Happiness Will Come To You.
Constantine stared. The summoning had worked... mostly. Well he thought it worked?! There was an appropriate amount of glowing, chanting, unexplained cold and the feeling of magic being drawn in, but he had expected...
"Can I help you?" The person-teenager asked, voice slightly muffled from behind the intricate flaming crown completely obscuring their face. It settled on his shoulders, rather uncomfortable looking in all honesty, and tilted funnily, but was still large enough to obscure the child's(?) face except for a tuft of flowing, fluffy white hair.
"Yeah," Constantine replied after a moment. "We're looking for Phantom, King of the Infinite Realms, Pariah's Bane, Twice Savior of the Infinite Realms, bearer of many titles, etcetera," He chewed on his cigarette and tried to act casual. "We tried summonin' him and got you instead. Know why?"
The kid let out a very long sigh, and slumped over where he hovered, crown tilting precariously on his shoulders. "That's cause I'm me. Phantom. That's me. King of the Infinite Realms, person with too many fucking titles. Who are-," The kid paused where he had tilted the oversized crown up to peer out at the League members gathered around the circle, gave a little yip of surprise and dropped the crown back down in front of his face. "The Justice League," the kid squeaked, "I got summoned by the Justice League. Cool, cool, I am being SO normal about this,"
Constantine got the feeling that the kid, Phantom, (a kid whose crown was too big for his head, who still got starry eyed at heroes when by many accounts he was one) was very much not being as cool as he wanted to be.
DPxDC Prompt where Danny gets ghost king summoned by the JL, but it’s one of those “crown too big for he gotdamn head” situations, and not in a way that looks cool.
It’s just completely obscuring his face, sat on his shoulders with tufts of white hair poking out.
Danny’s only glad they can’t see him blushing (and that he can hide the damn thing when he’s not actively forced to reveal the artifacts by, say, a fucking summoning).
If any of us entered a fae deal, all it would take is posting it on Tumblr to get a pile of assorted loopholes.
Gimme a minute, troll with a riddle, my mutual is typing.
A fae being stands before you.
“Every day you will receive one thousand dollars in your bank account. But every time you lift a glass to your lips to take a drink, you will hit your front teeth on the first try. Every. Time. Do you accept this deal?”
Wait. WAIT. This train of thought could lead to some incredible shenanigans. What if Billy thinks that Phantom is the ghost of a previous Marvel. Vaguely immortal? Check, but could just be a ghost thing. Speaks about the gods like he personally knows them? Slightly more suspicious. Knows lots of strange and random historical facts, a lot of which Billy knows simply from being Marvel?
...Shit, Phantom was the previous Marvel. Of course he wasn't the first kid Marvel, is he going to die a teenager? Billy kind of wants to live, but if he over does it, will he turn out just like Phantom too?
Billy's having a crisis and Danny is just kinda worried about his coworker. He'd never had a problem with him being a dead teenager before, why is Marvel looking at him like he kicked a puppy but also holds all of life's answers?
I have seen some Flash recognizing Danny’s Lichtenberg figure scars but consider: what if Captain Marvel recognized them instead?
What if Billy got them whenever he transformed back into a kid?
A fun fact about Lichtenberg figures: They are, in most cases, not permanent!
They occur when an electricity surge causes blood vessels to burst & cause “fern-like patterns” on the skin.
As a result, while Billy’s Lichtenberg figures do fade, he gets brand new scars whenever he transforms back. It would add some fun limitations and inner character conflict to Billy. It would prevent him from having unlimited transformations into Captain Marvel & would give Billy a reason to not become Captain Marvel/Shazam often because Billy’s normal body would just get covered in very noticeable and very distinguishable scars that can take up to 48 hours to fade. Let’s also add the limitation that if he overdid it enough, they could have the possibility of being permanent.
Billy would also have to make sure to not be wearing metal or anything fairly conductive when he transforms, or he’d get a burned imprint of whatever metal he was wearing on his skin.
So: no jewelry or piercings for him unless he wants a burn in the shape of the necklace he was wearing, a scar in the shape of a watch on his wrist, etc.
In other words, Billy would be able to recognize Lichtenberg Figures instantly as he would have A Lot of expertise and experience in knowing what they look like and the consequences touching metal when getting zapped.
With that in mind: imagine that at the end of a rough battle that called in all of the JL on-world; Captain Marvel sees the oddly thin rubber of Phantom’s hazmat suit completely shredded away above his left elbow and notices a familiar scar pattern radiating from a nasty looking burn scar on Phantom’s palm and Shazam just freezes.
