nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *loading a pistol* moon’s stuck in a time loop. do you have extra ammo? this won’t be enough. nasa employee: enough for…what? astronaut: *finding extra clip of ammo, pocketing it, and getting back on the rocket-ship* don’t worry about it!
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *emerging from supply closet with a space harpoon, getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early astronaut: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: what? nasa employee: how did you know what i was going to say? astronaut: *punching in key pad code for base evacuation signal, getting back on the rocket-ship* i told you…moon’s stuck in a time loop. *red warning lights begin flashing*
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *rifling thru bookshelf of operating instructions, selecting one that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: moon’s stuck in a time loop. hey, do you have anything to eat? i’m starving. *opens random drawer, finds nothing, closes it* nasa employee: a time loo- uh, we don’t have food in here…we can’t…eat in the control room, only the break-room. astronaut: *sighs* nasa employee:…my lunch is in like 10 minutes, though, and if my lunch is actually STILL THERE and not STOLEN, AGAIN, i can share it with yo- astronaut: nah, that’s ok…no time. *loading a pistol and getting back on the rocket-ship* or…too much time. but thanks, anyway. OK, bye! *alarm begins blaring* nasa employee: you’re…welcome? wait, a TIME LOOP?!
nasa employee: oh hey u guys are back early astronaut: yup. nasa employee: …? astronaut: *sitting down next to nasa employee* so…do you ever like…wonder what the meaning of life is? the secrets of the universe? nasa employee: aren’t you supposed to be ON the MOON?! *alarm begins blaring* nasa employee: hey, what the hell is that? astronaut: that’s the code red override klaxon. moon’s stuck in a time loop. oh, and there’s an explosion imminent. But don’t worry, we can deal with that tomorrow. So, you have any siblings? *pulls beer out of space suit, cracks tab* want a drink?
nasa employee: oh hey u guys are back early astronaut: do you know frank in IT? nasa employee: what? astronaut: do you know frank, who works in IT? nasa employee: yeah, but why are you guys back so early? astronaut: moon’s stuck in a time loop. call frank, tell him there’s a virus in the security patch and the system’s compromised. then get the hell out of the base. nasa employee: wait what? what? where are you guys going? astronaut: *loading a pistol and getting back on the rocket-ship* back to the moon. it’s stuck in a time loop. call frank! nasa employee: *picks up phone* ugh, straight to voicemail. i wonder wha- *alarm begins blaring*
nasa employee: oh hey u guys are back early astronaut: *grim silence* nasa employee: i said, you guys are back early…hey, what are you…? astronaut: *randomly opening drawers until they find a pair of scissors and some duct tape, getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop. *sticks head back out the door of the rocket-ship* by the way, if you go to the break-room in exactly 2 minutes and 45 seconds, you’ll catch the person who’s been stealing your lunches for the past two weeks. nasa employee: what?! WHO IS IT?! *alarm begins blaring* nasa employee: *running for the break-room* FUCK!!!!
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *sits down, sighs, pulls a beer out from their spacesuit* moon’s stuck in a time loop. nasa employee: …ok, and? hang on, how did you get a beer? you can’t have that in here. astronaut: what do you know about project floyd? nasa employee: I mean, the usual amount? i’m not really on the project anymore, why? *alarm begins blaring* astronaut: COME WITH ME TO THE ROCKET-SHIP, we don’t have ti-
nasa employee: oh hey u guys are back early astronaut: yeah. moon's stuck in a time loop. nasa employee: what? astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop. see you tomorrow. maybe. nasa employee: WHAT?!
