My Loneliness And Fear Or Rejection But Intense Desire For A Significant Other

My loneliness and fear or rejection but intense desire for a significant other

More Posts from Lonely-aqui and Others

2 years ago
PFFDSJDHKFLG Please ..

PFFDSJDHKFLG please ..

4 years ago

i need mummy gojou in my life

HAPPY HALLOWEEN!đŸ‘»

HAPPY HALLOWEEN!đŸ‘»

1 month ago

what the fuck are they feeding the falin and marcille fan artists. why are they painting the sistine chapel every time. they're going crazy style. those freaks. i love them so much.

4 weeks ago

When y’all start writing those sinners fics, make sure y’all don’t forget Bo Chow’s fine ass đŸ™‚â€â†•ïž

5 years ago
Happy DK And Vernon Day
Happy DK And Vernon Day

Happy DK and Vernon Day

5 years ago

Can you explain when to use para and por? I always get them wrong :/

¥Hola! 

I answered a similar question before, and I made a Google document about this. But I’ll post it here (because I get this question a lot) with some extra things. :)

Well, first of all I don’t recommend you to learn “por and para” as “to and for” because this is not always correct, and you might get even more confused. The truth is that these prepositions don’t have an exact translation in English or any other language, so the only thing you can do is to know the uses and differences between them.

This is how I recommend you to learn them:

POR: reason, cause, method, way, durationPARA: purpose, goal

image

I think para is easier to understand. Para always refers to a purpose, a goal or an effect. So if you’re not sure which one to use, ask yourself “Does the next phrase after para talk about a purpose or goal? If yes, use it. If not, 80% of the times is por. (I say “80%” because this is not an official rule. This is just something I thought about to help you choose the right preposition).

Now let’s see some examples to make this clearer:

✩ por vs. para

¿Por qué? - Why? What is the reason?

¿Para qué? - What for? What is the purpose?

Lo hice por ti. - I did it because of you. (You were the reason)

Lo hice para ti. - I did it for you. (You were the purpose)

Trabajo por mi madre. - I work because of my mother. (She got me a job / she is the reason I got a job).

Trabajo para mi madre. - I work for my mother. (I work in her business / I’m her employee).

Una canciĂłn escrita por mi amigo. - A song written by my friend. (My friend is the reason why this song exists now)

Una canciĂłn escrita para mi amigo. - A song written for my friend. (The song was dedicated to my friend)

✧ por + [place] = way, route (focus on direction, not destination)

Por aquĂ­. - This way

Me fui por la avenida. - I went down the avenue. (The avenue was the way I chose to get to my destination.)

Lo vi cuando pasó por la ventana. - I saw him when he passed through the window. (My window wasn’t his destination)

Caminé por el parque y vi esta flor. - I walked through the park and I saw this flower. (I was walking around the park without a definite destination)

Ayer pasé por tu casa. - I passed by your house yesterday. (I was going to another place and casually your house was on my way).

ViajĂ© por varios paĂ­ses. - I traveled around several countries. (I’m not specific about each country I visited)

¿Por dónde te vas a ir? - How are you going to go? (What’s the way you’re going to choose to go?)

✧ para + [place] = towards, “on my way to..” (focus on the destination)

Voy para el centro. - I’m going to downtown. (I’m on my way to downtown).

Nos vamos para PerĂș. - We’re going to PerĂș. (We’re on our way to Peru).

Viajamos para el Caribe en 30 minutos. - We travel to the Caribbean in 30 minutes. (On our way to the Caribbean in 30 minutes)

Voy para tu casa. - I’m on my way to your house.

ÂżYa vienes para acĂĄ? - Are you coming here? (Are you on your way?)

✧ por + [time] = for, in (during)

Trabajé por 8 horas. - I worked for 8 hours.

Se fue por dĂ­as. - He left for days.

Ha estado viajando por meses. - He/She has been traveling for months.

No lo vi por años. - I didn’t see him for years.

ÂżPor cuĂĄnto tiempo tienes que tomar los medicamentos? - For how long do you have to take the medications?

✧ para + [time] = due (deadline)

Tengo que terminar esto para las 8:00. - I need to finish this by 8:00.

La tarea es para el miércoles. - Homework is due Wednesday.

