#if villain why right
EUPHORIA | 2.04 -The Birth of Venus (1480s) -John Lennon and Yoko Ono (1981) -Self Portrait As A Tehuana (1943) -The Lovers (1928) -Ghost (1990) -Titanic (1997) -Snow White (1937) -Brokeback Mountain (2005)
Stranger Things 4 as an 90's anime (video), art by me đď¸
(I still have to wait 5 months before it comes to Switch tho lmao)
the stardew valley 1.5 update is now out on PC! you can check out the official blog post linked in the source, but here are some non-spoilery things to look out for:
local split-screen co-op
new NPCs
new farm layout
new home renovations
you can sit in chairs!
fish tanks
ducks can now swim!
and so much more!
(psstâalso the game is 33% off on steam right now)
It came to my shock-a lot of white fans of OFMD seem to have not caught up on the fact weâre explicitly shown Edward Teach is a man of color from biracial origins in Our Flag Means Death. And that identity, goes so much into how his character is written and reacts to situations. I would argue Episode 4 and 5 are extremely deliberate in their showcasing of how his identity has informed his choices and the way he behaves around others. I want to highlight just a few moments, that stood out to me as a someone who is also biracial and light skinned-that I donât think some people have picked up have a deeper meaning.
From the get-go weâre introduced to two sides of Blackbeard. Either as âthe terror of the seasâ or an extremely clever-but at times irritatingly eccentric man. Thereâs an element of duality, multiple faces, and most aptly code-switching to him the moment he is introduced. This post really wonderfully goes into all the elements of performance and multiple identities Ed seems to juggle. Code switching is something many POC learn though-which is learning to behave one way with white people-and another with people of your own race-or other races, and so on.
We see from flashbacks Ed is biracial, with a white Father and Maori mother (the same biracial make up with genders swapped, of Taika himself). The framing of this shot above is so significant. He and his mother cowering from his white Father (patriarchy, colonialism against indigenous peoples like himself and his mother), and Ed is positioned slightly closer to his mother in the middle of them-another demonstration he is closer to his indigenous/POC side than his white side.
Itâs wildly significant the first murder he has to commit is his Father, very much showing that attempt to resist colonialism-as an institution and the side of him descended from it. And it leads to those fracturing identities.
Being biracial puts one in a position-you are not as excluded as darker skinned people of color who have very limited access to white spaces in this time period-but nor are you ever seen as belonging in those white spaces either. We know he grew up in proximity to whiteness hence having access to even see things like the red silk in the first place-but he never felt allowed to be part of it. It puts Edward in a place where he is both an outsider with other POC and in white spaces. So how do you cope with that? Do you soften yourself as much as possible to be non-threatening enough to pass in a white space? Or do you lean into white perceptions of your 'othernessâ and play it so you canât be further mocked or excluded-you are choosing your own isolation and denying them the chance to do it to you. Hence Edwardâs need to make himself a larger than life fearful 'monster likeâ figure like the Kraken. However itâs the fact he is light skinned-that privilege that has probably lended himself to be able to become as successful he is-capable of earning respect from white pirates (Calico Jack, Izzy) and those of color (Ivan, Fang, and many on his crew).Â
Which doesnât mean he enjoys that image at all. Becoming âThe Krakenâ began as an attempt to fight off white violence and has continued so long into life. Especially where we meet Edward in the series-heâs grown weary of being so stereotyped as the 'beastly POCâ.
When Edwardsâ shown this image-he gets especially upset. Itâs worth noting heâs referred to as a âDevilâ in the image too. And while yes it is a scene of him exhausted of the weight of reputation of âBlackbeardâ itâs also an image of a man of color being shown a racial stereotype of himself.
The fact he calls himself a 'vampire clownâ and is frustrated at the amount of guns heâs shown to carry-heâs showing outrage over how he is stereotyped as an othered monstrous and hyper-violent caricature- something men of color are often forced to deal with. The fact he is a man of color-is probably what has allowed his reputation to become so fearsome. White people will automatically assume he is more violent because he is brown. All the more significant his bathtub confession that he personally dislikes the act of murder-and rarely personally ends a personâs life. Itâs only because of this racial stereotype that rumor has been able to grow so large that he is killed HUNDREDs like Black Pete says in episode 2.
