Leverage: Redemption 3x1- "The Weekend In Paris Job"

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Leverage timetravel, pre pilot/child ot3 meet their redemption era selves

(I took some liberties re: /meeting/) In hindsight, visiting the US Patent office was probably not their smartest move.  Never return to the scene of the crime, and all, at least not if the job was finished. 

But they'd put a pin in going back for the time machine, and not even a really bad idea could deter Hardison from an actual time machine. Well. Portal, like Eliot had said. 

It hadn't come with an instruction manual, but the three of them, Hardison, Parker, Eliot were professionals at figuring things out on the fly . Even lost in the past. Even scattered. 

Hardison knew he just had to wait, though. They'd find each other. They'd lived through the past once, they could deal with it again, especially knowing everything they did. And it wasn't like they had to live through the whole span of years, either. They just had to find each other, put the pieces back together, scattered with them, and go home. Easier said than done--he was starting to think they might have ended up in different times--but still, the Estimated range was fifteen to twenty years, so that was only five max before they met up, right?

Hardison had gotten right to work. Ads in every major newspaper in the heartland cost plenty, but he had years of criminal practice on top of knowing what tech to invest in, so he really wasn't that worried. He guessed Eliot would be betting on sports games, like in Back to the Future. Parker... well, it was hard to guess where she was. Once he and Eliot met up, they'd have to wait for her to get to them. He did have a few things to do, first.

He knocked on Nana's door, feeling like maybe he ought to be wearing a bow tie. 

"What is it? You from the county?" she asked, when she opened the door. He could see behind her a few curious faces, including his own. Damn, he'd been so tiny. 

"Yes, Ma'am," he said brightly. He could remember this day, vaguely. The box he held was more familiar than his adult face. "I'm here to install your new computer."

"I didn't order any computer," Nana said. "Run your scam someplace else."

"It's not a scam!" he heard his own voice say. "I entered a contest at school."

He had. And he'd lost. Stupid Jake Puckett had won, a kid who could have easily afforded a computer. Alec hadn't known that though, until Hardison'd checked idly. And he wasn't about to just let all of history change. Well, all his own history. 

"You got some proof of that?" Nana asked, and Alec went  scampering off to his room to find his copy of the essay.

Satisfied with the expertly forged documents (wow! it was much easier to forge past documents when you were in the time they were from!) Nana let him in and pointed to a corner desk near an outlet. 

"You ever use your own one of these?" Hardison asked Alec, who shook his head. " just the one at school. I really won?"

"Sure did. Now, let me show you what this thing can do."

~

Eliot stood at the edge of the field, a newspaper crumpled in his hand. Hardison was in Boston, if the ad was right, and of course the ad was. No one else put that much effort into a coded message. 

He watched the football fly. In two weeks, the kid throwing it would be on a bus to boot camp. He closed his eyes. There were options.  Kid wouldn't believe him, of course. There were no secrets yet, to spill as proof. And he was too stubborn to buy the warning.  A good solid tackle, though. Break his arm bad enough...

He'd thought about it. And then about the what ifs. The blood would still be spilled, he knew that. Someone else would end up on Moreau's chain. Someone else would end up with a half dug grave for Flores, and maybe keep digging it.  Everything he'd done for money, the money'd go to someone else. Job might not get done, or it might. 

He'd be there for his mother's funeral. He'd miss Katherine Clive's. Rebecca Ibanez.  the way the drinking might have gone... he'd miss Nate Ford's.  He'd go to school, like his dad wanted, never play college ball. Study something-- art history, maybe -- but no, that was him now. Not him then. Him then would be angry and broken. Him then wouldn't have... his people.

He crumped the paper further. "Dammit, Hardison," he said quietly, and walked away. 

~

Parker had a code. Some things, you just didn't do. Some were big and flashy and obvious. Some were smaller, quieter. 

Hardison would say she shouldn't do this, she knew, and she usually listened to Hardison. He knew what he was talking about, most of the time. You can't change the past. That'd been part of the lecture before they'd gone to steal the time machine.  You can do things, sure, but you always did them. 

Well, Parker hadn't done this. No one had, back the first time she'd lived through this day. But she was doing it anyways, breaking his rule and her own. You don't steal from kids who don't have anything. 

Carefully, she picked the lock on the child's bicycle chain. 

Looks like Nana's going to have to make room for another member of the family next Christmas

okay no but now I'm really thinking about it, right

it's canon that Maggie had no idea IYS denied Sam's cancer treatment, that's the only reason she stayed friendly with Blackpoole. So au where instead of letting his life fall apart, putting together the team, and then taking down Blackpoole, Nate decides to echo current events and just. Fucking shoots his boss.

and Maggie has no clue why.

maybe he succeeds, maybe he doesn't, either way he goes to jail for this (he was not planning to get away with it). And Maggie's just lost her son, now her husband's an (attempted) murderer and in prison, she's on her own and has no answers for any of this.

