A Thorough Analysis Of Civil War's First Trailer

A Thorough Analysis of Civil War's First Trailer

So I was inspired by this post to watch the first Civil War trailer, and I was intrigued, for the trailer seemed to promise a much better movie than what we actually got. Therefore, I decided to compare stuff in that trailer to stuff in the finished movie, and what I found was very revealing. For Civil War, despite the title, is very much not a Captain America movie: and this trailer provides some insights into how it came to be so. It offers multiple insights into what we were robbed of, and how exactly the movie was maliciously turned against Steve and his friends. Indeed, the sheer extent to which the movie has been twisted is truly enraging. This is going to be rather long, so get ready:

The first thing that is shown in the trailer is the scene of Steve, Bucky, and Sam in the warehouse after Bucky wakes up. Steve asks pleadingly, "Buck, do you remember me?" And after Bucky gives his response, Steve is shown with an expression of pure relief and joy and hope. This is in sharp contrast to what we got in the actual movie. In the actual movie, Steve asks almost accusingly, "Which Bucky am I talking to?": and his expression after Bucky's answer is significantly muted. It is clear that the change here was done to both downplay Steve and Bucky's relationship, and try to make Bucky less sympathetic. First of all, Steve went from "Buck" to "Bucky" which while still a nickname is much less familiar. Second of all, the change in question is quite telling. The original question—"Do you remember me?"—is very eager and hopeful, and indicates a clear trust that Bucky is not dangerous. The new question, on the other hand—"Which Bucky am I talking to?"—is much more resigned, and implies that there is a good chance that Bucky is dangerous and not in control of himself.

There is another difference between the two clips that is quite noteworthy. In the trailer, right after Steve says "Buck," there is a pause, and a nicely centered, well-lit shot of Bucky looking attentively at Steve is shown before he continues. In the finished movie, however, Bucky is not shown until Steve finishes his question: and the shot of Bucky is noticeably darker, and he is crammed into the side of the frame, and unlike the trailer his face is turned away from the camera and obscured by his hair. This was clearly done to try to make Bucky seem more dangerous, and prevent the audience from trusting him.

The trailer conversation continues as follows:

Steve: You're a wanted man.

Bucky: I don't do that anymore.

Steve: Well the people who think you did are coming right now. And they're not planning on taking you alive.

Once again, this is in sharp contrast to the conversation in the finished movie:

Sam: Just like that, we're supposed to be cool?

Bucky: What did I do?

Steve: Enough.

Bucky: Oh, God, I knew this would happen. Everything Hydra put inside me is still there. All he had to do was say the godd—n words.

It's clear that the change here was once again to make Bucky less sympathetic. Intriguingly, based on the trailer, it seems like the words might originally have been less of a factor, and Bucky ended up in the warehouse for a different reason. But besides that, the conversation is also much more compassionate. Bucky was given a chance to explicitly say, "I don't do that anymore," confirming that he has thoroughly rejected what Hydra tried to make him into, and Steve's subsequent response—"the people who think you did are coming right now,"—emphasizes Bucky's innocence and the fact that he is being targeted and endangered for something he didn't do. This is not brought up in conversation in the finished movie, however. Bucky is not allowed to bring up the fact that he's not the Winter Soldier anymore, and the fact that he is being wrongfully hunted is ignored as well. Instead Sam immediately asks, "Just like that, we're supposed to be cool?"—as if Bucky had done something wrong when he was literally just mind controlled—and when Steve tells Bucky that he did "Enough," which emphasizes Bucky's guilt rather than his innocence, Bucky responds, "Everything Hydra put inside me is still there," which clearly implies that he has not in fact changed at all from his Winter Soldier days.

But what's really interesting is that dialogue that is very similar to the warehouse conversation actually does appear in the finished movie, just in a different place: in the apartment in Bucharest. Here is that conversation, with Sam's comments removed for clarity:

Steve: You know me?