El proyecto es para la prĂłxima semana. -The project is due next week.

Tengo que ahorrar 500 dĂłlares para junio. - I need to save 500 DLS before June.

ÂżPara cuĂĄndo es la tarea? - When is the deadline for the homework?

✧ por + [method] = by

Te envié las fotos por correo electrónico. - I sent you the pictures by email.

Le hablé por teléfono. - I called her/him on the phone.

Lo contacté por Facebook. - I contacted him by Facebook.

ÂżPor dĂłnde me mandaste los documentos? - How did you send me the documents? (Through what? what method?)

✧ por as cause

Por dormir en clase reprobé el examen. - Because I slept in class I failed the exam.

Lo has conseguido por todo tu esfuerzo. - You’ve got it because of all your effort.

Por comer mucho, ahora me duele el estĂłmago. - Because I ate too much, my stomach hurts now.

✧ exchange / change + por

Quiero cambiar mis dĂłlares por pesos mexicanos. - I want to exchange my dollars for Mexican pesos.

Te cambio tu sándwich por mi ensalada. - I’ll trade you my salad for your sandwich.

✧ gracias + por

Gracias por ayudarme. - Thank you for helping me.

Gracias por la comida. - Thank you for the meal.

Gracias por todo. - Thank you for everything.

More examples with gracias + por.

✧ para as goal

Trabajo todos los dĂ­as para ganar dinero. - I work everyday to make money.

Hago ejercicio para bajar de peso. - I exercise to lose weight.

Practico para mejorar. - I practice to get better.

I hope this was useful! :)

5 years ago
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters
❄ Exo ‘obsession’ Tracklist Moving Posters

❄ exo ‘obsession’ tracklist moving posters

1 month ago

A silly ask and I'm kinda surprised no one has done this yet and I like your writing so I'm sending it to you but basically fem reader and toji on an episode on maury :3

WHO’S YOUR DADDY? — toji fushiguro

pairing: toji fushiguro x fem!reader

a/n: the way this has sat in the drafts for well over a year, loved writing this btw, thanks anon!

A Silly Ask And I'm Kinda Surprised No One Has Done This Yet And I Like Your Writing So I'm Sending It

it’s no secret that toji has his doubts about whether megumi is his.

but you’re officially over going back and forth with him. especially when he still owes you child support that he refuses to pay until you show him valid proof that megumi is his son.

and what better way to give him that confirmation that he desires than on the messiest show on daytime television, in front of a live studio audience.

“for those who have joined us after the break, today we are joined by y/n, who claims that her ex boyfriend toji is pretending to act like he isn’t the father to their two year old son megumi so he doesn’t have to pay child support.”

the camera pans to you and toji sat a few feet away from each other. you can tell that he thinks this whole thing is a joke from the way he’s slouching in the chair and the constant sarcastic replies he gives maury each time he’s asked a simple question.

“maury how do i know she’s not tryna hustle me outta my hard earned money, huh?” he asks, seemingly thinking that he’s caught you in a tight spot. “besides have you seen the kid? his hair is spiky as fuck, nobody in my family has that hair type.”

the laugh that threatens to leave your lips is almost sickening, using hair as reason to not claim his child was absurd.

it was almost as wild as trying to accuse you of being a good-for-nothing money hungry vulture. which was rich coming from him. considering that your job was practically funding his lifestyle, aside from the large dose of cash he received from his 'work trips’ that cropped up once in a while.

the cash did nothing for you as he spent it as fast as he received it. rather than putting it towards megumi’s trust fund or college fund, he squandered it all on drinking and gambling, especially when it came to the races.

it turns out his charming looks and smiles do not work on the biggest gamble of all time: betting on damn race horses.

but in the rare instance he had some had some heart he contributed towards the bills and groceries. yet that still wasn’t enough.

“when was the last time you paid for megumi’s diapers or his formula or anything related to the apartment, hm?”

you retort, revelling at how all the fight and bravado he once held was slowly seeping out of him, as if he had all of his blood sucked out of him. the host looks expectantly at toji, awaiting a response.

the audience sets off in a chorus of ‘boos’ before toji even has a chance to respond to clear his name. he feels ambushed, the humiliation of admitting to be a terrible father on television creeping up on him.

but what did he expect? he always pushed too hard and now he’s paying the price as you unsurprisingly pushed back even harder.

and of course in the sea of 'boos', there’s a few cheers in the crowd from people who are more interested in getting into his pants instead of the main reason to why you were here in the first place.

