Get To Know Me!

yohan is Designed to be a morally questionable character. and if the audience is thinking about the context that gaon is given going into his position on the live court show, it makes complete sense that he holds a constant baseline of skepticism for yohan’s morality. from the very beginning, even when unprompted by min jungho, he questions why kang yohan would do things the way he does. the answer he’s given is “politics,” and honestly, if you think about the politicians yohan is surrounded by, the tactics they use, and the willingness yohan consistently shows regarding going to extremes to achieve his ends, it’s no wonder gaon never gains complete trust for yohan. the two of them start off from a place where gaon inherently distrusts yohan. while we can infer that yohan wants gaon’s approval deep down, he doesn’t necessarily prove to gaon that he’s totally trustworthy, nor does he really try or succeed at convincing gaon that there are lines he will not cross, and exceptions where he won’t do the extreme but potentially useful thing for his own benefit.

in any case, gaon does not blindly trust yohan, and this is as much the foundation for the initial success of their relationship (with yohan feeling uncomfortably seen and understood through gaon challenging his words), as it builds up for its ultimate deterioration (gaon suspecting yohan of killing soohyun and accidentally helping in framing him for her death). it’s a very real and human point of conflict between two individuals who obviously care for each other very deeply, but are unsure if they are totally aligned in their morals, values, goals. if anything, it’s a testament to the depth of their frankly-toxic relationship: they want so much to be able to trust each other / be trusted by the other, but being unable to reach that, in the context of surrounding limitations, leads them to (extreme?) behavior that they really don’t exhibit anywhere else. gaon — who has not only heard from others, but also seen first hand, how manipulative yohan can be — is trying very hard to not let himself be fooled, and so he holds extra paranoia and disbelief towards yohan that ends up skewing his judgment. gaon’s not perfect, but he is truly trying his best — especially with the consideration that he’s had it drilled into him by his long-time mentor and father figure that, in this position, he’s got the world on his shoulders.

The reason some people tend to find Gaon's reactions annoying, is because we as the audience always have information that Gaon doesn't.

Granted, we don't always know everything, but even what little what we do know, Gaon does not. Gaon is practically fumbling around in the dark throughout the show.

And when Gaon tries to find out anything, Yohan immediately shuts him down , Soohyun practically babies Gaon and tells him to stay out of trouble and Min Jungho is just a piece of shit.

What are obviously right choices to us is confusing to Gaon because the poor guy does not have all or even a little bit of any information at any point. And if he does, then someone manipulates or emotionally blackmails him into doing what benefits them.

If you look at it from Gaon's perspective the whole show is practically a horror tragedy instead of a thriller (with maybe a few days of peace in between before shit hits the fan. Again.)

whc2 used the character that haunts the narrative trope and fucking delivered — a rabid (relatively spoiler free) 4am review

Ending off of S1, albeit (extremely) sad, I wasn’t expecting the S2 script to include much of Suho. The original webtoon had made it clear that Suho would be a passing memory for Sieun. It just so happens that Jihoon and Hyunwook had so much chemistry they rewrote the course of what would have been.

Then again, it’s not only because of the og webtoon characterisations that led me to believe Suho wouldn’t be mentioned a lot in S2. It’s because as much as sieun and suho clearly had a close relationship, what S1 never did was have sieun narrate his inner thoughts and emotions. Hence in fact, all of us viewers, were never privy to Sieun’s feelings apart from the incredible emotive acting on Jihoon’s part — we are never completely sure how deeply Sieun felt for Suho. Which is why I was so pleasantly surprised at how the writers made efforts for Sieun to recall Suho in every episode, and Beomseok, in frequent scenes.

Right off the bat in S2E1, we see Sieun have war flashbacks to S1 with Beomseok and Suho. Both Beomseok and Suho? Fuck yeah. We need to remember that both were close to Sieun and of course, impacted Sieun emotionally.

As the season progresses, it’s made clear that the writers prioritise featuring Suho and Beomseok, rather than have them appear in one off scenes. Beomseok always returning in flashbacks and of course, the dream sequence with Sieun in the boxing ring. We see clearer than ever now what morals and fatalistic viewpoints separate Sieun and Beomseok, even though they are both lonely souls hidden beneath everything.

