Mayoinagara-susumou - Tiny Mushroom

mayoinagara-susumou - tiny mushroom

More Posts from Mayoinagara-susumou and Others

2 months ago

it makes me cry that this little tiny prey animal can look at me, a big scary potential predator many times bigger than himself, and binkie over to me for pets and snuggle up to me☹️ he must trust me so much

2 months ago

How to write believable enemies-to-lovers dynamics.

Enemies-to-lovers is a beloved trope, but it’s also tricky to execute. The transformation from animosity to love needs to feel organic, not forced. 

1. Establish the Initial Conflict

Give your characters a solid, believable reason to dislike each other. It could be ideological differences, personal betrayal, or clashing goals. The conflict must be significant enough to justify their animosity.

“You stole my promotion. Do you have any idea how hard I worked for it?” “You mean the one you weren’t qualified for? Grow up, Lena.”

2. Show the Nuance in Their Dislike

Enemies don’t always have to hate each other completely. Maybe they grudgingly respect one another’s skills or admire each other’s dedication, even if it drives them crazy.

“For someone so insufferable, you sure know how to shoot straight.” “And for someone so arrogant, you’re surprisingly not dead yet.”

“She’s the most annoying person I’ve ever met.” “And yet you can’t stop watching her, can you?”

3. Create Forced Proximity

Give them a reason to spend time together despite their dislike. Forced proximity allows them to see past their assumptions and grow closer.

“If we don’t get this presentation done by morning, we’re both fired. So, shut up and start typing.” “Only if you stop chewing on that pen. It’s distracting.”

“You’re bleeding.” “Yeah, and whose fault is that?” “Mine, obviously. Now sit down so I can patch you up.”

4. Allow Their Views to Shift Gradually

The transition from enemies to lovers isn’t instant. Let them experience small moments of vulnerability, trust, or understanding that slowly chip away at their hostility.

“You think I wanted this? That I enjoy being the bad guy?” “I didn’t think you cared.” “Well, maybe I do.”

“You fight so hard for your people.” “You do too. I guess we’re not so different after all.”

5. Use Banter to Build Chemistry

Snarky, sharp dialogue is the lifeblood of enemies-to-lovers. Their verbal sparring should reveal their personalities, highlight their tension, and hint at deeper feelings.

“Careful, you almost sounded like you cared about me for a second.” “Don’t flatter yourself. I care about not dying, and you happen to be useful.”

“If you were half as smart as you think you are—” “I’d still be twice as smart as you.”

6. Show the Cost of Falling for Each Other

Enemies-to-lovers works best when there are stakes. Their relationship should challenge their beliefs, goals, or loyalties, forcing them to make difficult choices.

“If I help you, I’ll lose everything I’ve worked for.” “Then why are you still standing here?”

7. Add a “Breaking Point”

There should be a moment where their growing feelings clash with their existing animosity, leading to explosive tension.

“You lied to me!” “What did you expect? You’re the enemy!” “Not anymore. Or at least, I thought I wasn’t.”

“Why do you care what happens to me?” “Because I can’t stand the thought of losing you, okay? Happy now?”

8. Use Physicality Subtly

Small gestures can reveal their shifting feelings—hesitant touches, lingering glances, or protective instincts.

“Watch out!” He shoved her out of the way, taking the brunt of the explosion. “You idiot. You could’ve been killed.” “Yeah, but you’re okay.”

She caught him staring at her, his usual scowl softened. He looked away quickly, muttering something under his breath.

9. Build Toward a Satisfying Payoff

Enemies-to-lovers works because of the build-up. Don’t rush the resolution. Let their relationship evolve naturally before culminating in a moment that feels earned.

“I don’t want to fight you anymore.” “Neither do I.” “Then come here.”

10. Maintain Their Individuality

Their love shouldn’t erase who they are. They’re still the same people who clashed in the beginning, but now they’ve grown to understand each other.

“I’m still not letting you win.” “Good. I’d be worried if you did.”

“You’re still annoying.” “And you’re still impossible. But I wouldn’t have you any other way.”

1 month ago
 Run Away As Fast As You Can !

run away as fast as you can !

2 months ago
コンビニバイトまひと

コンビニバイトまひと

やる気ねえ〜〜〜〜

1 month ago
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One
Matching Besties ꩜ Other One

matching besties ꩜ other one

1 month ago

Making a Character Whine in Monologue

I’m a big believer in letting characters bleed quietly. You know, the kind of emotional tension that simmers just under the surface—not the dramatic “I am torn!” speeches. Here’s how I like to sneak internal conflict into my writing without making my characters feel like they belong in a bad soap opera... Have Fun! (。♥‿♥。)

╰ Saying the opposite of what they feel. Like insisting they’re fine while gripping a coffee mug like it personally insulted their ancestors.

╰ Pausing before responding to something simple. Because sometimes the silence says “I’m thinking too hard about this” louder than a whole paragraph ever could.

╰ Changing the subject when things get too close to their emotional soft spot. Classic evasion. Bonus points if they pretend it's for someone else’s sake.

╰ Making choices that contradict their stated goals. "I swear I’m over them"—cut to them rerouting an entire road trip to pass by their ex’s hometown.

╰ Being too nice. Yep. People-pleasing? Avoidance in a trench coat.

╰ Fixating on a tiny, irrelevant detail while avoiding the bigger thing. They can’t deal with their grief, but they can definitely spend 12 minutes lining up pens perfectly.

╰ Snapping at someone they trust—then immediately regretting it. Because pain has to leak out somewhere, and it’s usually not in a convenient monologue.

╰ Doing something “just in case,” but obviously hoping for the opposite. Packing a goodbye gift they never plan to give. Writing a message they never send.

╰ Rewriting memories in their head. “It wasn’t that bad. They didn’t mean it. I probably deserved it.” A spiral in slow motion.

╰ Being hyper-aware of how others are reacting to them. Internal conflict often turns into external paranoia: “Did she flinch? Was I too cold? Did he see that?”

2 months ago
Lore Accurate Double Black Battle Scene
Lore Accurate Double Black Battle Scene
Lore Accurate Double Black Battle Scene

lore accurate double black battle scene

1 month ago
Mahitooo. But. Fem. Duh.
Mahitooo. But. Fem. Duh.
Mahitooo. But. Fem. Duh.

Mahitooo. But. Fem. Duh.

1 month ago
02.04.2024

02.04.2024

hello mahito nation???

1 month ago
More Fem Geto Sketches

more fem geto sketches

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mayoinagara-susumou - tiny mushroom
tiny mushroom

i live my life and struggle, come here to see me shitpost it

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