Bucky: You're Steve. I read about you in a museum.

Steve: I know you're nervous. And you have plenty of reason to be. But you're lying.

Bucky: I wasn't in Vienna. I don't do that anymore.

Steve: Well the people who think you did are coming here now. And they're not planning on taking you alive.

This indicates a substantial reshuffling of scenes, because much of that dialogue was clearly intended to be in the warehouse; we have several clear shots of Steve in the warehouse speaking those lines. Also, Steve's line changes from "coming right now" to "coming here now" which implies that in the first instance, the pursuers didn't know their location, and if they were in the warehouse that would make sense. So this doesn't seem to be just a case of the trailer being intentionally misleading. And, just as with the changes to the warehouse conversation, these changes afforded the movie a chance to downplay Steve and Bucky's relationship and cast doubt on Bucky. For example, Steve's earnest "Buck, do you remember me?" has been changed to just a flat, quick "You know me?" The question has been altered to make it much less personal, and to deemphasize their history. Also, Bucky being allowed to say that he's not the Winter Soldier anymore is now moved to before the events of the warehouse, so that once the words become a factor the movie can continue to insinuate that he's dangerous. In addition, while Steve is still allowed to draw some measure of attention to Bucky's innocence, Bucky immediately responds to the revelation that he's being wrongfully attacked with "That's smart. Good strategy," so that his attackers receive a measure of validation also. It certainly did not seem like he was going to respond thus in the warehouse; if he had, it would have been an abrupt and jarring change of tone. The clear and concerted attempt to slander Bucky, and Steve by proxy for believing in him, is quite heinous.

The next thing that does not appear in the finished movie comes a little bit later. There is a clip where Bucky is shown for a second before a car passes him and then he disappears—the background is clearly Bucharest—and then it cuts to Steve looking out a window in Lagos. Given the discrepancy of location, as well as the fact that Lagos came before Bucharest, this might just have been the trailer being intentionally misleading. After all, following The Winter Soldier many people wanted to see more of Steve and Bucky's relationship, and Marvel knew of this: but since with everything else that went on in Civil War there wasn't much time for that, they might have put some quick extra footage in the trailer to lure people in.

However, it is also equally possible that this was something that actually was supposed to be in the movie but then got cut. After all, based on the warehouse dialogue, some scenes did get reshuffled: and later in the trailer we are shown Steve jumping off a truck to get a boost into the building instead of being lifted up by Wanda, and there are more assailants when he gets in the building, and there does not appear to be any gas. In addition, unlike the second trailer we are not given any hints of Rumlow's explosion, so it's possible that Lagos was not originally meant to be the inciting incident for the Accords, and that it did actually originally come after Steve saw Bucky in Bucharest. And indeed, the footage the trailer gives of Steve looking out that window never appeared in the final film; he is clearly looking out the window quite yearningly, not in the cool and collected manner of someone gathering information for a mission. So either Lagos was a scene that got moved in the reshuffling, or that footage was shot with the sole intention of tricking people into thinking Civil War would feature more of Steve and Bucky's relationship.

The next difference can be seen in a bit of audio. Natasha says, "I know how much Bucky means to you," unlike in the movie where she says, "I know how much Barnes means to you." And this appears to have been a change that was made fairly late in the game: in the movie, Scarlett Johansson pauses briefly before saying "Barnes" indicating that this was not what she was used to saying. Such a change once again intentionally serves to try to distance the audience from Bucky, and make them care about him less. So we're seeing a clear pattern here.