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *sighs, rubs hands over face, and loads pistol, before getting back on the rocket-ship* moon’s stuck in a time loop. and, uh…you should call your mother like you’ve been meaning to. and tell her you’re not actually mad and that you will come to dinner tonight. you’re gonna be hungry. nasa employee: wait, what? WHAT?? how do you know my mom?! why am i gonna be - *alarm begins blaring*
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” starting to get back on the rocket-ship, but dropping everything with a horrendous clatter* FUCK! goddamn moon’s stuck in a time loop. *alarm begins blaring*
nasa employee: oh hey u guys are back early astronaut: moon's stuck in a time loop. nasa employee: what? also, hey, where’d you get that duffel bag? astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” shoving them into the bag, and getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back earl- astronaut: *grabs nasa employee and kisses them passionately* nasa employee: what? WHAT?! astronaut: *loading a single pistol and getting back on the rocket-ship* moon’s stuck in a time loop, sweetheart. nasa employee: what?!? astronaut: a time loop!!! i love you!!! get out of the base!!! stay alive!!! nasa employee: *presses fingers to lips, confused but intrigued, as alarm begins blaring*
nasa employee:…. nasa employee:… nasa employee: ho hum what a regular day at the office *alarm begins blaring* nasa employee: what the hell is that?!
nasa employee: oh hey u guys are back earl- astronaut: *grabs nasa employee and kisses them passionately* nasa employee: what? what?! WHAT!?!? also, hey, where’d you get that duffel bag? astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” shoving them into the bag, then cupping nasa employee’s cheek with free hand* moon’s stuck in a time loop. nasa employee: the moon’s stuck in a what?! astronaut: a time loop, sweetheart, but we don’t have much time ourselves, so you have to listen to me RIGHT now nasa employee: *faintly* …“sweetheart”?! astronaut: in 2 minutes and a few seconds, you need to go into the break-room and find frank. nasa employee: wait, frank from IT? astronaut: yes. nasa employee: how do you know he’s gonna be in the break-room? i can’t just call him at his desk right now? astronaut: how do i know this?! because, one, time loop, ok? and…also…because…heismaybetheguywhohasbeenstealingyourlunchfortwoweeks nasa employee: that BASTARD i KNEW it astronaut: BUT THAT’S NOT WHAT’S IMPORTANT RIGHT NOW. hey! listen to me! go in there, catch him red-handed with your burrito, and tell him lunch is on you FOREVER if he goes RIGHT NOW and checks the last security patch - because there’s a virus and the whole system’s compromised. then you need to get the hell out of this base, ok? nasa employee: …ok. ok. and…and what about you? astronaut: *cocking pistol and getting back into rocket-ship with duffel bag* me? i’m gonna shoot for the moon.
EPILOGUE:
nasa employee: so, how many loops in total? astronaut: i mean, it was hard to keep track. somewhere around six months, if i had to guess. nasa employee: damn. astronaut: yeah. nasa employee: and in those six MONTHS, the best zinger you came up with was “shoot for the moon”? astronaut: hey, you know what, i had some other stuff on my mind! nasa employee: i mean, i guess. it sounded like you found time to flirt with me each time. astronaut: yeah, like i said. other stuff on my mind. *they look at each other, blush, and look away* astronaut: sooooooo. you’re sure your mom is cool with me coming over for dinner? nasa employee: can’t make the day any weirder. plus, i owe you for ratting out frank, right? astronaut: he did help us save the world; we can’t be too mad at him. nasa employee: you’ve had a little while to get over it, i might need some more time. and it wasn’t even your food! astronaut: ok, that’s fair. what if i buy you lunch to make up for it? nasa employee: hmm, when? astronaut: tomorrow? nasa employee: well, i’ll have left overs from my mom, and you might too if you play your cards right. day after tomorrow? astronaut: honestly, anytime is good for me.
*FADE TO BLACK*
Down Bad in Distress - Part 2
Part 1 | Masterpost
The many—MANY—instances of Bruce's bodyguard being terrifyingly brutal for him and his family and how that turns Bruce on.
Bruce isn't stupid. He knows Danny knows. It’s obvious—damn obvious—considering the way Danny just knows. There was that one time, the alley, Bruce barely holding himself together after 50-something hours with no sleep. He could barely stand, muscles sore and head swimming. And then, like some kind of twisted serendipity, Danny shows up.
Takes one look at the mess Bruce is in—Batman—and doesn’t hesitate. Not even a breath. Just pure, unfiltered instinct.
