Beginning Sweetness Never Stays

These two are hilarious if you get past the horror

here's some old ones that have been rotting on my computer

Post-coma jarchivist makes me sooo insane. Everyone’s like ‘you should’ve stayed dead’ and he’s like ‘can’t argue with you there’. He died for his friends. He chose to become a monster. He came back wrong. He spent six months hovering between life and death and Martin won’t even talk to him. He’s losing his sense of humanity. He hates himself so so much. He can no longer die. He risks a deal with Jared the fucking boneturner to try to save someone who very recently attempted to murder him. He blames himself for Tim’s death. Tim died hating him. With every fresh horror he grows stronger. Someone get this man a vacation and a healthy coping mechanism

Malevolent inspired AU where instead of Shen Yuan taking over Shen Qingqiu's body entirely Shen Jiu still controls the eyes and every cultivation aspect. Do they hate it? yes. Do they have a choice? no. I hope they annoy each other so much they explode before finding a different body for Shen Yuan

They become codependent and annoyingly inseparable later dw

If some of the expressions are weird I'm trying to convey that SJ controls the eyes and the general area around it so that would match his expression while everything else is SY. Which I think would make great comedy material because SQQ would be glaring daggers at LQG but also, with genuine excitement, talk about this new beast he found

companies are delusional if they think consumers don't notice shrinkflation. less food in the package, less medicine in the jar, less whatever in the wherever, it doesn't matter where and it's almost always noticeable. like i just finished one box of medicine and we opened another allegedly identical one that we just bought and lo and behold, the four middle medicine segments were gone from the package. they took out four pills from the same sized box and sold it at the same price without any indication on the box other than the small number in the corner. ridiculous

throughout the story both kim dokja and han sooyoung define themselves in opposition to yoo sangah. kim dokja defines himself as a reader in contrast to yoo sangah as a protagonist, and han sooyoung defines herself as a villainess in contrast to yoo sangah as a heroine. outsider vs insider, evil vs good. in doing so, they dehumanize themselves and yoo sangah. kim dokja denies himself the agency that he gives a protagonist, positioning himself as merely an observer in both his life and others to cope with his mental health issues. han sooyoung denies herself any emotional or moral complexity, assigning herself a simple role she feels most comfortable in due to her own self worth issues as a way to conceptualize how her 'genre' as changed around her.

as coping strategies, these kinda suck ass. they hurt themselves in doing so, and they hurt yoo sangah. the overlapping roles they assign to her - protagonist and heroine - make unrealistic demands of her, project a perfection that isn't real, put her in a box and ignore all attempts to escape it. they distance themselves from her and damage their relationships in the process. and a large part of yoo sangah's character and arc is her either fighting back against this dehumanization or just refusing to play ball as a way to deconstruct the heroine archetype. when she is dying she uses what seem to be her final moment to make one last escape attempt of kim dokja's idolization of her, reminding him of the pepper incident and forcing him to recognize her as not just a person but a friend. and during moments when she and han sooyoung are at odds, their different attitudes towards it are so stark - han sooyoung regards it as almost a battle of good and evil, whereas yoo sangah sees it as a more personal argument. han sooyoung's discomfort comes from a clashing of philosphies, whereas yoo sangah's comes from the fact han sooyoung is kind of a fucking bitch who has killed people she cares about and might again.

when kim dokja and han sooyoung categorize the world in this way, they dehumanize themselves and their loved ones. and yoo sangah refuses to play along, recognizing both her own and their humanity and forcing that same recognition onto them. when kim dokja and han sooyoung build a wall between themselves and yoo sangah, defining themselves by that distance, yoo sangah climbs it. yoo sangah doesn't just expose the dangers of the small box she gets shoved in, but exposes the others as well. she's an incredibly important character for orv because she does exactly that - it's an extension of her larger role in the narrative as someone who challenges roles and tropes of the genre, who reaches across the divide caused by these expectations we create for ourselves and others and says hey, im just a person, just like you. so maybe we should hang out sometime and just be that, yeah?

Seeds

red and vee :)

my friend had a vision.

Rating korean webnovels' protagonists' reaction to meeting another version of themselves for the first time

Kim Roksu: 10/10, very polite and helpful, worked to save his other self's world while also being thoughtful not to mess up his life and personal connections Kim Dokja: 0/10 tried to stab himself Han Yoojin: 0/10 tried to stab himself