Whenever I Remember Those Stupid Fucking Pins That Mark Ruffalo And Billie Eilish Or Whatever Wore I

This user is anti-TERF, reblog if your blog is against trans exclusionary radfems

Every once in a while, the magnitude of the Hamas massacre hits me all over again.

I'm not sure most people get it even now.

In absolute numbers, it is one of the three deadliest terrorist attacks in human history (second or third worst, depends on which estimates you trust for the Camp Speicher massacre), but if we take it in relation to the size of the population in the attacked country (which we should, because terrorism by its very nation seeks to victimizes through psychological trauma the entire target population, and not just those who were physically affected during the attack), then what Hamas did IS the single deadliest terrorist attack in the entirety of human history.

But it's even more than that.

Never, in any other attack, have the terrorists taken over as much land as Hamas did on Oct 7. ENTIRE TOWNS were under complete control of the terrorists, some for SEVERAL DAYS (I specifically remember watching a report on one town, where combat with the terrorists was still taking place on Oct 11, meaning on day 5 of this terrorist invasion into Israel). ENTIRE TOWNS WERE OCCUPIED. BY TERRORISTS. There's not a single Hollywood action movie dealing with such a scenario, because NOTHING OF THIS SCALE HAS EVER HAPPENED BEFORE. Imagine waking up and hearing in real time that the northern half of the American states Washington, Idaho and Montana has been taken by terrorists, who are driving through the streets freely, as they murder, pillage, rape, torture, maim, burn and kidnap people, and almost no one's there to stop them.

And then imagine the world expecting the US government to just... let the terrorists retreat to the other side of an international border in the north, after having murdered over 40,400 American, most of which are civilians, almost 183,000 more injured, and while taking with them across the border over 8,450 American hostages, to God knows what awful fate, for how long, or if they will even ever come back alive. Entire communities and regions would be devastated, without knowing if they'd be able to rebuild. The total would be more than 230,000 Americans directly impacted (I've adapted the real numbers from Oct 7 to the size of the American population... Remember the horrendous 9/11 attack, which saw 2,977 victims killed and a few thousands more injured, and think of what would be the emotional punch of over 230,000 direct victims).

Imagine expecting the US to let that go, and allow those terrorists to continue existing and ruling the land on its northern border. Imagine expecting the US to do so while this terrorist organization openly declares that it will repeat this large scale massacre whenever possible, until the entire country is destroyed.

And please don't come at me with "Fine, Israel can react, but not like this." Unless you have the military expertise to explain exactly how Israel can protect its people from this attack ever being repeated, and to free all our hostages, without civilian casualties (despite Hamas intentionally using them as human shields, and even directly causing Gazan deaths), unless you can translate the vague "not like this" into something practical, some actual guidelines on how this urban war could have been fought differently, even though there's no historical precedent to support that this is possible, "not like this" is just wishful thinking at the expense of the safety and right to live of Israelis.

(for all of my updates and ask replies regarding Israel, click here)

Someone made a post about the abysmal state of Jewish rep in Rick Riordan’s universe so now I’m thinking about how I would do Jewish characters in that.

Jew at Camp Half Blood: *gets their menorah out*

Cabinmate: Oh, that’s so cool, what’re you celebrating?

Jew: Hannakah! It’s a holiday celebrating an ancient military revolt!

Cabinmate: Neat, against who?

Jew: *sweats nervously*

Cabinmate: An ancient military revolt against who?

Alternatively:

Jew at Camp Jupiter: Yeah, I’m pretty bummed out today. It’s the saddest day in the Jewish calendar.

Friend: I didn’t know that— what makes it so sad?

Jew: Uhhhhhhhh

Jew: Uhhhh

the fact that jews on here can DIRECTLY say "hey maybe people dying and being hurt is bad actually" with zero extra commentary and get called "genocidal zionists" really says something about how little goyim actually value life and how willing they are to misinterpret a jew's words to fit their narrative

So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.

I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.

See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.

I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.

Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.

In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.

They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.

Conservatives lost their damn minds.

Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.

When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.

Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America. 

Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”

Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.

The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.

This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.

Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.

The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.

I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.

Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.

Hell, it ensures that you can support activism.

The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.

That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.

They’re afraid that they won’t be able to legally discriminate against us anymore.

So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.

We have! To keep! Pushing back!

Hey remember when Queen Elizabeth died and all of Tumblr had a collective crab rave and the tags were trending because fuck imperialism and colonialism? Yeah where's the same energy for President Raisi......

Above image is a pride flag with every color band represented by a NASA image. White is Earth clouds, pink is aurora, blue is the Sun in a specific wavelength, brown is Jupiter clouds, black is the Hubble deep field, red is the top of sprites, orange is a Mars crater, yellow is the surface of Io, green is a lake with algae, blue is Neptune, and purple is the Crab Nebula in a specific wavelength.

thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not

https://www.instagram.com/p/Cy6hjeeyq4i/?igshid=MzRlODBiNWFlZA==

I keep toying with writing this, because words are hard and I'm not sure how to fully articulate this thought.

However, it's something I've sensed very deeply and I think it's important to start trying to talk about.

Much has been said about how traumatic Oct. 7th was for Israelis and really Jews the world over, and lots has been said about why that was - from the fact that it happened on what was supposed to be a joyous holiday, the fact that this violence was as barbarous and sadistic as it was, the fact that it drew on deep historical wells of intergenerational trauma, to the fact that it was met with immediate denial, betrayal, and even celebration from supposedly progressive goyim - but something I have not seen much discussion on is how that ongoing denialism and even celebration of the carnage made sure that the trauma stuck.

See the thing is that one of the best predictors of favorable recovery outcomes from trauma is the support the victim receives, especially in the immediate aftermath. Victims with strong support networks, who are believed and whose grievances are taken seriously, recover much faster and much more holistically even from objectively worse traumas than victims who lack support and/or whose traumatic experiences are denied or dismissed. Seems obvious enough, right? That's why advocates for survivors exhort communities to listen to survivors and victims, and to hold space for them. We know what happens when that support is denied.

In some ways, the Jewish people is like a horrible case study in what happens when that denial of support happens - not just on a large scale, but over the course of time through numerous generations. In every generation they come for us, and every generation has the opportunity to step up. And so far, every generation has failed the task. (There are of course, some wonderful individuals who do step up; however they are the exception that proves the rule.)

The sadistic celebration of atrocities committed against Israelis and the denialism were not just unpleasant side concerns - these were active components of the violence.

The bottom line is this: if you deny the atrocities of Oct. 7th and the ongoing hostage crisis or try to excuse or downplay them, you are actively participating in violence against us.

And yes, of course these atrocities do not justify atrocities in return. Yes, of course confirming facts is important. But I think a big part of why we can't "just move on" to talk about other atrocities is because you people have never acknowledged our pain or let us grieve or be human. Not once. And the longer that goes on, the deeper the wound and the longer the road to healing from this trauma gets.