Danny moves like a blur, swift and terrifyingly efficient. A punch to the throat here, a knee to the gut there. A quick, brutal twist of a wrist. The next thing Bruce knows, the guys who dared lay hands on him are unconscious, twitching, moaning on the ground.
God, Bruce is so turned on.
Danny doesn’t even break a sweat.
"Bruce," Danny hums, voice steady despite the adrenaline. It’s a casual thing now—calling him by name, no more “sir” or formalities. It’s just Bruce.
Then, like it’s nothing, Danny looks at him with that grin—sharp, dangerous. “Ah, Batman,” he corrects with a wink, scooping Bruce up like he’s weightless.
Bruce can’t stop himself from groaning as Danny effortlessly pulls him into his arms. “I should get you a mask,” Bruce rasps, more out of breath than he should be. “Makes you less... noticeable...”
Danny just chuckles, the sound low and throaty, almost predatory. “I wouldn’t worry about that for now,” he whispers, brushing his thumb across Bruce’s cheek—the cowl was a bit damaged then— gentle for a moment before his eyes harden. He turns to the Batmobile, his gaze narrowing as he finds it.
Bruce doesn’t remember much of the ride after that. Just that Danny shut the door, locked it from the inside with an ease that makes Bruce’s head spin. Then, Danny was gone—just for a couple minutes.
And in that short span of time, Danny makes sure every bastard who dared lay a hand on Bruce pays.
Bruce tries not to think about what that means. But the sound… the crash of broken bones, the sickening snap of necks twisting the wrong way, the gurgling sounds of blood, the wet, gut-wrenching thud of bodies hitting concrete—
Danny’s movements are terrifying. Almost animalistic. Every strike, every slam of a fist into someone’s jaw, every bone-crushing hold, speaks of an intense, controlled fury. Danny is a blur of muscle and violence, one second here, the next there, and then there’s another man crumpling to the ground in a heap of broken limbs.
None of the blood on him is Danny’s.
Bruce should be terrified. He should be scared, heart racing with the realisation that this man—this force of nature—has just torn through half a dozen people who hurt him. Hurt his boss.
But instead, Bruce just feels fascinated. Mesmerized.
And when Danny finally returns, grinning with blood splattered across his face like some deranged warrior, his eyes are wild—alive in a way Bruce can’t explain. He slips into the driver’s seat, that same grin still there, as if nothing had happened at all.
And Bruce? He’s too exhausted to care. His body aches, but there’s a strange comfort in knowing Danny’s got this, got him. That no one can get to him.
Danny's here. Danny's always here. And Bruce can rest. He can finally—finally—breathe.
Another time Danny made it painfully obvious that he knew about their vigilantism—and didn’t give a single damn—was with Tim. Tim, who’d gone off on a mission for Young Justice, thinking he could handle it alone.
Only, it didn’t go well. Not well at all.
Tim ended up cornered, a stab wound slashing through his side, blood pouring out fast, dark, and sticky. He could feel it, the sharp sting, the coldness creeping in as his vision blurred. He was surrounded, and the world seemed to close in.
Until it didn’t.
Until something shifted. A glimmer of blue, a flash of eyes that—holy hell, they looked like Jason’s. But no, this wasn’t Jason. Not by a long shot.
Tim’s breath catches as he watches Danny step into the scene.
And then—shit.
Shit.
Tim can’t look away as Danny rips through his attackers like they’re nothing. A fluid, terrifying motion as he dissects each man with brutal precision, a graceful violence that makes the blood freeze in Tim’s veins. The way Danny moves—it’s like he knows exactly where to strike. One punch to the ribs and a sickening crack. Another knee, this time to a face, and the crunch of bone sounds like it could split the air. The men go down, every one of them, but not dead. No. Danny doesn't kill them.
Danny makes sure they’re never the same.
Tim swallows hard, fighting the tremble in his limbs. This—this isn’t just violence. This is... art.
