Florence Pugh As Princess Irulan Corrino In Dune: Part 2

concept art by Moebius, for Jodorowsky’s Dune

girldad!Feyd Headcanons

— WARNINGS: angst, but also fluff — A/N: In the canon, Feyd’s daughter with Margot was named Marie Fenring, and she dies a tragic death at quite a young age. This is going to be a completely self-indulgent fix-it. Enjoy ✨

Sure, he’s the most violent and unhinged madman this side of Gamma Waiping, but even Feyd knows there’s a time and place for everything.

The time being when the Atreides are defeated and the Emperor rewards him and he’s free to go after the Fenrings with his Harkonnen troops.

First, they find Count Hasimir, a frail little man with rodent-like features and thin greying hair. The Emperor’s oldest friend, and the best assassin in the known universe. Feyd knows better than to take him on in single combat, so he has his men deal with him while he goes after Margot.

He finds her in the furthest room of their castle past a cadre of guards that he makes short work of. She’s holding a little girl’s hand… Small and pale with thick dark ringlets, she looks just like he did as a child. He can tell even past the thick visor of the helm he wears — something made to not only protect but also block out sound. Margot knows it’s him just by his gait. She speaks, but it doesn’t matter. Her voice has no effect this time.

He sees the flash of a laser on the wall as his men join him and block the only exit. Feyd walks over to Margot, uncoils the little girl’s hand from hers, and takes her away. Lady Fenring will be brought to Kaitain to answer for her crimes against the once-young na-Baron. The Bene Gesserits, humbled after their near defeat on Arrakis, will not defend her actions — she has already served her purpose anyway.

The little girl looks up at him as they walk away with an unsettling and knowing light in her dark eyes. Feyd gazes down at her and, although she could not see his face, it was as if they’d always known each other.

But he also notices her little legs can hardly keep up with his stride. Oh, that’s right, children are smaller… He stops, kneels, and lifts her up into his arms as he carries her back to the ship.

He was actually nervous about taking off his helmet in front of her. What would she think of seeing a Harkonnen for the first time? They were so different from the soft and sunkissed people of the planet she was raised on…

But she had an eery calm to her even at the age of seven standard years. She regards him no differently than before and also does not acknowledge any need for reverence, even when he tells her who he is.

“Feyd-Rautha Harkonnen.” “Hello.” “And what’s your name?” “Marie.”

He found himself genuinely shy when he informed her he was her father, and was all the more surprised to find an impish smile grow on her face. “I know.” Margot must have told her after all…

She doesn’t cry, she doesn’t seem afraid, but Feyd comforts her the whole way to their home planet. He pets her dark crown of curls as she sits beside him on the ship, supports her back when she drinks, and makes out of galactic maps the most unusual of toys to distract her with on the long journey back. None of it comes naturally to him and for the first time he has to think before he acts. It leaves his nerves rattled, but every time she looks up into his eyes and smiles so innocently he gains his calm again.

Giedi Prime was not the first place he had in mind for raising a child, but the other planets he could lay claim to — Lankiveil and Arrakis — were not great choices either. Now that he was Baron, this was where he had to be — at least until the Emperor decided who should govern Arrakis following the trouble with the Fremen. The Corrinos left a cadre of Mentats in charge to oversee the change for now.

She hates the planet at first, scrunching up her little face at the stark white light during the day, at the poisonous smoke, at the vast black wastes filled with petrol. Feyd engages an ecologist the first week Marie is there and plans a series of greenhouses for her with the best water filtration systems spice can buy.

“Why can’t the whole planet be like this?” she asks when he first shows it to her. They walk through young trees, Feyd dodging thin branches of raw red and green while his daughter skips ahead like a lamb. “Because it just can’t,” he mutters. “But why?” “Because it would cost too much.” “How much?” “I don’t know.” “Why not?”

A secret communication arrives to the Emperor inquiring whether he has room in his court for a new assassin now that Hasimir Fenring is gone.

His days are split between official duties, training in the arena, and playing with Marie. He discovers a part of himself again when he is with her — that innocent part that had been lost or buried when he first got to Giedi Prime. There is a satisfaction in making it for her a less brutal arrival, even a pleasant one.

He finds her laughing as she runs through the long halls, tugging on the lances of the guards — who look horrified at the sight of a playful child for the first time, but stay obediently still — and throwing rocks into the oil pools outside the palace to gawk at the pretty rainbow colours.

She loves the vaporous transparent gowns the servants wear, and the servants love her too. They dote on her, fearfully at first but more boldly when they notice Feyd’s approval. The retention rate goes up starkly at the palace, as does the average longevity.

Everyone is puzzled about what to do with her hair, but Marie teaches Feyd to braid it the way her mother did. She’s not shy about berating him either whenever he gets it wrong.

And most nights he falls asleep with her in one arm and a holographic storyreel in the other. He wants to be the sort of parent he only briefly had, the kind he vaguely remembers from his years on Lankiveil.

