Hi My Reader Friends Lithub Has A New Syllabi Section That Has Some Great (u Guessed It!) Syllabi From

when elena ferrante said “there are people who leave and people who know how to be left” and when richard siken said “someone has to leave first. this is a very old story. there is no other version of this story.” and when sally rooney wrote “if i told you where my car is right now, i don’t think i’d be able to leave, i think i would have to stay here just in case you changed your mind about everything” and when mikko harvey said “the number of hours we have together is actually not so large. please linger near the door uncomfortably instead of just leaving. please forget your scarf in my life and come back later for it.”and when karese burrows wrote “i have never seen a door that doesn’t look like you leaving. look at me writing this poem. even here i don’t mean anything i say. except that I still want you. that whatever is in me still loves you deeply. it is a light i can’t turn off. i clap my hands and nothing happens.” and when margarita karapanou said “i never expected you to actually finish anything. you were always leaving. i always picture you with a suitcase in your hand.”

📸 a friday afternoon in paris

“When you’re a trans woman you are made to walk this very fine line, where if you act feminine you are accused of being a parody and if you act masculine, it is seen as a sign of your true male identity. And if you act sweet and demure, you’re accused of reinforcing patriarchal ideas of female passivity, but if you stand up for your own rights and make your voice heard, then you are dismissed as wielding male privilege and entitlement. We trans women are made to teeter on this tightrope, not because we are transsexuals, but because we are women. This is the same double bind that forces teenage girls to negotiate their way between virgin and whore, that forces female politicians and business women to be aggressive without being seen as a bitch, and to be feminine enough not to emasculate their alpha male colleagues, without being so girly as to undermine their own authority.”

— Julia Serano, Excluded: Making Feminist and Queer Movements More Inclusive, p 28-9  (via lugardepiedras)

Nintendo 3DS Guide at the Louvre

Japanese Maple Tree in Winter 

from @velvetcoke on ig . “pedro pascal as dio in nypd blue (2001),season 8 episode 9.”

thinking about anastasia trusova paintings again

sometimes i’m normal but then sometimes i think about the endless religious symbolism and parallels in the raven cycle and i want to chew on glass. like something something cabeswater and eden. adam’s name, his being made ‘from dust’, his pursuit of knowledge beyond the circumstances of his birth. ronan being referred to as ‘the snake’: the one who always tempts adam into recklessness. ronan and declan and cain and abel (i wash my hands of him) (i am not my brother’s keeper). gansey’s resurrection, his third birth. ‘important things come in threes?’ ‘or sevens’. ronan and joseph kavinsky and joseph the prophet with their strange dreams that overlap into the real world. dreaming as a form of blasphemous creation. the three fox way women and the holy trinity. aurora lynch and the virgin mary and matthew lynch and the infant jesus - immaculate conception, pure souls without sin. absent yet overly mythologized fathers. i am going to throw up

How do I look away now that I have seen you?

on being seen and known and understood

Rachel Mennies, from "April 18, 2017", The Naomi Letters//Rick Riordan, Mark of Athena//picture: Mihaly Zichy "romantic encounter", quote: Micah Nemerever "These Violent Delights", edit @promqueendyke // Micah Nemerever, "These Violent Delights"//Marie Howe, "The Affliction"//Anne Carson, "Red Doc>"//NA//Taylor Swift, "Daylight"//Elizabeth Gilbert, "Committed: A Skeptic Makes Peace with Marriage"//Little Women (2019)

i am a simple creature. every day i am sleepy