Did I Respond To This Right 

Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

So you’re looking to write some smut but feeling stuck, uninspired, or unsure where to start. Smut writing comes easily to some and not others, and that’s okay! Here are some tips I’ve gathered over my few years of writing smut to take with a grain of salt! It's my opinion; you can always do what you want!! <333

It’s fiction writing at the end of the day. So, it’s okay if you haven’t experienced what you’re writing about or maybe you have experienced it but you find it difficult to put it into words. I’ve never fought a creature from the Upside Down but I’ve written about it because that’s what fiction writing IS!! You’re creating a story from your own experiences/thoughts/emotions and applying it to a made-up scenario. So don’t feel discouraged by your own personal journey, anyone can write smut!!

When in doubt, plan it out. When I’m really stuck, just simply grabbing a piece of notebook paper and writing out each event in a sequence, even in the most basic terms, can make things so much easier. For example: making out, blow job, hand job, prep, fuck. Write down positions (sometimes limbs can get lost in the sauce and it is so hard to figure out how they’re actually doing it lmao). Write down settings. Write down if one person is leading it more than the other or if they switch off. Write down desperation levels (personally, I think it’s more fun when desperation is very high but casual fluffy smut is fun too!!) This will help the writing process feel a lot less daunting. 

More specifically, remember that prep is important. I can’t tell you how many times I’ve been taken out of a smutty fic because they get to the main act (penetration, typically) way before someone should be ready to. Fingers, mouths, and lube (actual lube or something that can be safely used as lube. Blood is not lube. Blood is not lube as it is a liquid that dries quickly and offers no moisture so it will not help you penetrate anything, as hot as it would be.) Foreplay and prep can be a really good tool to establish a sexy dynamic between your characters and get the reader ramped up to read through to the end! 

If you feel like the action part is getting too technical, this is where you can add in thoughts and emotions that will give your smut some personality. It can feel very silly to write, for instance, your character A thinking “Wow character B is so hot” but it’s a thought that would probably cross their mind!! Write out any nerves the characters are feeling or maybe even the confidence they’re feeling. Write out what sensations they pay attention to. Write out what they like and dislike. Write out what actions cause an immediate response from them (moaning, bucking their hips, groaning, eyes rolling, etc.) Write out how your character would verbally respond (Are they dirty talking? Are they praising? Are they degrading? Are they stuttering through their words? Are they incoherent because the sex is so good?) It’s important that your characters still feel natural and not like sex robots. Unless your story is about sex robots, then go off!!!

The thesaurus is your fucking FRIEND!! Smut can feel ridiculously repetitive, especially if you’ve written it before. I say every time I write a blow job scene that “god blow job scene is blow job scene is blow job scene” because that’s how it FEELS! Use your resources like the thesaurus or there are a million posts with other ways to say “said”, ways to describe a kiss, etc. Just be careful that you don’t fall into using words that seem unnatural to the flow of the story (for example, a lot of synonyms for cock are simply…unsettling and can take your reader out of the story). Find ways to creatively tell the same action again and again which leads to tip #5…

Go read some smut. The tag “porn what plot” is so unbelievably helpful. Even if the writing isn’t exactly your style or your preference, sometimes reading someone else’s descriptions of sexual acts can be helpful if you’re lost! I have a few faves that I go back to read to get inspiration and I have notes about what it is specifically I enjoyed about their work. While you’re at it, if a fic inspires you and you feel comfortable doing so, leave a comment! It’ll make the author’s day, I promise. 

TAKE THIS TIP WITH AN ABSOLUTE GRAIN OF SALT but…go watch it. Or my personal preference, go listen to it. If I’m really lost, I’ll seek out audio porn that follows the same ~vibe~ of whatever I’m writing. There are many websites for this but Soundgasm is my go-to (it’s a free upload site so there are THOUSANDS of sounds and varying quality levels so it might take a second to find what you’re looking for)! Even a sexy playlist on Spotify can put you into a good headspace for writing. Just make sure you’re being safe and looking out for your own comfort levels. Never put yourself in a situation to experience something triggering for the sake of writing a good story. 

All of this to say, it is so different to write smut than it is to write a regular plot. It can feel incredibly daunting to go about it and find the perfect balance between technical actions and thoughts/feelings/dialogue and then make it all cohesive in the end. It’s hard to do but it’s not impossible! 

