traits turned sour
honest - insensitive
persuasive - manipulative
caring - overprotective
confidence - arrogance
fearless - cocky
loyalty - an excuse
devotion - obsession
agreeable - lazy
perfectionism - insatisfaction
reserved - aloof
cautious - skeptical
self loved - selfish
available - distractible
emotional - dramatic
humble - attention-seeking
diligent - imposing
dutiful - submissive
assertive - bossy
strategic - calculated
truthful - cruel
a little informational guide on trying to find skintones from 3d refs :)
i know that finding skintones from 3d characters is tricky and can result in accidental whitewashing and this isnt to make fun of those ppl! this is simply to inform and help other artists out :)
Art Help
I redid this list because broken links đ
General Tips
Stretch your fingers and hands
Art is for fun
Never too late to start/improve
Using a tablet
Editing software: pictures & video
Moodboard resources
Comic pacing
Watercolor
Coloring
Color Theory (not children's hospital)
Resources: coloring things a different color
Gold
Dark Skin undertones
Dark Skin in pastel art
POC Blush tones
Eyes colors
Cohesive Color Palette
Lights and Colors
Human Anatomy
POSE REFERENCES
Wizard Battle poses
Romance poses
Shoulders
Tips for practicing anatomy
Proportional Limbs
Skeletons
Hair Directions
Afro, 4C hair
Cane use
Clothing
Long skirts
Traditional Chinese Hanfu (clothing reference)
CLOTHING REFERENCE
Sewing information
Animals
Horse -> Dragon
Snouts: dogs, cats, wolves, fox
Foot, paw, hoof
More
Drawing references sources
Art tutorial Masterlist
Another art tutorial Masterlist
Inspiration: father recreates son's art
Inspiration: Lights
ART BOOKS
Plants/flowers: North America, Hawaii, Patagonia
Art Cheats
* body language masterlist
* a translator that doesnât eat ass like google translate does
* a reverse dictionary for when ur brain freezes
* 550 words to say instead of fuckin said
* 638 character traits for when ur brain freezes again
* some more body language help
(hope this helps some ppl)
i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors
do you know of any clothing brands that are for plus sized men? pretty much all the articles ive seen talking about "the BEST plus sized brands!!!" are basically exclusively womens clothing brands
So true!! Iâm glad you asked! Here are some stores I found for plus sized menâs clothing!
bearskn
Chubstr
King Size
Gc2b - plus size binders!
ASOS
Big Boy Season 365
Boohoo Menâs
Bonobos
DXL
Target
Johnny Bigg
SHEIN Menâs
Limitless XL
Old Navy
Wrangler
Bad Rhino
E.J Sueâs âMechaforceâ is one of the few âHow to Drawâ books I would point newbies looking to get into drawing robots to. It emphasizes knowing the basics (Very difficult to draw a robot properly if you canât use perspective) and fundamental shapes and even arm techniques, and gives a neat insight into how mechanical forms work in art.Â
These are just a few of the examples from the anatomy section of the book. Itâs currently on sale on Amazon and worth checking out, though I will note it is not a âbe all end allâ resource, thankfully you can fill in your knowledge gaps elsewhere.Â
Also since this is popping off please consider taking a look at his Tumblr! right here at E.J Sue ArtÂ
(from a writer of ten years)
So youâre back in the writing trenches. Youâre staring at your computer, or your phone, or your tablet, or your journal, and trying not to lose your mind. Because what comes after the first quotation mark? Nothing feels good.
Donât worry, friend. Iâm your friendly tumblr writing guide and Iâm here to help you climb out of the pit of writing despair.
Iâve created a character specifically for this exercise. His name is Amos Alejandro III, but for now weâll just call him Amos. Heâs a thirty-something construction worker with a cat who hates him, and heâs just found out he has to go on a quest across the world to save his motherâs diner.
One of the biggest struggles writers face when writing dialogue is keeping charactersâ dialogue âin-characterâ.
Youâre probably thinking, âbut Sparrow, Iâm the creator! None of the dialogue I write can be out of character because theyâre my original characters!â
WRONG. (Iâm hitting the very loud âincorrectâ buzzer in your head right now).
Yes, you created your characters. But you created them with specific characteristics and attitudes. For example, Amos lives alone, doesnât enjoy talking too much, and isnât a very scholarly person. So heâs probably not going to say something like âI suggest that we pursue the path of least resistance for this upcoming quest.â Heâd most likely say, âI mean, I think the easiest route is pretty self-explanatory.â
Another example is a six-year-old girl saying, âHi, Mr. Ice Cream Man, do you have chocolate sundaes?â instead of âHewwo, Ice Cweam Manâ Chocowate Sundaes?â
Please donât put âwâs in the middle of your dialogue unless you have a very good and very specific reason. I will cry.
Yes, the girl is young, but sheâs not going to talk like that. Most children know how to ask questions correctly, and the âwâ sound, while sometimes found in a young childâs speech, does not need to be written out. Children are human.
So, consider the attitude, characteristics, and age of your character when writing dialogue!
