Pokémon Special Being Iconic

Who's excited for Fortiche's new series based on the hit show Third Life? 😋

EPIC: The Musical - Ruthlessness

life series textposts i made while bored

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Redraw of The Lobster (2015)

That's honestly one of my favourite pages in the XY Arc. Idk as someone who suffers from frequent flashbacks it's just so sweet how Emma talks to AZ. She is just THE cutest~ Legitimately one of my fave Poke characters.

what is orv if not a love letter to kdj?

Cale Henituse is the funniest bastard to have as an MC, he's a unreliable narrator and everyone sees it. He wants to slack off and says world peace needed first before that.

Hates cats yet adopts two and plans to make a third king, scams people constantly, the most skewed perception of how to be a trashy man. Says he isn't a good person, does things that help people constantly, justifies it saying cause he didn't have pure motives for doing it it's not a good deed so he's still a bad person. Adopts a dragon even though he said he didn't want it near him cause he'd be in the middle of crazy situations, said by the guy who puts himself in situations constantly all the time. "I don't care about this old man assassin and want him to leave as soon as possible' several chapters later when said assassin comes back hurt and dying "What the fuck i'm going to blow up an island the bastards behind this are on" Yeah he blows up an island, says 'well the ships can just sail a bit further so it can go no biggie.' Said explosion is several times bigger then it should be, cause of his chronic inability to communicate with anyone ever. Stop saying shit exclusively in your head dumbass! He coughs up blood constantly from rebound his powers cause, fails to understand why anyone is upset by this sight when he's 'fine'. Has a healing power, fails to disclose that too to anyone. "I'm weak." Says this fucking idiot, while blasting his charisma aura that makes you feel like your going to die at people who have no idea it's a buff and take it seriously. While using a giant fuck off shield to block bombs. While blasting people with a thunderbolt that can blow up a forest. He's so stupid /aff I want to bite him like a chew toy and shake some sense but we all know he'll never get any.

throughout the story both kim dokja and han sooyoung define themselves in opposition to yoo sangah. kim dokja defines himself as a reader in contrast to yoo sangah as a protagonist, and han sooyoung defines herself as a villainess in contrast to yoo sangah as a heroine. outsider vs insider, evil vs good. in doing so, they dehumanize themselves and yoo sangah. kim dokja denies himself the agency that he gives a protagonist, positioning himself as merely an observer in both his life and others to cope with his mental health issues. han sooyoung denies herself any emotional or moral complexity, assigning herself a simple role she feels most comfortable in due to her own self worth issues as a way to conceptualize how her 'genre' as changed around her.

as coping strategies, these kinda suck ass. they hurt themselves in doing so, and they hurt yoo sangah. the overlapping roles they assign to her - protagonist and heroine - make unrealistic demands of her, project a perfection that isn't real, put her in a box and ignore all attempts to escape it. they distance themselves from her and damage their relationships in the process. and a large part of yoo sangah's character and arc is her either fighting back against this dehumanization or just refusing to play ball as a way to deconstruct the heroine archetype. when she is dying she uses what seem to be her final moment to make one last escape attempt of kim dokja's idolization of her, reminding him of the pepper incident and forcing him to recognize her as not just a person but a friend. and during moments when she and han sooyoung are at odds, their different attitudes towards it are so stark - han sooyoung regards it as almost a battle of good and evil, whereas yoo sangah sees it as a more personal argument. han sooyoung's discomfort comes from a clashing of philosphies, whereas yoo sangah's comes from the fact han sooyoung is kind of a fucking bitch who has killed people she cares about and might again.

when kim dokja and han sooyoung categorize the world in this way, they dehumanize themselves and their loved ones. and yoo sangah refuses to play along, recognizing both her own and their humanity and forcing that same recognition onto them. when kim dokja and han sooyoung build a wall between themselves and yoo sangah, defining themselves by that distance, yoo sangah climbs it. yoo sangah doesn't just expose the dangers of the small box she gets shoved in, but exposes the others as well. she's an incredibly important character for orv because she does exactly that - it's an extension of her larger role in the narrative as someone who challenges roles and tropes of the genre, who reaches across the divide caused by these expectations we create for ourselves and others and says hey, im just a person, just like you. so maybe we should hang out sometime and just be that, yeah?

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