Heyy My Lucheni Fandom Where You At...

still reminiscing over the one boy in english 1 who whispered 'is mercutio gay?' to me while watching 1.4 in the 1968 romeo and juliet movie. still cant get over the fact that i said yes.

hamlet but claudius takes off his suit jacket after the play to reveal this while he's praying

When you like the same guy but it’s cool

★I think Merc and Jules would be pretty good friends if they ever met★

it's literally been over a year of retj-ing. i watched this musical last year on march 2nd.

what am i doing with my life

okay yeah just uploading this one because milan van waardenburg slayed this so hard my jaw was on the damn floor. I thought his range was already impressive enough when I saw him as valjean in london but man oNE UPPED HIMSELF FIFTY TIMES.

[I have my full audio but I'm not trading it currently! Please do not share outside of tumblr!]

help this video was the most specific callout of all time

that feeling when children make fanart of you as the tin man

i feel it's important to share that

these were made by first graders

this is my actual costume:

thabk you :)

reblog if you have skilled writer friends and you're damn proud of them

adding onto the fact that i am insane

Elisabeth from Elisabeth das Musical is La Mort from Romeo et Juliette

reasoning?

In Wie Du, Elisabeth is talking to her father about how she wants to go and explore the world and have all sorta of adventures, and going to Verona seems like enough of an adventure to me.

in Elisabeth's sort of postmortem scene, we see her in a white dress, thin and long. La Mort's dress almost looks like it if it was that dress, torn into pieces.

And if Elisabeth is Death's lover/wife/SO post musical, that probably means she absorbs some of his power to be able to kiss people into death, hand them weapons, reveal herself at will.

Specifically, la Mort's muteness and only being a dancer- she will only dance in death's sight (wenn ich tanzen will), so whenever any Veronese peeps see their deaths coming, she reveals herself (or in moments of intense suffering for Comment Lui Dire). Specific to Comment though, Mort is taking Benvolio's suffering and physically moving and stringing him up by it, which totally recalls die Schatten Werden Langer blocking with Rudolf and Tod to me.

Elisabeth's hair is also totally long and fabulous enough for all those hairdos. Her choreo also often obscures her and her face, which is a bit of a callback to Elisabeth always hiding her face with a fan, but that might be a stretch.