If Iâm reading a novel and I see an entire page of dialogue without any breaks, Iâm sobbing. Youâre not a 17th century author with endless punctuation. Youâre in the 21st century and people donât read in the same way they used to.
Break up your dialogue. Use long sentences. Use one word. Use commas, use paragraph breaks. Show a character throwing a chair out a window in between sentences.
For example:
âSo, youâre telling me the only way to save my Maâs diner is to travel across five different continents, find the only remaining secret receipt card, and bring it back before she goes out of business? She didnât have any other copies? Do I have to leave my cat behind?â
vs.
Amos ran a hand over his face. âSo, youâre telling me the only way to save my Maâs diner is to travel across five different continents, find the only remaining secret recipe card, and bring it back before she goes out of business?â
He couldnât believe his luck. That was sarcastic, of course. This was ironically horrible.
âShe didnât have any other copies?â He leaned forward over the table and frowned. âDo I have to leave my cat behind?â
The second version is easier to digest, and I got to add some fun description of thought and action into the scene! Readers get a taste of Amosâ character in the second scene, whereas in the first scene they only got what felt like a million words of dialogue.
DONâT OVERUSE DIALOGUE TAGS. DONâT. DONâT DONâT DONâT.
If you donât know what a dialogue tag is, itâs a word after a sentence of dialogue that attributes that dialogue to a specific character.
For example:
âOrange juice and chicken ramen are good,â he said.
âSaidâ functions as the dialogue tag in this sentence.
Dialogue tags are good. You donât want to completely avoid them. (I used to pride myself on how I could write stories without any dialogue tags. Donât do that.) Readers need to know whoâs speaking. But overusing them, or overusing weird or unique tags, should be avoided.
Examples:
âIâm gonna have to close my diner,â Amosâ mother said.
âWhy?â Amos growled. âItâs been in the family forever.â
âIâve lost the secret recipe card, and I canât keep the diner open without it!â she cried.
âThe Bacon Burger Extreme recipe card?â Amos questioned.
âYes!â Amosâ mother screamed.
âWell, thatâs not good,â Amos complained.
vs.
âIâm gonna have to close my diner,â Amosâ mother said, taking her sonâs hand and leading him over to one of the old, grease-stained tabletops with the ripped-fabric booths.
Amos simply stared at her as they moved. âWhy? Itâs been in the family forever.â
âIâveââ she looked away for a moment, then took in a breath. âIâve lost the secret recipe card. And I canât keep the diner open without it.â
âThe Bacon Burger Extreme recipe card?â
âYes!â She still wouldnât meet his eyes, and her shoulders were shaking. âYes.â
Amos sat down heavily in the booth. âWell, thatâs not good.â
The first scene only gives character names and dialogue tags. There are no actions and no descriptions. The second scene, however, gives these things. It gives the reader descriptions of the diner, the charactersâ actions, and attitudes. Overusing dialogue tags gets boring fast, so add interest into your writing!
So! When youâre writing, consider the attitude of your character, vary dialogue length, and donât overuse dialogue tags.
Now climb out of the pit of writing despair. Pick up your pen or computer. And write some good dialogue!
Best,
Sparrow
I spent last night looking at Neocities sites and here are my takeaways:
There's a real push to keeping the internet weird, open and less corporate-driven -- info on bypassing paywalls, protecting your data, archiving web media and basic coding/tech literacy.
(I found one tutorial on how to make a pop up that detects whether someone has an ad blocker and suggests they install one if they don't! Love that.)
There's also resources on finding the kind of internet that isn't the default experience anymore - alternate search engines I hadn't even heard of, human-made link lists and webrings. (Webrings! Turns out they never went away!)
If any of that sounds interesting to you, by the way - sadgrl.online has a lot of it and is possibly the best thing on the internet????
The "90's web" aesthetic is really fun and nostalgic, but I particularly loved seeing some people bring the better parts of the "modern internet" into it. What if we had weird, eye-searing personal sites BUT with plaintext alternatives for accessibility purposes? CW for flashing lights and unreality triggers?
(Again sadgrl comes in with a lot of resources for making your website accessible.)
Most of all, I'm honestly emotional about all the sites I found that were like, "hi! I'm 14 and this is my website where I talk about stuff I like haha."
It's so good that so many kids and teens who never experienced the "old internet" are still finding stuff like this and making their own weird stuff! Not just because weird websites are more fun, but because these skills are being passed down.
Anyway it's great and who knows maybe I'll make my own site sometime to keep horror media recommendations or something.
I want to write a story, but i cannot decide on which pov/person i should write. I feel like first person would be perfect, but then i want to keep certain informations secrets to the readers, so i thought maybe third person, but itâs not as fluid as first person is⌠how do i choose? Any tips?
I am in the unique position of having exactly what you need. Here is my series of Guides on Point of View which detail my main tips, resources, and answered questions about each option as far as POV:
Guide to Writing First Person Point of View
Guide to Writing Third Person Point of View
Guide to Writing From Multiple Points of View
and some additional resources:
Pros & Cons of Different Points of View
Showing VS Telling in First Person POV
There is an absence of s guide to second person because it is much less common, but I would be happy to create it if readers show some interest
Best of luck,
x Kate