Original By Clairetablizo

It was so important to me that Stolas was able to be sad throughout the entire episode. Usually media likes to rush a character's grief/depression/sadness. Like "Stop moping around" or "get over it already." Depression doesn't just go away. It is a persistent feeling of sadness.

His depression was also presented through various emotions/emotional states.

Lethargy

Crying

Anger / frustration

Self-blame

Not wanting company and being emotionally drained and unable to reciprocate

We even see him Smiling / Laughing which is so important because we see that he is still in there behind the sadness and tears. His laugh is not as lively as it once but he is still capable of smiling and finding joy.

His problems weren't fix in the end and his sadness didn't go away even if he has someone who loves him by his side (and even if he loves him too). And I think this is one of the best depictions I have seen of a depressed character in media in a long time.

Swords are arguably the most popular fantasy weapon, but why is that?

Patreon - everything else

The older you get the more you will realize that your friends are people who have made mistakes and bad decisions and even just fucked up and hurt people.

And obviously your boundaries with your friends are completely up to you but you do need to recognize that if you cut off everyone who has done something wrong, you’re going to end up with no friends (and you yourself will have also fucked up in your life, and not lived up to those impossible standards either).

I’ve found it’s much more constructive to learn how to say “hey dude, that was massively fucked up of you,” because most people are really willing to say “yeah, it was, I need to work on it/not do it again/apologize and make things right” ESPECIALLY if they are hearing it from you as their friend.

Very tired of people who continue to argue that Bill destroying Euclydia was completely on purpose and he didn’t care about anyone at all because he’s just trying to garner sympathy in The Book of Bill, despite all the supporting evidence outside of Bill’s words that allude to how deeply traumatic it was, (so many, many things about) how he loved and misses his parents, how much of a sore spot the topic is for him, how much he wants to return home but can’t, etc. in addition to how perfectly Alex and co. crafted a parallel narrative between Bill and Ford, including how they hurt the people they love out of carelessness and blind pursuit of their dreams, justifying to themselves that the people they hurt just couldn’t understand

Yes, Bill is an unreliable narrator, and that includes all the very obvious posturing that he did it all on purpose and it was actually a very good thing, that everyone loved him, that he’s NOT incarcerated or anything and that he’s still a really all-powerful being, etc etc etc. To fully believe that EVERY vulnerability he reveals is an evil manipulation tactic, and not actual character writing, you have to interpret his very prevalent denial of weakness, which continues into the conclusion of the book where he already knows he’s lost the reader and is still denying any emotional needs or trauma, as itself a lie.

There’s a reason why the Pines family cracked open this book and laughed at Bill, calling him a fractured, pathetic mess.

The Book of Bill has a plot, a great plot, and great character writing. It’s a crazy companion to Journal 3, Ford’s story. Parallel stories, but where one ends with someone healing from their trauma, coming to terms with one’s mistakes and accepting the need for human love and relationships, the other ends with one stuck forever in their layers and layers of denial, never acknowledging their own trauma, never acknowledging their need for human companionship, grasping in desperate need at their continued facade of hating to love and loving to hurt.

Bill isn’t an always-in-control sly master of the mind, he’s a delusional and desperate man, fractured by his own trauma, who will continue to hurt others to prove that he’s in control. I’m tired of the false narrative that abusers can’t have trauma, aren’t people, giving them this otherworldly status above all humanity. Aside from not being narratively or societally productive, it undermines the ending and message of the book. Acknowledging Bill’s brokenness gives his victims POWER over him. The fact that Bill needs Ford, but Ford doesn’t need Bill is powerful. Them laughing at his desperation is powerful. Looking at someone who once seemed untouchable to you and realizing they’re just a suffering meat sack like any other human being is powerful.

The ending of The Book of Bill is the demystification of Bill. The book is a real look into his mind, telling a story that’s actually very tragic. It’s a very real story, a cautionary tale. You’re not being manipulated or tricked if you feel bad, it’s a very intentional writing decision that this ending elicits that dark pity, as he desperately fades away (arts and crafts materials confiscated) saying that he’s FINE.

So yeah, The Book of Bill and the website are a masterwork of the character, I love them, they’re incredible, and I don’t want to see such a tight character story discredited as “you can’t believe ANY of it!”

My awesome Dr.Sawyer design

Y’ever read something and have understanding that has eluded you interminably suddenly stop, curl up, and snuggle neatly into a fold in your brain because a new way way opened to it?

the kiss

TRUTH. What you need is imagination, and you don’t need to go anywhere to use it.

ELECTRIC KISS! Finally done with my silly little fan animation!

HUGE thank you for screenofthesius (twitter/blesky) for composing and recording the piano tunes. g the piano tunes. :notes: