I HAVE!! I DID!! IT IS COOL!!
🟡👄🟡 is my favorite design version ever!!
WAIT HAVE ANY MALEVOLENT ARTISTS DRAWN OSCAR WITH THE EYES FROM MIDNIGHT MASS ??!
people on Pinterest bullied my headcanons (jinx as ares's kid and viktor as athena's) but PLEASE SEE MY VISION
Max Jumped Off a Train (Olivia Bee, 2012)
Intersections of Play: Paul Pfeiffer’s The Playroom, 2012
saw it on tt and idk how to feel
aamentma.
I am unfortunately just like other guys. I like trashy horror, dog poems, cannibalism as a metaphor for obsessive devotion, religious imagery, people who use my name in a sentence, academic validation, lying for fun, being bisexual and bleeding out in the snow.
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?