They couldn't let Geordi in on the "does Data count as a person?" discussion because he would have immediately obliterated anyone arguing he doesn't. Geordi would hear someone try to argue Data's perception isn't real because it's electrical signals or whatever and he'd just be like "so like how my visor works?" and then they'd start backpedaling
Throwing some of my original art out into the ether of the internet. I'm working on how I want lines to flow and be colored, and playing with simple background effects. Am I the best a digital art? No. Do I like what I've made? Yeah.
Click for better quality.
blood test came back i'm half full of blood
blood test came back i'm full of blood
i can't do this anymore! i mean i can, and i will, obviously. but i can't fucking do this anymore!
Hello again! I really liked your answer to my questions, I've read this post about 6 times already! (I really love it) So I want to ask you, what do you think will happen if Oscar drinks tea from the Ever After? I just really hope that in RWBY beyond episode 3 Oscar and Ruby came at the end to separate Oscar and Ozpin (not the soul in half, just stop the merge, but Oscar and Ozpin are still connected) and what do you think will happen after Oscar drinks tea and he and Oz return to the Vacuo?
sorry if here any mistakes I just used translato
Hi! Nice to hear from you again, and I'm glad you liked it. Now, this is a very interesting and very complicated question you've offered me. I like it. I'm gonna put it under the cut, because this... is going to take a while.
From what we've seen in the epilogues, in RWBY Beyond, Oscar is losing more and more of himself. Ozpin's losing himself too. They're losing themselves and each other to the merge and who'll they'll become together. It's stopping being Ozpin's experiences, Ozpin being the subject of fairytales, and starting to be Oscar referring to those past events as his.
If you think about it, the curse, the merge, is kind of like a really twisted, fucked up version of Ascension, where the choice of purpose is completely taken away instead. Ozma was given a task, a role, a purpose, a part to play in the story of the battle between light and dark, and that purpose has been passed on, whether anyone likes it or not. The answer, most often, is not.
In V8, we see Oscar frustrated with Ozpin's return, because he was starting to carve out his own role, figuring out who he wanted to be. That choice is being taken away from him, just like it was taken away from the person Ozpin used to be, taken away from the King of Vale, again and again thousands of years past.
I think a meeting between Oscar, Ozpin, and The Blacksmith would be very, very interesting, particularly in her relationship with the Brothers.
The Blacksmith created them. She said "The Brothers built homes for [the Everafterans], and gave them roles to play". Would she see nothing wrong with the way the Brothers acted, the role they assigned to Ozma and his line? The Blacksmith doesn't seem to be able to know what happens in Remnant, only catching glimpses of it in the humans who fall into the Ever After. The Blacksmith seems to like what she sees, calling humans "Remarkable things [the Brothers] accomplished". What would she think about Oscar and Ozpin?
She seems to value souls, they move through her domain afterall, and she seemed to like it when Ruby asked after "The souls that are moving on to whatever they become next". But the line of Ozma doesn't get to move on when they die. Their souls merge with others, they are subsumed, they are an amalgamation, they are something that has never been before, they are not something they want to be. Would the Blacksmith be mad at the Brothers for what has been done to dozens of hundreds of innocent souls? She doesn't seem capable of condemnation, that is not her purpose, but would empathy be shown for the line of Ozma, including ones past?
The Blacksmith does feel emotions, she's not a robot, she's glad to see Jaune, she finds joy in creating, the "not knowing". Would she find Oscar and Oz a fascinating creation? Or would she be dismayed at how little there is to know, how little choice there is. Everafterans die, and choose what to become next through Ascension. Oz dies, doesn't choose where he goes, doesn't choose where they become, doesn't choose a purpose that can we even really say is his anymore? When they've become so many people, does Ozma's original choice really belong to them anymore?
As always with the line of Ozma, it is a question of choice, identity, and free will.
How The Blacksmith would feel about it, act about it, think about it, is a very interesting question. But there is the question of if she can do anything about it.
Yes, The Tree/Blacksmith made the Brothers, and the Brothers made humans, and the Blacksmith obviously has influence over the humans who do end up in her domain. Would that be enough to supercede the curse? The will of the Brother of Light? The purpose he gave Ozma and every single soul who came after? It'd be interesting if The Blacksmith couldn't. If the Brother's intercession would be necessary to fix what they broke, what they started. But that's not the question here!
Enough hypotheticals, it's time to get down to it. In this scenario, we'll go with Oscar and Oz being over halfway merged, probably a lot merged by this point, but still two distinct entities in their own right. The Blacksmith, whatever her feelings about it, can help, allowing Oscar and Oz to choose their purpose and who they'll become.
