Subwayhands + Reading

i think the answer to more diverse art and media is not to keep going to fancy schools and forcing our way into these fields i think we just need to steal art supplies and tech and squat in buildings and show our own movies and pieces and concerts and everyone pays what they can and no one is turned down for being broke or bad and we just ignore every honor or award show ever

white people who have signed petitions and donated if you’re able to, the next thing we should do is look inside ourselves. question your way of thinking, the way you were raised, your history books and the movies you watch. ask yourself why they look the way they do and what you’re doing to help it stay that way. you might not see yourself as a racist person, but we’ve grown up with privilege in a racist world. it’s time we pick ourselves and the way we think apart. actively seek out books and articles and documentaries by and about black people and their history. learn and share the resources you find with your white friends and family. make them understand the difference between our fear of feeling uncomfortable or scared and black peoples fear for their lives. it’s not one and the same. one of us can afford looking away and closing our eyes and the other can not. it’s about time we don’t either. it’s not a movie or show we can switch away from, it’s happening right now so wake up. to see change we must change. we must be angry, at the world and at ourselves. 

to everyone in america who are protesting, please stay safe. and to every black person, black people in the lgbtq+ community, black people with disabilities: you matter, your lives matter, your safety matter, your children matter, your future matter. I love you, please stay safe❤️  

“They asked me to tell you what it was like to be twenty and pregnant in 1950 and when you tell your boyfriend you’re pregnant, he tells you about a friend of his in the army whose girl told him she was pregnant, so he got all his buddies to come and say, “We all fucked her, so who knows who the father is?” And he laughs at the good joke…. What was it like, if you were planning to go to graduate school and get a degree and earn a living so you could support yourself and do the work you loved—what it was like to be a senior at Radcliffe and pregnant and if you bore this child, this child which the law demanded you bear and would then call “unlawful,” “illegitimate,” this child whose father denied it … What was it like? […] It’s like this: if I had dropped out of college, thrown away my education, depended on my parents … if I had done all that, which is what the anti-abortion people want me to have done, I would have borne a child for them, … the authorities, the theorists, the fundamentalists; I would have born a child for them, their child. But I would not have born my own first child, or second child, or third child. My children. The life of that fetus would have prevented, would have aborted, three other fetuses … the three wanted children, the three I had with my husband—whom, if I had not aborted the unwanted one, I would never have met … I would have been an “unwed mother” of a three-year-old in California, without work, with half an education, living off her parents…. But it is the children I have to come back to, my children Elisabeth, Caroline, Theodore, my joy, my pride, my loves. If I had not broken the law and aborted that life nobody wanted, they would have been aborted by a cruel, bigoted, and senseless law. They would never have been born. This thought I cannot bear. What was it like, in the Dark Ages when abortion was a crime, for the girl whose dad couldn’t borrow cash, as my dad could? What was it like for the girl who couldn’t even tell her dad, because he would go crazy with shame and rage? Who couldn’t tell her mother? Who had to go alone to that filthy room and put herself body and soul into the hands of a professional criminal? – because that is what every doctor who did an abortion was, whether he was an extortionist or an idealist. You know what it was like for her. You know and I know; that is why we are here. We are not going back to the Dark Ages. We are not going to let anybody in this country have that kind of power over any girl or woman. There are great powers, outside the government and in it, trying to legislate the return of darkness. We are not great powers. But we are the light. Nobody can put us out. May all of you shine very bright and steady, today and always.”

— Ursula K. Le Guin (via nightkitchentarot)

What's your opinion on writing from multiple perspectives? Like, one chapter would be from Bob's POV, and then the next from Shirley's, ect. Do you have any tips for this?

I love multiple POV stories! I really like when authors explore multiple characters and really give the readers a chance to take in the story from many perspectives.

Multiple POV stories work best when:

You have many plots. The more complex the story, the more information you need to feed the reader for the story to work. Sometimes it’s just not possible to get all that information through a single protagonist. Many protagonists, however, are better suited to learning all that information. Many protagonists - especially if they aren’t working together - are also better at screwing up plans and creating chaos. 

The plot is character-based. A character-based plot means the story deals more with internal struggles than external struggles. If your plot is character based, you really want to show the reader what all the major characters are feeling. Again, a single protagonist probably isn’t privy to everyone’s emotions.

Tips:

Your POV characters don’t need equal time. And when I say equal time, I mean in chapter time or wordcount time. Devote time to the most important characters and most important situations. Do as the plot demands, not as the character demands.

Don’t double up scenes. One of my least favorite moments in multiple POV stories is when the author covers an event with one POV character, then goes back to the beginning of the event to cover it again with another character. If you want another character’s perspective, let them remember parts of the event or revisit as little of the even as you possibly can.

Work on voice. You want to keep those characters as distinct as possible. They are different people, after all. I have a voice tag here to get you started.

Divide the POVs. Not with that awful fanfiction.net **KATNISS’ POV** paragraph starter. Divide POVs by chapter or put a little divider thingy in between POVs if you’re switching in the middle of a chapter. 

Keep track of information. Your POV characters will not know the same things because they live different lives and will be exposed to different situations. If your POV character suddenly knows something they shouldn’t, you’ll have a plot hole.

Try to avoid one-shot POVs. One-shot POVs are when a character gets one POV chapter, then no others. There’s nothing wrong with it, but it feels strange to hear from a character once and then no other times. 

The plots should interact. Even if the POV characters never meet, their plots should have a common element: for example, a common struggle, a common character, or a common theme. This prevents the story from becoming a collection of badly patched short stories.  

2021 really said yes to books with:

sports sapphics,

time traveling wlw,

murderous sapphics + dorian gray

bi women dating soft boys,

fake dating desi lesbians,

great gatsby retellings with queer asian girls,

f/f slavic enemies to lovers,

gay women + peter pan retellings,

grumpy/sunshine + lesbians of color,

bisexual con artists & trauma recovery,

queer tsoa inspired fantsay set in china

i wasn’t sure about posting my art on here or making a separate acc but for now here are some ronans to spice up ur day 🤍

why did God give me these battles (getting dressed and leaving the house)

when they're remodeling houses on those HGTV shows and they rip out the most amazing seafoam green or baby blue or blush pink 70s tile....why do you hate style and fun

one thing about me is i will make a playlist