We don’t even need to talk about Suho — Sieun physically and mentally cannot forget about him. Sieun continuously writes his feelings out on text messages which he then sends to Suho’s number, suffers from insomnia because of Suho, and is endlessly reminded of Suho when he fights.

It’s not easy to write a compelling “ghost that haunts the narrative” trope without it being too sappy, but god, the way WHC2 did it for both Suho and Beomseok was compelling and believable. Because of course, Sieun cannot simply forget about either of them. These two will eternally be locked into his reflexes — which the directing and script cleverly includes and remembers.

i will read this now

i cant stand these two - now give me 3 more books about them

whc2 spoilers

as if baku crying and blaming himself for sieun's condition AS A DIRECT PARALLEL TO HOW SIEUN FELT ABOUT SUHO WASN'T ENOUGH.

YOU HIT ME WITH THIS.

im gonna kill myself im so serious

HIS FACE WHEN BEOMSEOK ASKED ARE THEY MORE IMPORTANT TO YOU. HIS FACE. HIS TEAR SLIDING DOWN RIGHT AS BEOMSEOK'S DID. STFU. HE LOVED HIM SO MUCH OH MY GOD IM. I NEED A LOBOTOMY.

The political plotline of TDJ was lowkey out here endorsing (at the very least sympathizing with/explaining the logic behind) terrorism as a tactic against a fascist oligarchy which hides behind populism for legitimacy, and, as a political science/international relations student in the US, I’m kinda fascinated by that.

In the first episode, we see a lone-wolf terrorist attack against the Supreme Court building after the warrant for Joo Il-do’s arrest is dismissed, a sign that the government was likely to be lenient against this CEO despite the wishes of the people. Leaving out the actions taken by our main characters in response and what that tells us about the priorities of the protagonists, we then see in the same episode a complete reversal of that expectation that the government will disappoint the people, when Kang Yohan sentences the guy to 200-something years in prison.

A key part of the logic behind terrorism (please don’t put me on a watchlist I’m just currently taking a course on insurgency and terrorism for my major) is the cost-benefit analysis of whether or not you can 1. draw sympathizers and supporters to your cause through a violent action that sends a message to an audience beyond the actual victims, and 2. through that support, coerce the targeted government into changing policy or action.

Yohan demonstrates with his harsh ruling against Joo Il-do that, in a Korea under his interpretation of the rule of law, the government will respond to violence done on behalf of “the people.” It’s no wonder the far-right populists of their society — Jukchang TV and crew — immediately gravitate to him, hailing him as a savior and a man of the people. And it’s no wonder that public opinion sways in his favor, since he capitalizes on the very real and valid pain that they feel when he showed that he was sympathetic to the sort of cause (like the one upheld by the bus driver earlier in the episode) that they would feel sympathetic to, even if the majority of people would not act in the same way.

The key point that surrounds the at-least-perceived success of terrorism as a tactic here is that Heo Jung-se has enacted every populist tactic in the playbook to assert his leadership. He claims that his (oligarchic, fascist) country is a democracy, that he is a ruler “for the people.” A leader chosen by “dear, respectable citizens.” His use of in-groups and out-groups in condemning criminals (migrants, foreigners, etc. etc.) while placing the “true-blooded Korean people” as sovereign, and ultimately creating the impression that it is the common people who hold power in society. Kang Yohan reinforces the idealistic part of these populist ideas to the public with his performance in the Live Court Show: he adamantly takes the side of the people in each case, and harshly punishes all who the people deem guilty on their behalf — and the people eat it up because it feels like hope that they really control their government.

Another thing about terrorism: it’s most useful as a tactic in democracies where the people are able to place real pressure upon their governments, where the displeasure of the people will lead to policy change. Heo Jung-se created a perception of his society as one of that kind, and in Kang Yohan, we find a man who enables that belief — even if in reality it is, also, mostly for personal motives. And we see in Kim Gaon, by the last episode, a man who is desperate enough in his fight against the corrupt government (and also just, y’know, generally in his life) to use terrorism as a tactic once again to place pressure, in the context of how he’s developed under Yohan’s influence over the course of the show — followed by the final trial by Yohan, who has straight up been planning to resort to terrorism all along, apparently.

