Maskandthewearer - :)

maskandthewearer - :)

More Posts from Maskandthewearer and Others

1 year ago
I've For A Long Time Wanted To Do A Proper Illustration From Mob100! Have The Most Likely Last Art For

I've for a long time wanted to do a proper illustration from mob100! have the most likely last art for 2023

2 years ago
I’m Not One To Make Fanart, But I Started Working On A Self Portrait And Had A Moment Of “lol This

I’m not one to make fanart, but I started working on a self portrait and had a moment of “lol this looks like hunter from toh” and then I had a finished portrait of hunter

2 years ago

The most interesting thing to me thus far about this whole goncharov thing is that Tumblr has collectively constructed some pretty convincing side characters for this movie. Katya leaps off the page as this frustrated woman caged by her lack of autonomy, Sofia coyly plays both sides and acts above it all when really she's desperate for the same freedom Katya is. Ice Pick Joe is a less developed character who nonetheless acts as a stand in for the inescapable nature of cycles of violence. andrey, loyal to a fault, gets pulled deeper and deeper into goncharov's orbit until there's no way for him to make it out alive

and yet with all that I have ZERO sense of who goncharov is supposed to be himself. i've see a lot of stuff suggesting that the film is theoretically about loss, including the loss of one's identity, shown primarily through the way goncharov becomes unrecognizable to himself by the time of his death at the end of the film (seeing himself in a fractured mirror is a common motif). it's very interesting to me that we have a fine time coming up with a group of collective blorbos based on mafia movie tropes, but somehow the main character feels unknowable, to the degree that we had to make that one of the core themes of the film.

2 years ago

[“Growing up in an upwardly mobile English-educated family in Kolkata meant that I had access to the United States Information Services and British Council libraries, where I would spend countless hours devouring the Atlantic Quarterly or Signs, learning about the emerging LGBT and new wave feminist movements. The splashy images from the twentieth anniversary celebrations of Stonewall in 1989 inspired some of us to start the first gay and lesbian support group in Kolkata.

We would spend hours in cruising parks and women’s studies gatherings doing outreach for support group meetings. Soon we connected with support groups in local cities and recently formed LGBT South Asian groups in major cities of the US and UK. We organized the first International South Asian conference on “Histories of Alternate Sexualities” in New Delhi in 1993 and in the following year the first International South Asian conference of gay men and men-who-have-sex-with-men (MSM). Tensions existed along class and gender lines, and any conversations with Hijras (often referred to as third-sex-third-gender in South Asian countries) were barely happening. Our publications had to be trilingual to reflect the complex linguistic contexts of India, but at support group meetings, Bengali and Hindi-speaking men and women would often remain silenced.

At the core of these tensions was our own internalized classism and homophobia. The key organizers of these fledgling LGBT support groups were all upper-middle class English-educated men and women. We were well-trained, respectable Indian citizens. The feminine voices and flamboyant mannerisms of the non-English speaking Kothis were too disruptive for us. I would act polite and smile as I met Kothis in cruising parks and I would hand them flyers for the support group, yet secretly I hoped they would never show up at meetings. In the parks, they would walk in small groups, wear facial makeup, and speak in street Bengali. Their loud mannerisms and shabby clothing felt alien compared to my English-speaking, denim-sporting, globetrotting “gay” world.

Yet when I was harassed by cops at the parks, it was Kothis who came to my defense. One such incident happened on a dark winter evening. I was caught carrying condoms in my bag by the local police, who would haunt the cruising joints hoping to extract money from “cocksucking Kothis.” The two cops threatened to arrest me for distributing “profane materials.” I was nervous, and yet kept talking to them in English and broken Bengali, telling them that I worked for family planning programs. The cops laughed loudly at all my pleas. Three of the Kothis came running, yelling and clapping loudly, cursing the hell out of the cops. A small crowd gathered, and ultimately the cops left. As I began to mingle more with the Kothis, I began to face my own inner prejudices and fears. I learned that loud mannerisms, claps, and street-smartness were their way of surviving the harsh realities of working class femme men in Kolkata. I went on to build friendships with several Kothis. We would sit on a park bench and giggle over how we would love to be the “wives” of hot butch men.”]

— debanuj dasgupta, from trans/nationally femme: notes on neoliberal economic regimes, security states, and my life as a brown immigrant fag, from why are faggots so afraid of faggots? flaming challenges to masculinity, objectification, and the desire to conform, edited by mattilda bernstein sycamore.

1 year ago
That One Series Of Unfortunate Events Quote
That One Series Of Unfortunate Events Quote

That one Series of Unfortunate Events quote

[ID: A Mob Psycho 100 comic. Muraki gestures to Sakurai, who's glaring and surrounded by an ominous red-black aura while holding up a sword, and says, "You must understand-- he had a terrible childhood." Mob stares at him, dead-eyed, and replies, "Yes, I understand. I'm having a terrible childhood right now." Reigen is lying twisted behind him in the Family Guy Death pose. End ID]

2 years ago

"aroace people do not exist" thank god. i am so tired of existing in late stage capitalism. thank you for giving me freedom. i shall not work or study anymore. only freeload. only nap. only eat. only bath. only sleep. only meme. for eternity.


Tags
2 years ago
NOTTING HILL + References In Pop Culture
NOTTING HILL + References In Pop Culture
NOTTING HILL + References In Pop Culture
NOTTING HILL + References In Pop Culture
NOTTING HILL + References In Pop Culture
NOTTING HILL + References In Pop Culture
NOTTING HILL + References In Pop Culture

NOTTING HILL + references in pop culture

NOTTING HILL (1999) DAWSON’S CREEK (1999) 30 ROCK (2009) HAPPY ENDINGS (2011) THE GOOD PLACE (2017) WE ARE LADY PARTS (2021) TED LASSO (2021)


Tags
2 years ago
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.
Hmmmmmmmmmmmmm.

hmmmmmmmmmmmmm.

1 year ago

having medusa draw parallels between herself and annabeth was such a crazy choice because ? here annabeth is now, being punished for something a son of poseidon did… exactly as medusa told the story a few hours ago…

2 years ago
Still Haven’t Stopped Thinking About RRR…. Had To Get This Out Of My System

Still haven’t stopped thinking about RRR…. Had to get this out of my system

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i don’t know what im doing here but i am having a good time (go to @mahabharata-z for mythology stuff)

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