He dreams of his mother now more than he ever did, and wakes up feeling sorry for how much he falls short. He has no idea how to care for a child, no idea of how to raise her, but he knows he wants to try. Wants to succeed, for her. Marie might not have been an intended child, the way he was, but she was his own flesh and blood and he’d be damned before he made her feel unwanted.

His harpies love her, of course. But he fears they do a bit too much and dismisses them not one month after Marie arrives on the planet. While he’s never indulged, he can only imagine with a frightful shiver how sweet and tender a child’s flesh is.

To the consternation of his people, he flies in tutors from other planets for her. Philosophers from Ecaz, musicians from Chusuk, biologists from Lernaeus, and even a historian from Kaitain itself. She has a Mentat but no Bene Gesserit to serve in her education. His uncle had been wrong about a lot of things, but the scheming of witches was not one of them.

Her bedroom — more white and pale blue than the standard inky black, and decorated with pink ribbons — has a court of dollies on one side and toy swords on the other. Feyd’s love of weaponry does not escape her and, in her childish innocence, she’s fascinated by it all. He takes delight in this, of course, but worries too. Imagining his little child with blood on her hands scares him, and it makes him wonder what sort of person his uncle was to encourage it in him.

In loving her, Feyd’s never felt more unloved himself. Sure, he had his mother and father at one point, but all of that was taken from him when he was Marie’s age. Since then, nobody had cared about him, nobody had even wanted him unless it was to fulfil a purpose. Not his uncle, not his brother, not even Margot…

He comforted himself now that he’d spared Marie of such a fate. His little girl would not become a glorified breeding horse for the Bene Gesserits nor a pawn in the Emperor’s games. He would fill her life with all the things he never had.

Marie grows as the gardens grow, and Feyd begins to speak with the professor from Lernaeus and a retired planetologist from Acline about plans for terraforming Giedi Prime, and one day putting Marie in charge. Her lessons become more structured.

A fact to which she protests, but not for long. She is clever for her age, and understanding, and nobody can explain to her better than Feyd that, although learning can seem useless and boring compared to play, she needs to prepare for the years to come.

“You like the gardens, don’t you?” “Yes…” “And you like eating fruit, right?” “Yes, and smelling flowers.” “What if you could do that all the time, then? Not just in the greenhouses?”

She comes to like the skies of Giedi Prime as well, and the way fireworks look like ink blots. Her every birthday is marked with an array of black and white that make the sky a work of art.

Marie never asks to be the sort of Baroness that always lays around, because Feyd doesn’t do that either. As she grows older he starts to spend more time with her during the day, letting her sit in on meetings, and they debate for hours afterwards on what course the Barony should take. He finds she is more brave than he is, but more reckless too.

“No, little melon, we can’t just declare war on them.” “But why? You know they’re spying on us…” “Yes, but we have no proof.” “Of course we have proof. How would you know otherwise?” “Proof needs to be physical or recorded.” “Let’s record them spying, then.” “Well now they know that we know, so they will have a different approach.” “I still think war would end the problem faster. Or challenge them to a duel!” “I’m getting too old for this…”

They see more of the planet together too, venturing to the caves and crevices that run beneath the surface, taking samples of the native life bubbling in hot springs and collecting crystalline samples.

He takes her to Lankiveil for her fifteenth birthday and they sail together through its icy floes. She loves the sign of whales off in the distance and sounding the ship’s horn, although the local food leaves much to be desired.

“It smells weird.” “It’s fish.” “They stink…” “You want a salad instead?” “Yes, please…”

By the time she turns eighteen, the Emperor has decided to put Arrakis back into Harkonnen hands, and Feyd is terrified. As bad as Giedi Prime is, he wants to see her on Dune even less. Marie can tell this, observant as she is. She’s grown more quiet when she’s thinking and less rash with her decisions, but loud when she wants to be, and daring.

Feyd doesn’t know what to expect of Arrakis anymore and has mixed feelings about it, but he knows one thing for certain: anyone who’s a threat to his daughter there, dies.

“I’ll miss Giedi Prime,” she says as they’re approaching orbit. “It’s finally getting green in places, and rainclouds have begun to form…” “You can go back any time, you know,” says Feyd immediately. “I won’t keep you on this piece of hell…” “I’ll stay,” says Marie. She has the same strange determination she had in her eyes the day they met. “I heard it has old terraforming stations… I’ll want to visit them one day.”

It isn’t easy ruling a desert planet, even one that’s been subdued, but the new spice flow makes it worth it. Feyd keeps Marie close, teaches her everything, watches her grow, and soon she’s sent in delegations reporting to the Landsraad. She represents House Harkonnen better than her great uncle did — and, to Feyd’s pride, better than he ever could.

Something I find interesting when viewing the two recent Dune movies as a whole is that initially, Paul is more than willing to use the prophecy and his visions for his own gain to convince Liet to help them, while Jessica whispers "careful!" at his side, and she later recommends they leave the planet entirely. But Paul decides they'll stay with the Fremen. Even at the beginning of Part 2, Paul is like "fuck yeah let's wage war on the Harkonnen" and Jessica is again counseling caution: "your father didn't believe in revenge." She goes through the Water of Life ceremony not because she wants to help Paul fulfill the prophecy but because she's forced to: do this or die. And even then, the old Reverend Mother had to use the Voice on her to get Jessica to drink.