I’m still really quite curious as to why the writer chose (and was allowed to choose, frankly LMAO) to end the storyline there — with a story that has left off with messaging that essentially equates to Terrorism Works (but only in a society that is already so used to violence that it can see some types of motivated violence as gratifying and, therefore, Not Horrific), especially with the nod to Gaon sticking around in politics and bureaucracy — and Yohan encouraging him to do so — after the fact. It’s a nod to the reality that even for those who use terrorism as a tool, they know reconstruction will be done “legitimately,” that non-legal violence can only be used as a tactic for so long before the return to legal routes is necessary in order to rebuild. But it’s definitely really interesting to think about how TDJ points out the usefulness of terrorism as a tactic in democracy — though I’m still not completely certain why, or whether the writer intended this as a commentary for Korea, or for the rest of the world…

Could go on a whole other ramble on why this is relevant to modern politics but I’ll stop there tonight, I reckon.

TLDR:

The Devil Judge is an excellent study on how terrorism Can be used against a fascist + populist government, yes.

Is the moral of The Devil Judge that, in order to beat fascists, you have to blow them up? Because I’m down.

this last addition is SO SO BARS i’m in love. yes, exactly; gaon chooses and thrives with the kangs from the start because that’s a place where he can comfortably act on his own based on what he wants and what he envisions. he has so much free will that he makes use of in that house, he has the chance to take charge in a way that he’s very comfortable doing, and he has so much influence on those around him — in contrast to his other relationships, where it is largely just him being influenced and affected by the choices and desires of the other person (min jungho, soohyun).

it’s honestly hard to blame yohan for wanting that family gaon had built up with them to be gaon’s first priority, but by pushing with that ultimatum — instead of, say, just talking to gaon and letting him make that choice — he’s effectively shown to gaon that even here, he does not have the power or equal standing to simply choose whatever he wants and be respected for it, not in the way gaon respects the decisions of the others around him (with a little nagging towards yohan sometimes but ultimately comes back to acceptance, at least up until that scene). and in being triggered into this realization, he pushes back against yohan, lashes out, walks away.

soon afterwards, he chooses soohyun, who dies barely an episode later. his choice is wrested away from him again by something completely out of his control, and it’s no wonder that being manipulated into thinking that there is, indeed, someone to blame for it, and that that someone is yohan, prompts such fury in him that he does go and confront yohan — who, actually, seems to understand and empathize with that anger very well, based on how he initially reacts to gaon trying to stab him.

gaon needs to heal and grow from this place of disempowerment, where his choices are so guided by those around him. he’s frankly a pretty static character throughout the show, and i think it’s done deliberately — that the people around him and his circumstances don’t allow him to really change or grow in a way that’s meaningful to himself. it’s only set up in the very end that he is entering new circumstances which will allow him to explore and exercise his power and free will. (god. i want a season 2 so badly.)

simultaneously, though, yohan is the same in some sense. despite how unilaterally he works and how in control of everything and everyone he seems to be, yohan is a man that’s been driven by his desire for revenge for years — that’s the ultimate “making choices based around the influence of others.” he needs to learn, too, how to take on a life he genuinely wants for himself now. in the time gaon spent with the kangs, yohan clearly realized how much he valued that sort of peaceful, domestic life with his loved ones; but yohan can’t rely solely upon gaon to realize that dream for him. if he wants it, he needs to put in the work to heal and prioritize that, too.

it’s why their choice to walk away / stay away from each other in the last scene of ep 16 is so powerful, in my opinion. no matter how much they still have left unsaid between them, and how deeply they still clearly care for each other, they know that both of them need to grow and heal in their own ways, separately. they want the best for each other — if not yet themselves — and so they choose to leave each other to their personal growing. to them, just getting to see one another, and ascertain that they are safe and healthy, is enough for now.

Kim Gaon as a character is so important to me.

This poor boy, whose parents committed suicide when he was so young, ends up being manipulated by almost everyone in his life who think they know what's best for him.

His mentor, who he saw as a father ends up manipulating him to further his own agendas and goals all while giving him the illusion of choice. Ga On has never truly had a choice.

And Soohyun too. Yes, she only ever wanted to keep him safe, and that is a nice sentiment, but in acting the way she did towards him she caged him in.

