Dat Face! 😳

‘I have never laid a finger on anyone in my life, Mr Pump. I may be— all the things you know I am, but I am not a killer! I have never so much as drawn a sword!’ ‘No, You Have Not. But You Have Stolen, Embezzled, Defrauded And Swindled Without Discrimination, Mr Lipvig. You Have Ruined Businesses And Destroyed Jobs. When Banks Fail, It Is Seldom Bankers Who Starve. Your Actions Have Taken Money From Those Who Had Little Enough To Begin With. In A Myriad Small Ways You Have Hastened The Deaths Of Many. You Do Not Know Them. You Did Not See Them Bleed. But You Snatched Bread From Their Mouths And Tore Clothes From Their Backs. For Sport, Mr Lipvig. For Sport. For The Joy Of The Game.’

-- Terry Pratchett - Going Postal

I do hate kids. I hated them when I was one and I hate them now.

I'm a dedicated hater because so many of them are sociopathic and they need to learn some damn empathy. I once thought adults were too worried to be cruel, turns out growing up means you have to learn how to care.

You make some excellent points, I hate some of those things also. I just don't like unpredictable goblins in my general vicinity. Individuals are fine, but not the group.

you don't "hate kids," you hate being forced into a caretaking role.

you don't "hate kids," you hate censorship passed off as family values.

you don't "hate kids," you hate the constrictiveness of the nuclear family.

you don't "hate kids," you're just not used to occupying fully age diverse spaces so you're not used to the noise or the many different kinds of needs.

you don't "hate kids," most public spaces just aren't built for kids, and so the few kids you see are always uncomfortable and distressed.

you don't "hate kids," you hate the intense social rules assigned to kids and anyone who interacts with kids.

You don't "hate kids," you hate how society reproduces its most restrictive elements and how kids are powerless to resist it.

I'd probably say something dumb like, "It killed more than one of my kind and, as I have killed many of yours, I suppose it's a fair cop if you end my life. Just one question, have you killed two or more humans? I want to know in case," this is where I get up with a groan, picking up my pole arm and shield, "I have the chance to defend myself."

You're a dragon slayer—but only kill dragons that attack humans. One day, a black dragon corners you and angrily asks, "Why did you kill my brother?"

2500 likes!

Happy Easter also.

Can confirm, turning to dust takes less time than you might think. Unfortunately little of the post-mortem is spent as a fun calcium creature.

magical girl transformation but i just rapidly go through the 5 stages of decomposition

i love the idea that the doctor is just an eldritch abomination dressed in a vaguely humanoid suit. like this is a creature that in so many ways is supremely, deeply, Wrong, but everyone sees them as a friend, as something to be trusted, because that's the perception they want to give to the universe

I'm very much enjoying the recent pages and just how much character is pouring out especially through body language and facial expressions. My favorite being how Tess is just so nonchalant like this is a normal Tuesday and Tynan's mix of confused and pissed. So I wonder how do you draw facial expressions? I do pencil and paper art as a hobby and for me they're one of the harder things to get down right.

Ahh, facial expressions, the backbone of a character-driven story. I can't remember ever sitting down and perfecting How To Draw Faces, but while I struggled with it a lot early on, I don't remember having much trouble with it in recent years, so evidence suggests that the faces I draw were in large part refined naturally during my chibi-drawing video-making process, which makes me think that the skillset can be refined even if the faces in question are incredibly stylized. Eyes, eyebrows and mouths are apparently all you need for the basics.

Cartoon facial expressions have a benefit of modularity - you can get away with swapping out or tweaking individual parts of the expression without having to do any redrawing of the underlying head shape (a difficulty faced by more realistic or more squash-and-stretch-heavy styles, as faces can be VERY flexible and a mouth shape or eyebrow arrangement can reshape the entire profile of the head). This can help us see how extremely complex our ability to read facial emotions really is. Tiny changes can communicate entirely different vibes.

It doesn't take much repositioning or tweaking to get across a potentially very complex emotion.

Every time I try to think of a hard list of do's and don'ts for this, I fail. Facial expressions can be arbitrarily complicated. Rules like "make sure each part of the expression is communicating the same emotion" might sound good on paper, but in practice you can get a lot of mileage out of an expression where every part is saying something different - a big smile with sad eyes, a small smirk with a calm open gaze, etc. We parse facial expressions as a whole, not as a sum of parts. Like a lot of art, getting an expression to say what you want it to is mostly a matter of tweaking it until it looks right. Suppose we want to make our example elf dude look devastated.

Pretty good, but maybe a little too subdued. This gives me "you just told me something horrible that I haven't fully processed yet" vibes. Let's tweak the mouth to pull the corners out more, putting more tension in their face.

That makes them seem a little less frozen. It looks like they're breathing in, getting ready to say or yell something. But maybe instead of SAD devastated, we want FURIOUS devastated. So let's tweak the eyebrows, where anger is stored.

The other expressions give a feeling of open devastation, perhaps witnessing some incomprehensible tragedy - this new expression looks more focused. Maybe they're currently staring down the person who got them so upset, waiting for them to stop monologuing. Maybe once they're done processing, they'll look a little more like this.

That's a powerful face, but we've strayed pretty far from "devastated" by the end there. Maybe they've started their "you can never win" speech against whoever got them so upset. There's determination in that expression - whatever they were feeling before, they've sharpened it down to a knife's edge.

I wish I could give better advice than "just draw about a million little chibi faces and eventually you'll work it out through sheer numbers" but I really can't think of a better way to get good at pulling together specific emotions to match what's happening in the character's head.

sidenote this ask reminded me how much otherwise solid superhero comic art absolutely blows at facial expressions and how much that annoys me, it cannot be that hard to draw nightwing pretty

Never knowingly survived a Meet the Team video.

TF2 Blu Soldier Kenny Mccormick

If you have an international accent, you can more easily adopt the stronger versions of insults. This has to happen naturally because otherwise you come across as a muppet, and not the felt kind.

bastard sounds great in an irish accent. if an irish person calls you a 'daft bastard' it just feels right

the welsh have the monopoly on things ending in hell. fuckin hell and bloody hell hit different in a welsh accent. its like music to my ears

the scots have piss and shite for sure. "its pishin it doon out there" "this is a load of shite" absolute poetry

if i may speak for the english i think we do penis related words very well. dickhead, knobhead, bellend, etc.

and for all the shit we give them, you gotta admit that no one can deliver a 'goddamn' quite like an american. theres a certain weight to it that you just cant achieve in other accents. when an american says goddamn you know shit just got real