The next change is significantly more alarming. While Natasha is saying, "Stay out of this one. Please," a shot of Steve standing where he went after he found out about Peggy's death is shown. Now, there are two things this could mean: either 1) Marvel knew that people wanted to see more of Steve and Bucky’s relationship in Civil War, but since the end product didn’t have much to offer they put an unrelated scene in the trailer to trick people, or 2) that scene actually was originally intended to be about Bucky, and Peggy’s funeral was something that was added later. It's hard to tell which one it could be. Again, it is possible that this was done with the express intention of tricking people. However, again, it is also possible that this was something that got changed. Steve looks much more clearly upset in the movie than the trailer: and it's entirely possible that Steve's message on the phone was supposed to be something about Bucky, and Peggy's funeral was something that ended up replacing this. After all, it's not like Peggy's funeral had much impact on the plot; its main purpose appeared to be to both remind people that Steve was supposed to have had a romance with Peggy, and to set up his romance with Sharon. (And none of this was hinted at in the trailer.) Stucky shippers have long speculated that the Staron romance in Civil War was fueled by gay panic, and it appears that they might have been right. Whatever the situation was, however, such shenanigans are truly despicable and disgusting.

(Shortly afterwards, in response to an argument Tony made about the Accords, Steve is heard saying "That's not the way I see it," and this is immediately followed by Tony saying "Sometimes I want to punch you in your perfect teeth." I don’t think this was intentional, but such an exchange perfectly sums up how Tony acts for pretty much the entire movie.)

Soon afterward is another interesting change. Footage from the scene in Bucharest where the police in the helicopter shoot at T’Challa and Bucky is shown, but then instead of T’Challa and Bucky, the target appears to be Steve. The clip that is supplied here is clearly from the portion of the movie that includes Bucky meeting Zemo and Bucky's subsequent escape, based on the clothes Steve is wearing, as well as the fact that it looks like Steve is in front of the damaged helicopter. It looks like the helicopter is hanging off the launch pad with the front end sticking up, and there is a bullet hole in the front window. Now, this is quite distinctly not from the finished movie; the helicopter is not pierced by bullets in the film, and it is never seen hanging in such a position. However, more footage from the finished movie is shown immediately afterward; Steve is shown pushing himself up after a bunch of excitement, and the helicopter is behind him on its side. Given this, I'm not sure why the other clip was in there. For even then it doesn’t seem like they were planning on using it, and it is very different from what happens in the movie, with the biggest difference being that Steve and Bucky are alone on the roof. I guess maybe they wanted to make it seem more like Hydra might be involved somehow, because that would make it somewhat more of a sequel to The Winter Soldier than the actual movie was, and a sequel to The Winter Soldier was what people were expecting. So again, either Civil War really was originally going to be more of a Captain America movie, or that footage was shot with the sole intent of deception.

Shortly afterward there is another interesting clip. It is very brief, but there is a shot of Bucky running with a terrified expression on his face, followed by a spray of bullets on the ground, presumably what he is running from. This was seemingly supposed to be part of the Bucharest chase sequence. Once again, however, it does not appear in the finished movie. We are actually given very few shots of Bucky's face throughout the finished chase sequence, and in all but one of these he looks determined rather than afraid. This isn't necessarily a bad thing, but considering all the other Bucky slander the movie ended up having, it does not feel like this was done with good intentions. Bucky is apparently not allowed to feel fear—he can only be determined or startled—because if he was allowed to be afraid, more people in the audience might realize that he has feelings too, that he wasn't having a very good time of it either, and the wrongness of the situation might be emphasized. All of which is stuff Civil War was apparently allergic to, in its quest to treat him like dangerous damaged goods. It seems like once again this was a thing to show Bucky's side of the story that was purposely taken away.

Following this there are two more indications that Lagos might have originally been substantially different. One is the fact that, shortly after Steve’s “We fight,” line is heard, a few clips of Natasha’s scenes in Lagos are shown. This sort of implies that she was going to help him with the aforementioned fight. Again, this might have just been the trailer being misleading: but since there were already several scenes that indicated that Natasha was going to be opposed to Steve for some portion of the movie—Steve asking her, “Are you going to arrest me?”, her line, “you know what’s about to happen, do you really want to punch your way out of this?” and the fact that she was not in Team Cap’s charge—it’s not like the fact that she wasn’t with Steve for a large part of the movie was going to be a surprise. The trick here would just be making people believe that at some point she was going to rejoin Steve and fight with him, instead of turning on Team Iron Man at the last minute and then disappearing from the movie shortly afterward. But if it wasn’t a trick, maybe Lagos actually was originally supposed to come later in the movie, and she was going to be reunited with Steve for that.

