Didn’t know how to finish this, so this is all yall are getting
“It’s a weird feeling to get prayers,” Dani began. She grimaced then, her face scrunching in distaste as she heard how odd that sounded. “I’m not explaining this right,” she sighed.
She was sat—was more like floating in a seated position—in front of the young heroes, bobbing slightly in the air. There was a mischievous glint in her eye as she mused on how to best word what she wanted to say; really, she could have them all lapping out of the palm of her hand with this one if she let herself really lean into it. However, as she slowly rotated in the air, turning upside down, she could see the adults hovering in her peripheral and groaned as she knew that she had to take this at least somewhat seriously; if word about this got back to one of the senior heroes, she’d hate to have to correct numerous misunderstandings.
“Ok, get comfy. This could take a while…”
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I understand the appeal of wanting every adult hero to instinctively adopt teenage Peter Parker, but can it really beat the hilarity of acknowledging that at 15 Peter was 5'10", unusually buff, went by a moniker with Man in it, wore a creepy full face mask, and had a tightly guarded secret identity and probably a Queens accent thick enough to have come out of a jello mold, and adult heroes reasonably responded to him by going, “Wow, this grown man is an immature asshole for no reason.”
post game smooch ♥️
Danny meets JL members: part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8
Imagin Danny and Damian as twins: Part 1, Part 2, Part 3
Constantine is a father??: Part 1, Part 2
Test Mission: Part 1, Part 2, Part 3, Part 4
Lantern corp: JL members #8, Part 1, part 2, part 3, part 4, Part 5
Danny + Aquaman: JL members #6, part 1
Dick finds out he's a dad: part 1, Part 2
Bruce has another kid........but this one is not adopted: Part 1, Part 2
Wrong Number: Part 1, part 1.5, part 2, part 2.5, part 2.9, part 3, Part 4
Sixteen Bucks and a Grudge: Part 1, Part 2
Danny is Ra's overpowered ex: part 1,
ill update this as i go
Enjoy!!
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
Lay Me to Rest- DCxDP Prompt
Warning: Blood and gore
There has been a series of murders across the country. Each death was varied and self-inflicted. At first, they all seemed like suicide but each had a strange range of symptoms before death.
Sudden paranoia, incoherent mumbling, screaming or yelling, going in and out of their homes sporadically, random fixations, and finally self-harm.
The victims were teachers, parents, businessmen, truckers, and even a crime novelist. All unrelated and in different states.
Each victim didn't seem to have a connection until an investigation discovered that each one had been an active serial killer. The body counts ranged from as little as 5 to as much as 23. The killer was named the Serial Serial Killer which wasn't creative but it was catchy. Some called them the Angel of Vengeance but most thought it was cringy and overdramatic. Many people didn't want them to be caught but others hotly debated letting a killer dispense justice when their crusade could easily turn into them killing people for innocuous things.
The police were still questioning whether this killer even existed. One thing was clear, there was a trail and it led straight to Gotham. A goldmine for them. Naturally, Batman had gotten a hold on the case and began an investigation.
The biggest question was how the killer found their victims and how they knew that they were killers.
The answer was obvious. They didn't need to figure it out. They just needed to wait. Why just in the effort to investigate when a serial killer tries to convince you to leave with them? So bars are the obvious place. But that's shaky at best since there is a period of torment that takes place that allows the victims to return home. The killer doesn't care if the victims could call the police, perhaps because they know their victim won't.
Bruce started to build a profile. He saw a pattern here. Each of the victims had a preference for their victims as well. They targeted young people, mainly boys. Odds are the Serial Serial Killer matched that description or age range. So bars weren't the hunting ground. So parks were more likely to go unnoticed and boys tended to hang out there longer after dark.
The killer was more than likely a victim himself so he may have a few scars but probably not noticeable enough that his would-be assailants would be turned off. There is no ignoring the predatory nature of the victims. Each killed children for gratification in some form. It's not that the boy is attractive but he probably has traits that the victims found attractive in children. So babyfaced, short, native, and polite.
There was much else Bruce could get. There was nothing concrete and he still didn't understand the method that was used. So far this was guesswork.