“Drawing techniques for the structure and appearance of the fingers when the hand is extended”

Source: Twitter

How to Write Strong Dialogue

(from a writer of ten years)

So you’re back in the writing trenches. You’re staring at your computer, or your phone, or your tablet, or your journal, and trying not to lose your mind. Because what comes after the first quotation mark? Nothing feels good.

Don’t worry, friend. I’m your friendly tumblr writing guide and I’m here to help you climb out of the pit of writing despair.

I’ve created a character specifically for this exercise. His name is Amos Alejandro III, but for now we’ll just call him Amos. He’s a thirty-something construction worker with a cat who hates him, and he’s just found out he has to go on a quest across the world to save his mother’s diner.

1.) Consider the Attitude and Characteristics of Your Character

One of the biggest struggles writers face when writing dialogue is keeping characters’ dialogue “in-character”.

You’re probably thinking, “but Sparrow, I’m the creator! None of the dialogue I write can be out of character because they’re my original characters!”

WRONG. (I’m hitting the very loud ‘incorrect’ buzzer in your head right now).

Yes, you created your characters. But you created them with specific characteristics and attitudes. For example, Amos lives alone, doesn’t enjoy talking too much, and isn’t a very scholarly person. So he’s probably not going to say something like “I suggest that we pursue the path of least resistance for this upcoming quest.” He’d most likely say, “I mean, I think the easiest route is pretty self-explanatory.”

Another example is a six-year-old girl saying, “Hi, Mr. Ice Cream Man, do you have chocolate sundaes?” instead of “Hewwo, Ice Cweam Man— Chocowate Sundaes?”

Please don’t put ‘w’s in the middle of your dialogue unless you have a very good and very specific reason. I will cry.

Yes, the girl is young, but she’s not going to talk like that. Most children know how to ask questions correctly, and the ‘w’ sound, while sometimes found in a young child’s speech, does not need to be written out. Children are human.

So, consider the attitude, characteristics, and age of your character when writing dialogue!

2.) Break Up Dialogue Length

If I’m reading a novel and I see an entire page of dialogue without any breaks, I’m sobbing. You’re not a 17th century author with endless punctuation. You’re in the 21st century and people don’t read in the same way they used to.

Break up your dialogue. Use long sentences. Use one word. Use commas, use paragraph breaks. Show a character throwing a chair out a window in between sentences.

For example:

“So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret receipt card, and bring it back before she goes out of business? She didn’t have any other copies? Do I have to leave my cat behind?”

vs.

Amos ran a hand over his face. “So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret recipe card, and bring it back before she goes out of business?”

He couldn’t believe his luck. That was sarcastic, of course. This was ironically horrible.

“She didn’t have any other copies?” He leaned forward over the table and frowned. “Do I have to leave my cat behind?”

The second version is easier to digest, and I got to add some fun description of thought and action into the scene! Readers get a taste of Amos’ character in the second scene, whereas in the first scene they only got what felt like a million words of dialogue.

3.) Don’t Overuse Dialogue Tags.

DON’T OVERUSE DIALOGUE TAGS. DON’T. DON’T DON’T DON’T.

If you don’t know what a dialogue tag is, it’s a word after a sentence of dialogue that attributes that dialogue to a specific character.

For example:

“Orange juice and chicken ramen are good,” he said.

‘Said’ functions as the dialogue tag in this sentence.

Dialogue tags are good. You don’t want to completely avoid them. (I used to pride myself on how I could write stories without any dialogue tags. Don’t do that.) Readers need to know who’s speaking. But overusing them, or overusing weird or unique tags, should be avoided.

Examples:

“I’m gonna have to close my diner,” Amos’ mother said.

“Why?” Amos growled. “It’s been in the family forever.”

“I’ve lost the secret recipe card, and I can’t keep the diner open without it!” she cried.

“The Bacon Burger Extreme recipe card?” Amos questioned.

“Yes!” Amos’ mother screamed.

“Well, that’s not good,” Amos complained.

vs.

“I’m gonna have to close my diner,” Amos’ mother said, taking her son’s hand and leading him over to one of the old, grease-stained tabletops with the ripped-fabric booths.

Amos simply stared at her as they moved. “Why? It’s been in the family forever.”

“I’ve—” she looked away for a moment, then took in a breath. “I’ve lost the secret recipe card. And I can’t keep the diner open without it.”

“The Bacon Burger Extreme recipe card?”