Danny doesn’t leave any of them in one piece. They’re crippled. Broken. Their bodies are alive, but their spirits—those are shattered, scattered across the ground like so many forgotten things. It’s agonizing to think about, the kind of agony that Tim can feel deep in his bones.
And that’s what makes Danny so fucking terrifying. Because he doesn't leave bodies behind—he leaves wreckage.
"Hey, little red," Danny hums, a voice that cuts through Tim’s foggy mind. The next thing Tim knows, he’s being lifted, cradled with a tenderness that shouldn’t exist in a situation like this. Tim winces at the wound, trying to hide it, trying to do something—anything—but he’s too slow. Too weak.
Danny sees it instantly, those eyes of his—green and blue—zeroing in on the bleeding wound like a hawk.
Tim’s breath catches, but he doesn’t fight. He can’t. Not when Danny is already lifting him up, his hands gentle, soft in a way that feels so wrong against the violence.
And then—everything shifts.
In one second, they’re in the middle of nowhere. The next, reality seems to tear apart. Like it’s nothing to Danny, like he’s just walking through a door no one else can see. Tim watches in awe—horrified awe—as the fabric of the world bends around Danny, as he steps into that tear and pulls Tim through with him.
Tim can’t breathe. Can’t think. This isn’t possible.
Danny isn’t human. The family has known that for a while now.
But right now? All Tim can do is bask in the warmth Danny gives, listening to the soft hum of his voice, the way he whispers words Tim can’t even hear as they step further into the rift. The world warps with every movement Danny makes, every step a new layer of reality bending under his feet. And Tim? He’s safe. Safe in Danny’s arms. Safe in the strange, dangerous embrace of a man who would tear apart the world just to keep what is his from harm.
And for a moment, Tim can’t find it in him to care about anything else.
Jason’s been saved by Danny a couple of times now—he’s basically Jason’s emergency contact at this point. But it’s not just about the saves. Hell, it’s not even always about the blood and the violence (okay, mostly it is). It’s the fact that Danny won’t hesitate to fuck someone up—no hesitation, no second thoughts—just because they laid a hand on him.
Jason’s seen what Danny can do with his bare hands, and that’s impressive. Fucking terrifying, even. But there’s something else, something better, when Danny takes Jason’s guns and uses them. Every time Danny picks one up, it’s like the gun becomes an extension of him—like it was him. Jason’s watched him shoot with the precision of a trained gunslinger, every shot landing exactly where it needs to. It’s flawless. It’s beautiful.
And every time, Jason can’t help but feel this sick kind of gratitude.
His aim? On fucking point. And Danny—Danny’s so damn sure of himself, so sure that the bullet will hit its target, that Jason can’t look away. Can’t stop being in awe of him.
“Kid, you good?” Danny’s always smiling when he turns back to Jason, handing him the gun after the fight. That smile—there’s something about it that Jason just... wants to hang onto. He almost doesn’t want to take it back.
But he does. Because Danny always says the same thing.
“Take it back, kid. I ain’t using it anywhere without you. I know to not use guns around your dad.”
And fuck, that makes Jason flinch.
Danny. Danny.
For all the violence in the world, Danny’s the one who always holds back around Bruce. He’ll go feral, he’ll tear through anyone who dares hurt Jason—but never, never around Bruce Wayne. There’s no gun, no weapon anywhere near Bruce when Danny’s around. Even when it’s needed. Even when it’s called for. Danny won’t break that rule. He just won’t.
Jason once saw someone give Danny a gun during an attack at a Wayne gala. What did Danny do? He didn’t even think about it—just aimed it right at Two-Face’s head and then fucking beat the shit out of Dent with a fucking chair. Like it was nothing.
“Hey, kid? You know I ain’t as human as most should be, right?” Danny’s voice pulls Jason out of his thoughts, like he’s trying to make sure Jason’s still listening.
Understatement of the fucking century.
“Yeah?” Jason mutters, glancing over and blinking when he sees not the usual sharp blue eyes but glowing green.
“Wanna know why?”
Jason pauses, the weight of Danny’s words hitting him. He nods.