That all changes when Jessica nearly dies during the ceremony. After that, Paul becomes more wary of embracing the prophecy, and she just throws herself into it. Paul nearly loses his mother (and his unborn sister) to a painful, agonizing poison - mere hours/days after losing his father and all their friends/allies to the Harkonnen slaughter - and decides it's not worth it. Meanwhile, Jessica gets a direct download of memories of millennia of oppression and goes "yeah let's burn everything to the ground."

It's an interesting, quick reversal at the beginning of the second movie, and it's great.

Ooh thank you for this great ask. I can always count on you for smart and thoughtful Jessica takes!

You make a really good observation about their reversal of positions--I had been struggling to figure out how Paul's line about "I must sway the non-believers" fit into his overall arc, but you are absolutely right that this feels like a continuation of how he talks to Liet. We're seeing the first stirrings of that little "maybe I am special" thought that later takes center stage.

For most of Part Two, Paul has several reliable counterweights pulling against that streak of arrogance and high-handedness that he's had from the beginning. Jessica almost dies drinking the Water of Life, which, like you point out, has got to make him think twice about encouraging people to believe in the prophecy. Then, he spends most of the movie surrounded by Chani and her friends and comrades, who seem the most skeptical of the prophecy and also aren't going to give his ego the time of day. And at the same time, he has an opportunity to pour his desire for revenge into collective political action that seems to be making a difference.

It's only when those countervailing forces start collapsing (the people who had started out as his equals are now becoming his followers; the Harkonnens attack Sietch Tabr and other civilian population centers, proving they are far from militarily defeated; Gurney shows up and immediately offers what seems like an easy solution to their problems that only Paul can access) that the little maybe I am special voice starts winning again.

As for Jessica, her journey doesn't get as much focus in the movie but it's also fascinating. She's a great character because she is so fucking smart at navigating power structures from what seems like an unenviable position. Did she have any choice about being sent to Caladan to become Leto's concubine? I am guessing she did not. But she sure figured out how to work that situation to her advantage. It happened that along the way she and Leto came to genuinely love and respect each other. But I'm sure she would still have figured out an angle even if that had not been the case.

In Part Two she starts out in a frankly quite terrifying position: she can undergo this unknown, dangerous ritual or die, and also possibly put Paul's safety at risk by raising doubt about whether he is the Lisan al-Gaib. But after she survives the Water of Life, she is launched into a powerful position in Fremen society and pretty quickly realizes she can use that to both protect Paul and get her revenge on the people who tried to kill her whole family. And unlike Paul, she is much more cognizant of the intergalactic power structures at work and aware that the Harkonnens themselves were a pawn in all this, so her target is the Bene Gesserit and the emperor.

I would have loved more time to explore Jessica's relationship to Fremen society and her POV in general. Because in some ways she becomes as Fremen as it's possible for her to be--she has access to thousands of years of memories of Fremen history and culture and politics; she becomes instantly fluent in the language and she is immersed in Fremen daily life in the sietch. (If there's one single thing I wanted more of, it was daily life in the sietch.) But she's still the same person she was, so she hasn't lost that ability to be ruthless and calculating and see people as forces to be manipulated. In Part One, her love for Paul and Leto provided an interesting counterweight to this that allowed us to see some moments of vulnerability from her (ie. she knows Paul has to undergo the Gom Jabbar test but she's terrified for him while it's happening). In Part Two she is so isolated for most of the movie (away from Paul; surrounded by followers who were never friends; I think we can all agree that talking to your unborn fetus doesn't really count) that we don't get a lot of these more unguarded moments from her. (I would have loved some Jessica/Stilgar action and it seems like the potential was very much set up for that, but I understand why they didn't have time.)

But in general I thought they did a great job of setting up this contradictory tension between Jessica and Paul, where they both want so desperately to protect each other and they both want revenge, but the way they each go about it ends up putting them in direct conflict with each other.

Kyle MacLachlan as Paul Atreides in Dune (1984)

What is THE SON but  an extension of THE FATHER?

alia atreides & marie fenring.

hilda koe / yoshitaka amano / frederick cayley robinson / edvard munch / dolce & gabbana fw 2006 by steven maisel / arthur hacker / federico zendomeneghi / john collier / elizabeth nourse

Illustrations by John Schoenherr for The Illustrated Dune, 1978 by Frank Herbert. 🐛🐛

Dune (1984) - Dir. David Lynch “I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will let it pass over me and through me. And when it has passed I will turn the inner eye to see its path. Where it has gone, there will be nothing. Only I will remain.”

FLORENCE PUGH as PRINCESS IRULAN Dune: Part Two (2023) dir. Denis Villeneuve

“Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic. This is what uncouples him from belief in his own pretensions. The sardonic is all that permits him to move within himself. Without this quality, even occasional greatness will destroy a man.”

— Frank Herbert, Dune