“Yes!” She still wouldn’t meet his eyes, and her shoulders were shaking. “Yes.”

Amos sat down heavily in the booth. “Well, that’s not good.”

The first scene only gives character names and dialogue tags. There are no actions and no descriptions. The second scene, however, gives these things. It gives the reader descriptions of the diner, the characters’ actions, and attitudes. Overusing dialogue tags gets boring fast, so add interest into your writing!

So! When you’re writing, consider the attitude of your character, vary dialogue length, and don’t overuse dialogue tags.

Now climb out of the pit of writing despair. Pick up your pen or computer. And write some good dialogue!

Best,

Sparrow

I miss the days when, no matter how slow your internet was, if you paused any video and let it buffer long enough, you could watch it uninterrupted

i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors

Good stuff.

Hi do you mind if I ask how you deal with loss of creativity in writing? Lately, I’ve noticed that all my ideas nowadays are unoriginal and bland and I feel helpless about it. I finally have the motivation to write but no inspiration. Is there a way to improve creativity in my stories?

Guide: Filling Your Creative Well

Whether you’re an artist, singer/songwriter, sculptor, or writer, ideas don’t come out of thin air. If you put a pair of shoes, a sweater, a ziplock bag of clothespins, and a hat into a box, shove it into the garage and let it gather dust, you can’t expect to open it up in six months and find some amazing new thing. You can only get out of that box what you put into it, and our storytelling brains work the exact same way. If you’re not constantly feeding other stories and inspiration into your brain, you’ll never have new ideas to pull from when you write.

Thankfully, even if you’re in a rut or a tough place in life, there are a variety of accessible ways to feed new ideas into your creative well. Here are some things you can start doing to fill it back up again. But don’t expect a barrage of great ideas just because you took a walk or watched a movie. Filling up your creative well takes time, so start now and before you know it the ideas will begin to flow.

1. Consume Other Stories

read a variety of fiction, including novels in different genres, short stories and micro-fiction, poetry, essays, and fan-fiction.

read about myths, legends, folk tales, faerie tales, and ghost stories. See if you can find any that are relevant to your area or your ancestry.

watch a variety of different TV series and movies, leaning a little heavier on things that will inform what you write in some way.

watch documentaries on a variety of subjects. These can be found on TV, OnDemand, streaming, on YouTube/Vimeo, and at your local library.

stay up-to-date on local, state, national, and global current events. When a story strikes a chord with you, research it further.

take an interest in real life stories of total strangers. Look for interesting blogs and vlogs. Spend some time on pages like Humans of New York, Humankind Stories, The Dodo, or 60 Second Docs. Listen to podcasts like This American Life and Radio Lab.

play board games and video games, especially ones with a story or that allow some level of role playing.

go to a public place, sit on a bench, and discreetly observe the people around you. Don’t be a creeper, obviously, but see if you notice any interesting stories unfolding around you. If you see an interesting person, without staring at them, see if you can imagine who they are or what their life might be like.

2. See the World

Before you panic, this doesn’t have to mean traveling abroad. It doesn’t even mean you have to leave home…

if you can travel the world, by all means, do that! If you can’t, try planning out a trip you’d like to take someday. Figure out where you’d want to stay, where you’d eat, and what you’d see while you’re there. Then get online go to the web sites of those places, look at pictures, walk around on Google Street View. Look for video and video tours on YouTube.

if you can travel around your country, state, province, region, etc. Do that. And again, if you can’t, try planning a trip you’d like to take someday, then see how much of it you can experience from your computer screen.

try choosing a random location and go “walk around” via Google Street View. Click on photos. Sometimes there are walk around photo tours of places.

watch travel shows, travel documentaries, and travel movies. You can find them on TV, OnDemand, streaming, YouTube/Vimeo, and at your library.

see if your friends or family member have any travel books or travel-related coffee table books you can borrow to flip through. Or go to the bookstore or library to flip through some. If nothing else, think of interesting places, then do a Google Image Search to find photos of that place.

follow facebook pages, instagrams, and tumblr blogs dedicated to a particular place. If you have friends and family who are from different places, or have traveled to different places, ask them to tell you about it.

take a short road trip, or a “Sunday drive” as they used to be called. Be safe about it, of course, but just get in the car and explore some local roads you’ve never traveled before.

visit a nearby town you’ve never been to. If you can’t do that, find someplace in your town you’ve never seen. If nothing else, take a walk in your neighborhood and try to walk down a block you’ve never been down before. (Again, make sure you’re being safe about it.)

ask some friends or family members to go visit a local state park with you. Take a short hike or walk and enjoy that time in nature.

see if there are any interesting street festivals to attend in your town. Many towns do sidewalk art festivals, craft fairs, food truck rallies, carnivals, and seasonal or cultural events.

go spend a few hours walking around a local museum, botanical gardens, or other local attraction.