It wasn't until a few weeks later while he tracking another killer that he found his answer.
Dr.Kinder a Biologist by day and a killer who experiments on his victims at night had picked up a promising new lab rat a week ago. He had intended to slowly dissect the boy. He had gotten so used to the screams he stopped using anesthetics besides he wanted to see how the fear response caused the organs to shift.
To his surprise the boy didn't fight, in fact he seemed to jump to the table and say he didn't need restraints. Disturbing. But he was restrained anyways.
As the doctor cut him open the boy didn't react, only humming to himself as he watched the doctor.
"What are you hoping to find?" He asked. "I'm getting bored and this bearly hurts."
The boy annoyingly never stopped talking and never missed a chance to ruin the moment. There were never any screams or cries but incessant talking.
Dr.Kinder found the boy disturbing so he simply took an axe and chopped the boy into pieces. Not once did he make a sound. The doctor thought it was over but the next day the boy was back. He sat on the autopsy table kicking his feet in nothing but his bare skin.
"What the hell are you?" The doctor gasped in horror.
"I'm bored. Play with me again." The boy purred.
Bile crawled up his throat as the doctor restained this...thing again.
This time the boy spoke differently.
"You cut me up last time. Did you do that to the last boy. After you...you know." A sick grin spread across his cheeks.
The doctor cut open his neck this time and let him bleed out.
Everyday he came back and every day the doctor killed him until the time between his death got shorter and shorter. The days began to blur and he had no idea how long he had been doing this. But that thing kept talkimg to him.
Dr.Kinder stared down at his desk at the papers trying to think of anything but-
"I wonder what people would think about what you've done. You're a disgusting and depraved man doctor. Look at what you've done to me." The sing-song voice of that demon called out.
He could feel those blood-soaked arms wrapped around his neck.
He flinch as he pushed the thing away.
"Oh, are you going to beat me or stab me this time? Ooo, or are you going to put me through the woodchipper again?" The demon asked as the doctor wrapped his hands around his throat.
He just kept squeezing until the boy went limp. It never ends. The blood never goes away. It covered every surface of the room. Dripping, conjugating, and spreading into every corner. Whenever he turned his head he could see body parts spread across the room in the pools of blood he could they the faces of the others that he had killed. Each face wretched in agony.
"You hold on better than the others. I've been eaten, torched, and disemboweled before but after coming back a few times they usually end it after a few words. But every time they don't feel guilt. They just don't want to face consequences." The boy said. "Do you even remember my name? The one I told you when you picked me up on the side of the road or was I just another body to use and discard? I used the name of your first victim. I hoped you'd notice."
The doctor knew he couldn't kill the boy but he could end himself. He had tried it once but just like the kid he came back without a scratch.
"Not yet. This is your life now. Come on, let's taste death together. Again and again and again and again and-" he repeated over and over.
This was hell. This was his hell.
But it came to an end eventually. Dr.Kinder put an end to himself in a gruesome display.
Batman had only caught the tail end as he faced a young boy standing an a pool of blood.
****
"Yeah, that thing is like a worse version of a revenant. Doesn't really have a name yet to describe it. It's undead for sure. You kill it and it just comes back." Constantine said "Why did you bring it here?"
After a long bath and some new clothes, the kid looked normal as played on a phone given to him.
"Look, I didn't know what else to do." Bruce explained.
"You leave it alone!" Constantine said exasperated "Look they are harmless to anything they don't bear a grudge towards. Think of it as a force of nature." Constantine said.
"I just want to know how to stop him." Bruce said.
"Well you can't kill it but you can't bring him back entirely. You can just soothe it 'till it stops targeting its victims. It must have died pretty gruesomely to go to these lengths. You need to find where it died and lay it to rest. Properly." Constantine sighed knowing that appeasing this soul would be more than just difficult.
"Danny, come on. Let's go." Bruced said putting a hand on the boy's head as Danny stood up to leave.
"Okay. Bye!" Danny waved to Constantine.
Ladybug fanart that I drew in AU Zine heh
I’m on bluesky!
what up, I’m mae, I’m 19 and I never fucking learned how to read | SHE/HER | AO3 FANATIChttps://maeswriting.carrd.co
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