Maybe it's the Gemini in me, but if someone tries to limit my freedom of choice or influence my judgement in any way, I start to get suffocated. No matter what the sentiment behind their actions are. She didn't deserve the end she got, and she genuinely cared about Gaon but at the same time she ended up trying to influence him because she thought she knew what was best for him.

And then comes Yohan. Yohan is complicated (as morally grey characters tend to be), because for a good while in the beginning, he too tries to use (or at least wants to use) Gaon for his own ends.

But also, after he sees who Gaon truly is: a kind and caring and a firecracker of a soul, he is the first in Gaon's life to offer him a choice. And not the Min Jungho type of choice where it's just an illusion; but an actual choice.

And Gaon. Gaon only ever tried to do what he thought was right even while being pulled in a thousand different directions by different people. He tried so hard to make the right choices. He finally found the family he lost when he was young in Yohan and Elijah and Ms Ji. Lord knows I wouldn't survive if I found out that the fucker who drove my parents to suicide was living alive and well somewhere else with nothing on his conscience, and that I had been lied to for so long. And then, Soohyun, the last person who he has left from his past tied to his parents, his best friend, dies.

And then he loses his found family as well.

Kim Gaon, at the end of the show has absolutely no one left from his past; the Kangs, Soohyun, his parents and Min Jung ho are all gone.

All he has left is himself and a herculean task of rebuilding the justice system.

And how miserable must that be?

RED LIGHTS || ESCAPE

I had to make this post after seeing this amazing post because this needs to be said for all new viewers of TDJ. 

I can actually confirm that the writer did intend for Yohan and Gaon’s relationship to be gay. 

Ji Sung said their relationship was one of “seduction”. At the Devil Judge press-con, he confirmed that his role was that of Mephistopheles (around the 23 min mark but I’m at work and can’t pinpoint rn loL) who “seduces” Gaon who is Faust. I’ve analyzed this in more detail in this post. 

Writer Moon Yoo Seok has been very open about his influences in crafting Yohan and Gaon’s relationship being: Beauty and the Beast, Goethe’s Faust, and the movie Let The Right One In .

All these influences are either romantic or homoerotic. All of them. 

The writer has also confirmed that Gaon occupies a traditionally female character and feminine gender role. He’s used tropes that we normally only see in heterosexual romances for Yohan and Gaon’s romance. A non-exhaustive list:

living together

snooping through the mysterious house of the man who’s whisked you away

undressing your partner and wound-tending

making him food, refusing let anyone eat unless said man returns

understanding him like no other, being the only one who sees through his facade to the loneliness within

choosing him over everyone else (ep 8 and then end of 15)

trying to die for him (twice)

defending him to the het love/past love, everyone around really

PINING, yearning (Gaon literally looked at the bed in ep 16 and thought back to shirtless Yohan okay)

taking care of each other

being vulnerable before and for each other

oogling him shirtless (both of them did this)

hand holding

DEEP. STARES.

sexy bomb defusal

love triangles (K and Soohyun)

Homosexuality is so taboo in Korea that the closest we’ve gotten to proper rep is the wlw couple from Nevertheless and Kim Seo Hyung’s character from Mine, and even then that’s because men find it easier to see women in love with each other than men being in love. And men finance drama production.

Writer Moon Yooseok (who has 25 years of writing experience) has literally done everything he can to get a queer story out there. Heck he’s even including stuff in the TDJ comic (spanking, anyone?) that wouldn’t fly on TV because he has more freedom there. 

Ji Sung and Jinyoung have known this from the start as well (that poster photoshoot), and it’s hard not to know that your character is gay when they’re staring at another for 95% of the show and undressing and oogling each other, or when the ending is 2 minutes of sappy staring. They knew. 

The director in episode 8′s bts at 6:04 as Jinyoung and Jisung rehearse Gaon ditching Min Jung Ho: “Gaon’s become cute now that Yohan’s here”. 

Jinyoung: nods.

Me: Okay we’re all in agreement clearly. 

Rather than new fans being disappointed for it not being gay enough, I hope they can uplift this for what it is: a serious attempt to bring a gorgeous romance onscreen. Writer Moon Yoo Seok really said lawful husbands. He’s been saying it from the beginning. 

I really am a sucker for dual male lead media where they appear as complete opposites only to end up being eachothers foils and somehow also ending up being completely depended on eachother despite of (because of) their differences