3. Learn About History

watch TV shows, documentaries, and movies about different historical figures, events, and time periods.

choose a person, event, or time period that interests you and research it thoroughly. Think about ways you can incorporate those ideas into whatever you write–no matter how far your usual genre may be from that event.

learn about the history of your town. See if your town has an historical society. Go to their web page. See if there are any interesting local sites to visit.

research your family tree. Ask family members about family history and see if they have interesting childhood memories to share. See if anyone knows interesting stories about parents, grandparents, and great-grandparents.

choose an historical figure or event that interests you, then try to re-imagine their life or that event in a different time period or setting. What if Henry VIII was the king of England now? How would that have played out differently? 

learn about daily life and survival in different time periods. Learn what people ate, how they passed the time, how they dressed, and what traditions and rules they lived by.

choose a subject matter like music, fashion, dance, or food, then research how they’ve changed through the ages.

4. Learn About the Future

think about an element of your daily life that either frustrates you or that you deeply rely on. Do some research to see how this thing is projected to change in the future? What advances are expected to be made? How might this thing be different in twenty or thirty years?

learn about the different ways people are planning for the future now. Cities that are implementing green technology, people that are finding interesting new ways to combat pollution or the effects of climate change, and organizations that are planning to colonize the ocean, space, or even other planets.

think of a notable person you’re interested now, like perhaps a pop star or a political figure, then imagine what their life would be like if they were alive in a futuristic city 100 years from now.

watch TV shows and documentaries about the future, or watch movies that take place in the future.

I think I’m going to make a list of recommended TV shows, movies, books, and other resources one of these days. I will eventually link that here. So if you come to this post as a re-blog, click on the original post to see if I’ve updated. Or you can look on my main site. I’ll try to have it up by the end of September 2018.

NO ONE knows how to use thou/thee/thy/thine and i need to see that change if ur going to keep making “talking like a medieval peasant” jokes. /lh

They play the same roles as I/me/my/mine. In modern english, we use “you” for both the subject and the direct object/object of preposition/etc, so it’s difficult to compare “thou” to “you”.

So the trick is this: if you are trying to turn something Olde, first turn every “you” into first-person and then replace it like so:

“I” →  “thou”

“Me” →  “thee”

“My” →  “thy”

“Mine” →  “thine”

Let’s suppose we had the sentences “You have a cow. He gave it to you. It is your cow. The cow is yours”.

We could first imagine it in the first person-

“I have a cow. He gave it to me. It is my cow. The cow is mine”.

And then replace it-

“Thou hast a cow. He gave it to thee. It is thy cow. The cow is thine.”

What to give a fuck about,while writing your first draft!

I`ve posted a list about things you don´t need to give a fuck about while writing your first draft. Here are things you NEED TO CARE about! (in my opinion)

Your Authentic Voice: Don't let the fear of judgment or comparison stifle your unique voice. I know it´s hard,but try to write from your heart, and don't worry about perfection in the first draft. Let your authenticity shine through your words.

Your Story, Your Way: It's your narrative, your world, and your characters. Don't let external expectations or trends dictate how your story should unfold. Write the story you want to tell.

Progress Over Perfection: Your first draft is not the final product; it's the raw material for your masterpiece. Give a fuck about making progress, not achieving perfection. Embrace imperfections and understand that editing comes later.

Consistency and Routine: Discipline matters. Make a commitment to your writing routine and stick to it.

Feedback and Growth: While it's essential to protect your creative space during the first draft, be open to constructive feedback later on. Giving a f*ck about growth means you're willing to learn from others and improve your work.

Self-Compassion: Mistakes, writer's block, and self-doubt are all part of the process. Give a f*ck about being kind to yourself. Don't beat yourself up if the words don't flow perfectly every time. Keep pushing forward and remember that writing is a journey.

Remember, the first draft is your canvas, your playground. Don't bog yourself down with unnecessary worries.