The other possible indication is the fact that another bit of deleted footage is shown. Steve is seen running and then an explosion goes off, and based on the background he is in the spot where in the movie he gets blown out of the building by Rumlow: but that does not happen in the trailer, the brunt of the explosion misses him and he is able to keep running. (And him getting blown out of the building is shown in the second trailer.) This is a further implication that Lagos might originally have been different. I guess if it was, the question is whether at the time of the trailer's release they were still intending to use that footage, or if they had already decided not to but showed it anyway.  

The final change is the fact that footage from a deleted scene (that we have access to) shows up in the trailer. Now, bits of deleted scenes being featured in trailers is not unheard of, and the clip itself doesn’t really show much; all it shows is Natasha on top of a storage container watching an explosion. However, comparing that clip with deleted clips from other trailers is quite revealing. In the second Iron Man 2 trailer, for example, two clips from deleted scenes are shown; one from the deleted opening where Pepper kisses Tony’s helmet, and one from the deleted scene where Tony is with Natasha at the party. It is not surprising that these scenes got cut, though, because the ideas these clips’ scenes conveyed were also expressed elsewhere. We got plenty of other Tony and Pepper interactions that showed their dynamic, and the same is the case with Tony and Natasha. However, in the scene the clip in the Civil War trailer is from, Natasha sees how violent the rest of Team Iron Man is being and becomes upset; presumably, seeing this pointless violence is why she later switched sides. But in the movie, no similar indications are given for her change of heart. In the movie it’s framed like she was fully intending to stop Steve, but then realized at the last second that she couldn’t and let him go. So while Iron Man 2 got rid of clips that were fairly redundant, Civil War got rid of a clip that would have supplied valuable information. And the lack of that valuable information appears to be an intentional effort to stifle Team Cap's side of the story, and prevent Team Iron Man from looking bad.

That is all the changes there are, but there is one other thing. One of the last things shown in the trailer is the "He's my friend/So was I," exchange. This is also what is said in the movie: but the fact that the trailer so prominently featured Steve and Bucky's relationship helps highlight just how ridiculous that exchange is. I wonder if that is another reason why Bucky and Steve's relationship was so carefully downplayed.

Now, again, considering that this is just a trailer, it is hard to tell how much of the stuff that was shown was originally supposed to be in the movie, and how much of it was the trailer being purposely misleading. After all, trailers are deceitful all the time, and the second trailer was also cut in deceptive ways. However, unlike the first trailer it does not show anything that is substantially different from the finished movie: so considering the abundance of unused footage in the first trailer, there very well might have been significant changes made after that trailer's release. Indeed, this film was supposed to be a sequel to The Winter Soldier before it became Iron Man 4, so it might have originally been less of a clown show. A sequel to The Winter Soldier is certainly what most people were expecting. It’s just hard to tell whether there had originally been more of an effort to make one, or whether the trailer was just stringing people along.

In conclusion, looking at the differences between the first Civil War trailer and the actual movie is quite revealing. The Russos said in the director's commentary that in making the film, the hardest thing for them to do was "to balance the characters, and constantly recalibrate, through the writing, through the acting, through editorial, to make sure you could walk out of the movie, and really be conflicted,”: and even with the few changes the first trailer gives us insight into, it is clear that this involved arranging things to purposely minimize Steve and Bucky's relationship, curtailing Bucky's role in the movie and making him look as unfavorable as possible, and deleting things that would either make Team Iron Man look bad or make Team Cap more sympathetic. Civil War was billed as a Captain America film, but considering how deliberately the movie was turned against him and his friends, it is quite clear how untrue that is.