Danny ruffles his hair, that fangy grin still stretched across his face.
“I died at fourteen and came back different.”
And Jason? He freezes. His heart drops, confusion slamming into him like a fucking truck.
What the fuck?
Danny Fenton, what the fuck?!
Dick Grayson is instantly reminded of Clark the first time he meets Danny. All smiles, sunshine, and that whole "I’m here to save the day!" vibe. But then Dick hears about all the crazy shit Danny’s done for his family, and—okay, maybe this guy isn’t just sunshine and rainbows after all. He can tear into people with detached precision if they touch Bruce. He tracks down Tim like a bloodhound, leaving a trail of broken bodies in his wake just to make sure Tim doesn’t get into trouble. And, hell, he looks at all the carnage around Jason and just dives right in, getting himself bloody for the guy like it's nothing.
Yeah, Dick wasn’t entirely sure about Danny at first. Too sunny, too good-natured, too... weirdly capable, you know? But then, one day, he gets the chance to sit down with the man during an outing—on a beach, of all places. Danny’s on duty, of course, but he’s hanging back under the shade of an umbrella like he’s chill about it. Not that anyone in the family needs to be guarded at the moment, but Danny’s still there, staying alert like a hawk.
And it’s… well, it’s amazing. And a little unnerving how dedicated he is. He just sticks around, no complaints, never asking for a break. Like, this is his life now—keeping them all safe, no matter what.
“You should go on vacation sometime,” Dick suggests, sidling up to where Danny’s lounging. He’s trying to be casual about it, but honestly, the guy works too much.
Danny raises a brow, his grin widening. “Are you trying to get rid of me, Boy Wonder?” he laughs, tilting his head like it’s some kind of joke.
Dick feels personally offended by that. “Ugh! How dare you think I’d get rid of our amazing bodyguard! What would we do if Damian can’t reach a kitten in a tree? Call Superman?” Dick presses a hand to his chest, dramatically swooning like Danny’s just committed a capital offense.
Danny’s grinning back, but he sighs. “You could. But honestly, I’d appreciate the vacation. It’s just… I can’t get a good night’s sleep if I leave any of you alone. It keeps me awake. Thinking about you people.”
Wow. Just… fuck, Dick has never heard someone say that about their family. Heroes and vigilantes, they’re supposed to be competent, right? It’s expected. But Danny? He looks at all that competence and still chooses to protect them anyway. He doesn't need to, but he does. What a fucking gem.
“Not that I don’t want to go home! My sister and kids keep nagging me about it, actually,” Danny adds with a huff, fond and amused.
Dick freezes.
“You have kids?”
Danny blinks, clearly confused. “Yeah? I have two. A son and a daughter… Erm… My son, Dante, is around Jason or Cass's age. And my baby girl—Janelle—is… a little older than Damian, I think.”
Dick blinks.
“Wait, you’re a father?!”
Masterpost
When Felix's mom hires Marinette to design outfits for a gala, he's not expecting for Amelie to decide to mentor the young designer. She's very talented and could prove to be an important company asset. Now if his mother will just stop her matchmaking schemes...
(Part One ) | (Part Two ) | (Part Three ) | (Part Four ) | (Part Five ) | (Part Six ) | (Part Seven ) | (Part Eight ) | (Part Nine ) | (Part Ten ) | (Part Eleven ) | [AO3]
Yeah…Lila had been hoping to get her classmates to do her work for her. That failed. Marinette is too busy to help her.
Lila claims to be struggling with physics and asks Marinette for help. Marinette knows this is probably a ploy to get closer to Adrien but since she promised to help Lila make amends, Marinette suggests Adrien as a physics tutor. Only, to make sure Adrien isn’t uncomfortable being alone with Lila, it is a group study session at Adrien’s house.
Audrey attends Gabriel’s fashion show, where Lila will be walking her first runway.
Audrey watches the show, humming her opinions.
But when Lila walks out, Audrey makes an audible gag and makes a comment to Nathalie to “fire that walking disaster”.