“oh and maury if you think i’m lying, i’ve got invoices, bank statements and receipts spanning the last three months.” you add “i can tell you for a fact that this man doesn’t spend a dime on anything—he might as well put on a diaper and sleep in our son's crib.”

"and so what?" toji shrugs, ever so nonchalant. to the degree it pisses you off, he could at least try to act like he cares in front of the camera and the audience.

“i still make it up to you though, don’t i?” he replies, a teasing edge to his tone that has implications that you don’t want to unpack on national television, which was ironic since your business was already out there anyway.

the look on your face is almost murderous, and luckily maury manages to pick up on before this turns into a bloodbath. he quickly perks up as he holds up the manilla envelope that was going to make or break your day.

“In here we have the results of the paternity test, come back after the break!” he says clasping his hand together as you head to the commercial break. immediately you head backstage, grabbing megumi from the staff member who seemed smitten with him.

he latched onto you as you doted on him, before he waddled off to play with his firetrucks that you brought with you in your bag. “he’s getting so big.” a familiar voice says and you turn to see him in the doorway.

“megumi look! daddy’s come back with his tail between his legs because he knows he’s about to be publicly embarrassed on tv!” you say in a mocking voice, pointing out to where toji is standing and he toddles over, smacking his arm as he adorably glowers at his dad.

“bad daddy!” he says and you stop him before he gets out of control and starts to barrel toji with his kicking and slapping. you pull megumi onto your lap trying to calm him down whilst biting back a laugh.

“we don’t hit megumi, unless people deserve it like your daddy.” you tell him softly but you doubt he’s retained any of what you said anyway.

megumi is nestled into your lap, his focus back onto the firetruck that he’s playing with. for his age the kid is incredibly perceptive to the point where it spooks you out.

and if toji feels more like an idiot now, he doesn’t say so.

—

“and we’re back! for those who have just joined us, y/n claims that her ex boyfriend is denying that he’s the father of their child to avoid child support payments.”

the clips of the past half hour play back as you sit down, the manilla envelope in your eye level making your heart race slightly. deep down you knew that he was the father so why was the anticipation making you doubt that?

the crowds cheering and whooping comes to a close once maury grabs hold of the manilla envelope, he opens it, dragging out the grand reveal for dramatic purposes as the suspense builds in the room.

“when it comes to two year old megumi fushiguro, toji
 you are the father!” he announces setting off the crowd in a series of cheers. you look over at toji and notice the red flush that covers his neck and ears, a sure tell sign of embarrassment and guilt.

“all i gotta say is that i fucking told you so, hell i didn’t even have to say anything you should’ve known!” you said to him, as he did nothing but take the well deserved lecture from you.

toji felt really fucking stupid, like really stupid but he didn’t want to add to your tirade already, he already wanted to melt of pure embarrassment under the hot studio lights. he really underestimated the lengths you’d go to prove him wrong.

“it’s time to start scrimping and saving, old man. food, clothes and diapers aint cheap. I’m sure your poor race horses will understand right?” you said teasingly, biting back a laugh as you clapped his shoulder.

toji let out an annoyed huff as the sound of your laughter ricocheted in his head, the high from your victory lap still present. he couldn’t be more of a fool if he tried. “haha very funny.” he said drily, despite his head burning, now he owed you and shiu money over his stupid antics.

he knew that as long as the internet and tv were still around, he was never going to live this day down, knowing you’d use this moment to embarrass him and deservedly so.

“i’ve been your host, maury! come back tomorrow where we have suguru and satoru. two former best friends and alleged lovers with satoru claiming that suguru’s affair with the kfc worker ruined their relationship!”

A Silly Ask And I'm Kinda Surprised No One Has Done This Yet And I Like Your Writing So I'm Sending It
6 years ago
Mermaid.water on Ig
Mermaid.water on Ig
Mermaid.water on Ig

mermaid.water on ig

lonely-aqui - Im not Broke Yet
Im not Broke Yet

188 posts

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