Truly, it is exceedingly tragic that the third Captain America movie was turned into the Iron Man 4 mess it ended up being, when it should have been a continuation of everything that was set up in The Winter Soldier. And based on the fact that the first trailer seemed to promise those things, as well as the fact that even the second trailer was cut to make it look like Bucky would have a bigger role and Natasha would reunite with Steve (though Sam was largely left out), the makers of Civil War knew exactly where they were falling short. But unfortunately, they made no efforts to repair such deficiencies, and even now we are still waiting for Cap 3.

More Posts from Marisolxanadu and Others

2 years ago

I don't think Nemik's "Try" is an attack or rebuttal of Yoda's "Do or do not, there is no try", because both statements are in response to two different situations. One addresses the skills of the person, and the other addresses the outcome of the action on the greater whole.

Nemik challenges the learned helplessness of people living under oppression and the perceived futility of rebellion. He claims that even small acts of rebellion are meaningful, because they add up to a larger whole. He says "try" even when you don't know if what you do matters, because you need to be able to believe that others are doing the same.

Yoda (and the Jedi) is concerned with conviction. It is about giving up or failing because you can't commit to a decision you've made. It is about individual doubt of skill. He says "do not try" because you have to believe that you yourself are capable of doing it.

Both are about belief: one in yourself, and one in others.

Yoda and Nemik would have loved talking to each other I think.

3 years ago

Can I bless your dash tonight with some smol Dream/Morpheus?

Can I Bless Your Dash Tonight With Some Smol Dream/Morpheus?
Can I Bless Your Dash Tonight With Some Smol Dream/Morpheus?
Can I Bless Your Dash Tonight With Some Smol Dream/Morpheus?
Can I Bless Your Dash Tonight With Some Smol Dream/Morpheus?
Can I Bless Your Dash Tonight With Some Smol Dream/Morpheus?
6 months ago

Hello, Hetalia fandom ‼️

It can be difficult to find certain Hetalia episodes, so I’ve compiled every Hetalia episode (sub and dub) into a Google Drive, alongside navigation docs for easy searching. Every episode is on here, including the movie and OVAs for both sub and dub. Happy watching :)

2 years ago

I don't think Nemik's "Try" is an attack or rebuttal of Yoda's "Do or do not, there is no try", because both statements are in response to two different situations. One addresses the skills of the person, and the other addresses the outcome of the action on the greater whole.

Nemik challenges the learned helplessness of people living under oppression and the perceived futility of rebellion. He claims that even small acts of rebellion are meaningful, because they add up to a larger whole. He says "try" even when you don't know if what you do matters, because you need to be able to believe that others are doing the same.

Yoda (and the Jedi) is concerned with conviction. It is about giving up or failing because you can't commit to a decision you've made. It is about individual doubt of skill. He says "do not try" because you have to believe that you yourself are capable of doing it.

Both are about belief: one in yourself, and one in others.

Yoda and Nemik would have loved talking to each other I think.

3 years ago

I can’t of anything to currently ask and such, so here’s a bunch of hearts. (I’ll probably ask questions later) ♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️ ♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️And thank you so much for such amazing world building and characters. I have yet to see a fanfiction that lives up to yours.

Happy 10th Anniversary To That Fic I Need To Update

That’s right, today marks 10 years since I posted the first chapter of Gilded Green back on good ol’ Fanfiction Dot Net! The fic itself, of course, is older than that, because it took me over two years to write, but the point still stands.

Happy birthday to my baby!