I've seen in the fandom a lot that a turning point for Oscar would be/will be when he gets his own weapon. Weapons are so important in RWBY, Oscar being able to choose what weapon he gets, the name, the meaning behind it rather than one he inherits is so important. That carries over easily to the Blacksmith and the choices/weapons she presents.
Choosing to be yourself is a legitimate option when it comes to The Blacksmith! Oscar would definitely choose to be himself, that's without question, even if he's not sure who that himself is, he's willing to make it. I think that would best go down if instead of choosing one of the weapons The Blacksmith presents or choosing Long Memory, Oscar makes his own. I personally think it would be very cool if The Blacksmith let Oscar use her forge to make his own weapon, make his own self, make who he chooses to be.
I think that extra effort to physically make his own weapon would also be important. There's a lot more weight there, the weight of a purpose assigned, the weight of so, so many souls behind him, clinging to him. I think in that moment, Oscar would be straining to go forward and, like all parents, Ozpin would have to make the choice to let go. Let Oscar move forward into the unknown instead of the path laid before them, let go even though it's hard, even though it's scary, because letting children choose their own paths and who they are is very, very important.
Oscar being able to literally forge his own identity, his own path, would be both symbolically appropriate and also very cool.
Now, we also have to consider what would happen to Oz. Both Ozpin and the entire line before him, whatever small, pedantic difference there may be. I think it's too late to let the previous souls go. They're merged, and there's no separating them. They're gone. They're here but they're gone. There's only Ozpin left. But what that would mean, well, that's up to Ozpin. He'd have to make his own choice on who he is, who he becomes, what his purpose is.
I... don't think he'd choose to be himself. I think he'd be so, so tired of the purpose he was assigned. I think he'd like to make his own decision, and I think he'd choose to be someone else. Let the line of Ozma end, expire, be no more. He would choose to be someone else. The Blacksmith said, "Choose for yourself one who can leave your burdens behind or choose one who would be enough to bear them". This is what she said to Ruby, so it's not entirely applicable, but the sentiment is there.
I think Ozpin would choose to be someone else. Someone who isn't so embittered by betrayl that they can still trust. Someone who can see the best in people, who can continue to reach out. Someone who doesn't give up, doesn't run away. Oscar showed him someone better to be, tried to push him to be that person. And now he can take that final step, and become someone else with a far better purpose than had been handed down to him by the Brothers.
He can become someone kind.
That is who he wants to be. Kind enough to reach out, kind enough to trust, kind enough to stay even when he's afraid, kind enough to reach out like Oscar did to Emerald, kind enough to fix a broken heart like in Hazel and perhaps... even like in Salem.
Oscar and Ozpin would return to Vacuo together, Oscar the most himself he's ever been, and Ozpin happy to be someone else entirely, but no matter what, they'd stick together.
I think that would be a good way for it to go.
i wish you guys could read the amazing fic i haven't written and probably will never write, it's fire
Bruce was not panicking.
He was most specifically not panicking. Because if he panicked, this teenager, this child, bleeding in his arms, would die.
The robbers on Elm Street could wait. Oracle had already directed Nightwing to the robbers getaway vehicle. Dick had been complaining for days that he hadn't had a good car chase in weeks. He got his wish.
But this child, Daniel, was Bruce's priority. His disorientation was concerning. He'd gone from mostly aware and coherent to unconscious in such a short period of time, after obviously having been cognizant enough to get away from his abuser. The rapid deterioration gave Bruce an indication of what type of poison it was, at the very least.
Bruce carefully buckled the child into the passenger seat of the Batmobile, tilting the seat and Daniel's head so he wouldn't choke on his own blood before they got to the Batcave.
"Agent A," Bruce growled, the Batmobile rumbling beneath him as he hit the gas, "Prepare medbay and the lab for a tox screen. Victim is a teenager, orphan, Daniel, most likely not from Gotham. Came with his godfather, the one who poisoned him,"
"Symptoms?" Alfred asked, steady as always, and Bruce appreciated that more than anything.
"Disorientation and confusion leading into unconsciousness, rapid decline. Bleeding from mouth, nose," Bruce glanced over at Daniel and his mouth thinned, "Eyes, and ears. Cold body temperature, thready pulse," Bruce paused, considering. "Too cold, possible meta. We'll have to test for the gene before intensive treatment,"
"Acknowledged. Shall I set Red Hood on discovering the identity of the young man and his godfather?"
Bruce paused. Thought it over for a second. Then he glanced at Daniel, heard his desperate pleas to save him, help him, keep him away.
"Remind Hood not to kill,"
"Will do,"
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
Yo! I'm Lira, she/her, LiraBuswavi on Ao3, and I'm just here to have a good time. The header is fanart I received for a fanfic I wrote! Check out @doodlesforfics, they're an amazing artist.
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