem is, if you make art referencing a body type that appears out-of-proportion to the layman and don’t fudge the scale of individual elements to make it seem stylistically balanced, it will look wrong to the audience. You can show someone a tracing of a body like this and it will more than likely appear more “wrong” to them than a version taking artistic license to enlarge the hands and feet and enlongate the limbs to something the contextually feels correct.

Honestly, it is technically possibly to fit a fairly correctly proportioned human arm behind that shield;

The wrist on a human body is about even with the groin when the arm is out straight, there’s room to fit a limb that long behind the shield. But the arm looks incorrect for a number of reasons; The chest wouldn’t appear at that angle if his far arm wasn’t wrapped around to hold his wrist like it was in the reference, the shield obscures line of his spine which causes his midriff to look massively thick, hiding the forearm behind the shield emphasizes how comparatively short the limb would feel even if the proportions were perfectly accurate, and the star on the shield causes viewers to assume at a glance that his arm is bent (if you look at the shield assuming the first point clockwise from the top is the actual top of the star it looks more in-proportion, but you have to stop and think about it so the drawing has already failed)

If you were to dump the shield and put the arms in a position that matches the way the chest is flexed, it makes a lot more sense what he was going for;

Which honestly isn’t even outside the realm of what actual human bodies can potentially look like;

I know this drawing is a long dead horse that everyone is sick of seeing beaten, but I wanted to throw this out there because hey, it’s a good example of what liberties to be mindful of taking when you work from references.

Oh hello! Look, I just made you this film right now, it’s called DOUBLE KING and it’s for you, here you go!

how is it possible for this man to be saying ANYTHING