It wasn’t the first fic I’d published, but it was definitely the one I’d put the most work into at the time. Stingrae was a major support and a fantastic beta, and there’s no way I could’ve gotten the darn thing written without her. She held my virtual hand through brainstorming sessions and writing marathons and that time I decided I’d just have to let the brainwashing be as awful and creepy as it had to be and that time I drank too much tea and she gently told me to stop because my messages were riddled with typos, and ALSO that time she told me to stop obsessing over the calendar and timeline I was creating for ATLA itself and GO TO SLEEP ALREADY. XD

I still remember being oh-so-nervous about posting it, after years of trying to get it right. Feeling kinda bad that I only managed to get it to my liking after the ATLA fandom had started to die down. Wondering if anyone would bother reading it, considering it focused on an unpopular villain, minor characters, and a ton of OCs. Getting all giddy and super happy when the reviews started to come in and people actually liked it!

And people still like it, so many years later! And I’ve kept writing and shared so many more stories with y’all and made quite a few friends ever since! (If you’re a regular commenter of mine I love you and you’re my fandom friend even if we’ve never had a conversation outside of fic comments, I don’t make the rules.  ¯\_(ツ)_/¯  )

Unfortunately I don’t have much to celebrate with. I would’ve LOVED to finally have GG2 ready to go, or even rewrite GG itself as a 10th anniversary edition that’s more in line with my current writing style and some updated worldbuilding/character development that I’ve come up with in the years since, but given last year and this year and everything else that’s going on I just haven’t had the spoons to do any of that. :P

BUT I’d still like to commemorate this kinda-momentous occasion somehow, SO! If anyone is interested, this is an open invitation to come by my ask box if you’d like to:

Ask questions

Make comments

Copy/paste a chunk of text from the fic (GG itself or anything else in the series) for me to leave DVD-commentary-style musings on

Ask the characters any questions

Ask me when GG2 is coming (please don’t ask me when GG2 is coming)

Tell me your favorite character/part/worldbuilding/whatever

Send me a bunch of emojis

Ask me about my Sburb headcanons for my OCs

Ask me about my Hogwarts House headcanons for my OCs

Idk, whatever else you think might be fun

Whether you saw Gilded Green on FFdotnet ten years ago or only just discovered it, whether you’ve ever commented on it or not, I’d just like to thank you for taking your time to read my story. I know I’m slow at writing, and that it’s easy to assume my stuff is abandoned, but I really do appreciate everyone who’s allowed me to share my fic with them. You’re all fantastic, and I love you!

<3<3<3

2 years ago
Death Doesn't Discriminate / Between The Sinners And The Saints / It Takes And It Takes And It Takes
Death Doesn't Discriminate / Between The Sinners And The Saints / It Takes And It Takes And It Takes
Death Doesn't Discriminate / Between The Sinners And The Saints / It Takes And It Takes And It Takes
Death Doesn't Discriminate / Between The Sinners And The Saints / It Takes And It Takes And It Takes

Death doesn't discriminate / Between the sinners and the saints / It takes and it takes and it takes / And we keep living anyway / We rise and we fall and we break / And we make our mistakes / And if there's a reason I'm still alive / When everyone who loves me has died / I'm willing to wait for it

1 month ago

Hawks Villain Report TLs

Since some people asked and I wanted to practice translating again. Thanks for requesting!

As usual, please do not repost these in other sites without my permission. If someone really wants to typeset this, please refer to DMs. 

Also weirdly, this report uses “individuality” instead of “quirks” for some reason. I guess they didn’t reference the EN localization lol.

*****

Keep reading

3 years ago

I can’t even-💀💀💀

All this talk about Batman reminds me of this quote from Neil Gaiman in regard to Sandman.

All This Talk About Batman Reminds Me Of This Quote From Neil Gaiman In Regard To Sandman.
9 months ago

“But if you forget to reblog Madame Zeroni, you and your family will be cursed for always and eternity.”

“But If You Forget To Reblog Madame Zeroni, You And Your Family Will Be Cursed For Always And Eternity.”
3 years ago

I think everyone has forgotten that the most important thing about the casting of Death in Netflix’s The Sandman is that she can successfully bounce a loaf of bread off of Tom Sturridge’s head.

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marisolxanadu - marisolxanadu
marisolxanadu

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