This was normal. This was the routine after Hawkmoth had given up on terrorizing Paris and returned the butterfly and peacock Miraculous. After Gabriel Agreste had been arrested.
What was not normal now was that portal opening beside Ms. Bustier’s desk and five people passing by.
The whole class frozen in shock.
What if the class really did destroyed marinette’s sketchbook which consist of her commissions which where payed already by famous celebrities and recorded and posted it in alya’s blog not even mindding on edditing the voices or blurrying everyone’s faces in the scene and saying mean things about marinette being a bully and she deserves this. And to top it all of they went into her room and destroyed everything including the finished gowns and tuxedo that are already wrapped up and readdy to send.
Well of course this goes viral and the celebrities new that that was their outfits and outfits design for the biggest party the wayne’s galla and ohh their not the only one who’s mad
Marinette would’ve like to say she was surprised when she got the email asking if she’d be willing to do an interview after revealing herself on the last day of Paris Fashion Week, but she’d known Nigel Grey for awhile so it was only expected he would ask. It seemed like fun, so she agreed. “So Mlle. Dupain-Cheng, what started your career?”
Adrien is willing to put up with a lot if it means not making unnecessary waves. But everyone has their breaking point, and after Lila pushes a bit too far….
Well, she’ll find that even the most tolerate cats have claws.
She couldn’t believe this. Things like this never happened to her. She was perfect, and everyone loved her. Everyone believed what she said. She supposedly had everything they could ever want. So why was this happening to her?
Lila looked at the comment threads on the latest photos of her and Adrien on his Instagram. She couldn’t believe the things people were writing about her. Who did they think she was?
Who is this girl w/ Adrien?
I don’t know but do you see her hair? Ew!! What is up with that style??
Infuriated by Lila’s bragging of knowing Ladybug and etc, Chloé finally shifts targets.
No longer does she bully Marinette, now Lila finds herself being sabotaged with red paint on her seat (The Clique), tripped on her way to her seat, bag full of rotten eggs, and her gym clothes ruined (Mean Girls)
Nobody accuses Marinette since she is too sweet. Besides, Chloé’s constant mocking makes her the obvious suspect.
Part One
Remember some chapters are longer than others
(ノ◕ヮ◕)ノ*.✧
So is that just her own schedule and she was keeping it up to date with everything she knows about Adrien then? That’d honestly be a lot less creepy and a good explanation.
Still a bit stalker-ish having all that stuff about Adrien on there in the first place but it’s an improvement
Also that looks like the picture from the opening credits of Alya and Marinette where they have mustaches drawn on
@peter-stank please don’t have a stroke,, ily <3
Very quick fan art for the latest chapter (ch 6) of Better Halves (and other such falsehoods) by @aster-draws
Shits already been great in this fic, but we’re about to go to troupe heaven (I.e. I love ‘there was only one bed’ so much.) I’m so excited for the next chapter
is that no teacher ever called him James by accident, or that Ron never was called “Bill-, eh Charl-, no Per-, argh!”
now that i’m free to yap about 1-800-GOTHAM without my a/ns being ridiculously long, deep dive into why i wrote things the way i did! if people want, i can go even more in depth, but for now, a quick paragraph for each reblog.
first, scarecrow. i did my hardest to make him real scary and intimidating but almost in a clinical fashion, mainly since he's a psychologist. i know he typically targets specific fears someone might have, but let's just say he was going for a mass fear control situation. everyone is scared of suffocating, anyways.
i also had him purposely not use his fear toxin because i think it's not the most important part of his character. he's a psychologist, he's a genius of fear, and he's very intelligent. scarecrow is also my favourite rogue and it sucks to see him always sidelined, his fear gas being the only thing used. he's SCARY. i hope i did him justice.
Why go to space when you are space? Love all space obsessed Danny lore phandom comes up with.
Prompts:
Day 6, Eclipse
Day 24, NASA
what up, I’m mae, I’m 19 and I never fucking learned how to read | SHE/HER | AO3 FANATIChttps://maeswriting.carrd.co
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