"came Back Wrong" What About Came Back Afraid. You Used To Be Brave. Too Brave Maybe, Defying The Odds

"came back wrong" what about Came Back Afraid. You used to be brave. Too brave maybe, defying the odds at every turn, a fighter, cocky, playing with fire, first to throw yourself at the enemy. Until one day it all caught up to you. You came back, somehow, but now you know all too intimately how it feels to lose, to die, to be destroyed. Now you flinch and freeze and cower at the slightest provocation. Who even are you now if you can't be brave? The grave may have let you go, but the mortal fear still grips you tighter than ever.

More Posts from Magpie-black-and-white and Others

2 months ago

Monopoly and Risk are of the DEVIL

My love is not unconditional because if a friend told me their favorite board game is Monopoly… I just know I will never be able to see them the same way.

2 months ago

Men be like “women watch out we’ll replace you with sex robots” like it’s 1. a threat and 2. hole havers haven’t done that since the first vibrator was invented


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4 months ago
Ionomycin

Ionomycin

Keep Scrolling, There's Nothing Fishy Going On Here

Keep scrolling, there's nothing fishy going on here

6 months ago

Show, don’t tell

"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:

1. Use Sensory Details

Tell: "The room was cold."

Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."

Tell: "He was scared."

Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."

2. Focus on Actions

Tell: "She was angry."

Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."

Tell: "He was exhausted."

Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."

3. Use Dialogue

What characters say and how they say it can reveal their emotions, intentions, or traits.

Tell: "She was worried about the storm."

Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.

4. Show Internal Conflict Through Thoughts or Reactions

Tell: "He was jealous of his friend."

Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."

5. Describe the Environment to Reflect Mood

Use the setting to mirror or hint at emotions or themes.

Tell: "The town was eerie."

Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."

6. Let Readers Infer Through Context

Give enough clues for the reader to piece things together without spelling it out.

Tell: "The man was a thief."

Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."

7. Use Subtext in Interactions

What’s left unsaid can reveal as much as what’s spoken.

Tell: "They were uncomfortable around each other."

Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."

8. Compare to Relatable Experiences

Use metaphors, similes, or comparisons to make an emotion or situation vivid.

Tell: "The mountain was huge."

Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."

Practice Example:

Tell: "The village had been destroyed by the fire."

Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."

7 months ago

I’ve seen a lot of people saying to stop claiming Kanej is toxic because of the “I will have you without armour” line.

I’ve also seen a lot of people screaming into the void asking people to stop romanticising the “Investment” line.

What I haven’t seen is people claiming Kanej is toxic or people romanticising the “Investment” line.


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it is absolutely essential to have friends you can have extremely insane pervert conversations with. this is kind of what makes life worth living

5 months ago

Reblog daily for health and prosperity

Reblog Daily For Health And Prosperity
7 months ago

i know it's the smell of festering carrion that draws them and not death itself, but i think it'd be fun if crows (and other corvidae) could sense ghosts, even unseen. just imagine the surreal horror of watching a flock of dark wings circling a complete void of presence.

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magpie-black-and-white - Hi, I’m a magpie
Hi, I’m a magpie

21 ⁺˳✧༚ Queer ⁺˳✧༚ Any pronouns, go wild I post. Very occasionally

216 posts

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