So she goes looking.

she might not directly have Nate's contacts and experience, but he had to have talked about these cases, she knows who a few of these people are through him. But she also has her own connections through the art world - like, Parker and Sophie at least have to be talked about by appraisers, collectors, people who work with the things they steal. And she has Sterling, who while still probably not helpful for breaking the law at least likes her more than he likes Nate and might be able to get her some more information. Like why the fuck Nate did what he did.

And she's not a mastermind, she's not Nate's level of manipulative and three steps ahead of everyone else, but she doesn't need to be. She's smart and charismatic and quick to put pieces together (the fucking button camera scene). So. She figures it out.

And then she has to decide what to do about it.

She's not going to be able to exonerate Nate - he shot a man in broad daylight and fully admitted it. She might be able to break him out of prison if he's up for being on the run, but that's a matter of hot debate between the two of them right now. (She could totally do it, especially with the team, she and Sophie are just waiting for him to stop being overprotective.)

(side note: nate's face when he finds out his ex wife and international criminal not-technically-an-ex are running a team together while he's stuck in prison? priceless)

but what she can do is protect other kids like Sam. Seek out corruption, find the people being hurt, and with her team, stop the people responsible from ever doing it again.

she just needs to create a little bit of leverage.

i got to the morning after job on my leverage rewatch and watching eliot as they get closer and closer to moreau is so good.

eliot says he's watched tapes of vector fighting because "you never know if you're gonna have to fight a guy on ice." ...liar.

so. yes. to be fair it is in character for him to spend his free time watching fight videos just to be prepared. there's something there about the "very distinctive" catchphrase and how much research he must have to do to know all that. however.

in this particular case i think there's something else going on. he knows how vector fights because that was relevant back when he needed to know everyone he might be working with, or he knows how vector fights because he makes a point of knowing moreau's guys now so he knows what he'd be getting into, or both. he's deflecting.

(in my personal opinion there are a number of moments where eliot says mildly odd things that we take at face value when he could fully be lying. he sleeps for 90 minutes a night? uh huh. sure. or he's just bullshitting the team for fun.)

of course there's also "this guy definitely works for moreau. that's how he does things." i've seen this talked about before and,,, yeah. this is 100% intentional foreshadowing. it's so good. why does no one else question how exactly eliot knows this?? are they all too busy with everything else going on to pay attention? do they assume this is just common knowledge among hitters? does eliot not think before he says it? is he hoping they'll notice?

to be fair, iirc I also didn't notice this the first time I was watching so it's maybe a lot to expect of them. but if you watch sophie at the end of the episode she looks like she's Thinking Thoughts, so i wouldn't be surprised if she had a hunch and just kept it to herself.

and finally when eliot is dragging vector away and he whispers in his ear "moreau would like to speak with you." !!! god. you know he must have said that line Before. he knows how to say it convincingly because he was that guy. now he essentially has to be that guy again for a second to deliver the line right. what's going on in his head?? what's it like to deal with those memories and emotional baggage on top of everything else going on right now?? there's so much there.

i just. i love season three and i love the moreau arc and i love the foreshadowing.

I was rambling on the issue of museums and human remains and how certain populations are more likely to have their bodies put on display to be gawked at and then went "well I guess the Pompeii casts were of Europeans. there are bones in there right?" and Googled it to make sure, at which point I confirmed that yes there are bones in there, but more interestingly DNA testing revealed that a cast of an adult holding a child everyone assumed was a mother and child were, in fact, a man and a kid entirely unrelated to him. Honestly that's more moving to me. Maybe they were connected in a way other than blood, but maybe a stranger saw a child when the world was ending and thought the one thing he could do was hold them.

THAT IS A HANUKKIAH IN THE BACK OF THE LEVERAGE SET

is someone Jewish

please let this fuel the Jewish!Hardison fans

i think something truly insane would happen if you put the leverage ot3 in an episode of game changer

update wtf guys

i need the ao3 tag wranglers to tag wrangle so it's easier to find the united healthcare shooter fic (there are 23 fics about him currently) (i did manually count) (i don't know what to tell you the internet is a bizarre and hilarious place sometimes)

John Rogers, co-creator + executive producer: "Look, if we told you Eliot's entire timeline or Nate's entire timeline, you wouldn’t be able to have then have enough flexibility to fold that timeline in with Supernatural in your fanfics because they'd be no space for that. The space we leave is the space for you to write your slash! That's super important for us to do! We do that for you, people! The fans appreciate the empty space we leave so you can write your Buffy, Supernatural, NCIS, Criminal Minds, Leverage crossovers."

Geoffrey Thorne, co-producer + writer of this episode: "But don't do any Doctor Who ones because…"

John: "You're writing those."

Geoffrey: "Just don't do it."

Chris Downey, co-creator + executive producer: "You've staked those out?"

John: "He's staked those out."

— Leverage 10 Podcast: 512 The White Rabbit Job

*Kung Fu Monkey blog: LEVERAGE #205 "The Three Days of the Hunter Job" Post-game (August 24, 2009) for the original "I think fanfic is the sign of a healthy show" short essay