It makes all the more sense in the next episode he is very anxious for an attempt to join a white upper-class party. Especially after being called a âdonkeyâ when attempting to learn about dinner party etiquette. Another example of white people excluding him due to his mixed race status.
The fact he is mixed is part of the reason heâs even able to get into the room with the rich aristocrats rather than be confined to the servantâs quarters-or immediately othered like Frenchie and Olu are ('youâre so much better than my african servant!â)
However itâs extremely significant he only becomes popular and gains the attention of the white aristocrats (and he is the only person of color in the entire party) when he makes a joke about violence. From the get-go theyâre laughing and amused because he is again (Not realizing it this time) playing into their stereotype of him. A violent man of color-but presenting it in playful manner they feel un-threatened, much like white people watching minstrelsy shows in the 1800s-but still being so afraid of black men they had numerous laws to keep them separate.
And immediately, when Edward catches on theyâre not amused by him as a person-but by the caricature they see of him heâs humiliated and leaves the party. Itâs an example of a lesson he learned long ago. He has to be either extremely non-threatening-a joker-if he wants to be tolerated in a white space, or he can be extremely threatening, play into their stereotype-and use their fear to avoid being further hurt. We see a touch of that in episode 4 when he dodges Izzyâs questions by being especially eccentric and difficult to read-making jokes and random statements than give sincere straightforward answers that can be mocked. Itâs very deliberate he takes out his knife when answering Izzyâs threat/demand he needs to make choice-itâs a refusal to be openly intimate-and a reminder not to tread too closely.Â
Edwardâs not stupid/or socially inept for not realizing he was being mocked from the start-he had really believed Stedeâs lessons and clothes had given him practice to blend into a white space. So the first thing he does when realizing heâs being mocked is code switch back into violence-pull out his pistol. Stede talks him down-but it only works because he knows heâs outnumbered in this scene. If he showcases any violence or anger as a man of color he would be jumped upon immediately and thrown in that ships holding cell.
Itâs all the more significant Stede is a white man too-when he leaves Edward in the end of episode 9. Itâs not just a break up, itâs an example of Ed once again feeling not good enough-and excluded from the society Stede chose to return to. Part of the reason Ed fell in love with Stede is Stede was willing to see Ed as a whole person-he admired his anger AND sensitivity-and as a person who has also been an outsider due to his very overt queerness-Stede can form a kinship with Ed due to their mutual ostracizes from society.
While thereâs been multiple good readings about Izzy pining for Ed, and Izzyâs frustration against Stede being driven because he is a rich person invading a working class space-as this post pointed out, Izzy is still a white man asking Ed to behave as that hyper-violent caricature that has been carved out for him. That is where he sees Edwardâs worth. The fact Izzy immediately begins mocking him for missing Stede-it reminds Ed so clearly, he can not drop his act around white people. Or he will be harassed, mocked, and threatened.Â
Edward has to become the Kraken to survive in his mind. Hence why he uses a caricature image of himself as inspiration. To survive heartbreak, to survive the white people who would rip him apart if he isnât threatening, to maintain control of his life. Thereâs a reason he has to kill Lucius-who he revealed too much of his heart to, vulnerability is not an option for him. When youâre biracial-the closer you are to whiteness, the more acutely you will be held up for failing at it. It is much easier for him to be guarded, threatening, and give into the perception of him-rather than have his heart broken over and over-told how he is not good enough-too sensitive,Â
Which is why this Kraken image-Blackbeard-itâs all a tragedy. Edward knows-as much as being Blackbeard makes him safe-it makes him painfully lonely. And itâs an identity he has only fallen into because it was assigned to him-and because he feels convinced at the end of this season there is no space for him, as a queer man of color to have life full of love, softness, and emotional availability.
I certainly hope this reading is enlightening for folks who never read Edward or the show this way! I think it may cause people to rethink how they characterize Edward in their own writings or artwork, since the amount of people who seem to love leaning into an element of making him monstrous, well thatâs exactly why he is suffering in the show. He doesnât think a man of his identities has any other choice. Â
argyle saying âgot me stressed out its not even my girlfriendâ was the funniest line for me this season we need to talk about that
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french/english/ďźĺŚďźä¸ć â 24ĺ˛ â she/her â ĺĺż | Studying Chinese in France
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