Well I Make Some Research About Maffet, And Figured Out That Maffet Is Character Of Problematic Author.
Well I make some research about Maffet, and figured out that Maffet is character of problematic author. After that I just don't wanna use Maffet in my AU(or whatever it is), but in fact I'd need to remake the whole plot because spiders are huge part in it.
So I went like "but hey, what if I found replacement for Maffet",
and create entire spider society.
I really hope that I would be able to reveal all lore spiders, but most likely I won't. After all, this is story about child with shitty luck, not about spiders of monsterkind
More Posts from Lisaasila-stuff and Others
I've been playing around for a bit, and some ideas were born for monsters, but yet not quite material. Until IT wasn't born.
I have no idea how to name this guy. Don't be fooled by its cute appearance, it's a menace!
Also comes in green.
That's how you understand it's a stronger one
* There's a skeleton in the fog.
* ...
* He seems to be lost
Day 2 of drawing ut/dr until chapter 3&4 is released. To be honest, I probably should draw Deltarune, but uhh.. Papyrus is too cool to pass on.
Maybe I'll try to draw new characters with every drawing idk
A short explanation of my layer by layer drawing of Central/Eastern Ukrainian folk attire, for anyone who might be interested.
So fucking wild to me that no one put the orange fuck in his place when he's literally talking about making Ukraine surrender (or at least is majorly hinting at that)
None of us here want to be part of ruzzia. Literally none of us. And choosing shit for us is extemely fucking disrespectful (not that I expected anything different from the orange fuck) and people all over the world, and especially in the US, imo, need to speak up.
Oh no I forgot about pride month
[...] A major international media outlet asked me recently to join its educational platform. I had to record a video message in English and talk about my experience of serving in the armed forces of Ukraine, so children around the world could learn English from these videos and accompanying materials. I recorded it and did everything according to their instructions.
I got a cheerful message the other day from the editorial office, saying: “We’ve launched!” I opened the presentation and had a panic attack. The lesson was structured around eight speakers, each talking about their war experience: four Ukrainians (including me) and four Russians. A Russian journalist and armed forces “deserter”. A Russian teacher. A Russian medical director. Another Russian journalist. The lesson ended with a slide. The Russian flag was at the top. The Ukrainian flag at the bottom. The question proposed for discussion: “What similarities and differences did you notice when listening to the experiences of people from Russia and Ukraine?”
The emotional negligence of this makes me want to scream. [...] I am sickened by how my story has become an ideological tool to equalise the experience of the defender and the attacker. [...]
I’ve been living with the acute feeling that the world is tired of restraining its unquenchable love of Russia. The west wants to believe in the Cinderella story, that one day the dictatorship will fall and a wonderful democratic world will emerge.
Instead of imposing further sanctions and restrictions on Russia, the west is ready to crown the film Anora with all the awards, despite the fact that the Russian actor Yura Borisov, who appears in the film, also starred in a biopic of Mikhail Kalashnikov, the inventor of the AK-47, which was partly filmed in Crimea after its annexation.
The world is ready to listen to Russia again: a UK television channel last year released the film Ukraine’s War: The Other Side by Sean Langan. The film doesn’t just give the other side a voice; it gives a human dimension to the stories of the occupiers and repeats the narratives of Russian propaganda. This is as consistent with journalistic standards as asking an executioner, how are you feeling as you do this, and do you miss your family who are waiting for you at home?[...]
[...] If during the first term of Trump’s presidency we talked of the post-truth era, now we find ourselves in a world in which the truth is taken out, tortured and shot. This means that there will be no justice. This means that anything goes.[...]
[...] The world is looking at the body of truth that is dying and bleeding before our eyes. I beg you, if you can’t stop the bleeding, at least don’t turn away from the sight of blood.[...]
