I want to know what everyone’s muses FYP looks like cause Gloria’s is : bodega cats, 90s nostalgia and dad bod thirst traps…are they also masked… no comment.
ADRIA ARJONA as Madison Figueroa HIT MAN (2024)
Nikita Gill, from Your Heart is the Sea: Poems; "The Anguish," originally published in 2018
need someone who’s violently possessive over me right now or i’m gonna die
OH SHE ANGSTY TONIGHT. somebody fix it. help. HELLLLP.
[ needy ] sender pulls receiver into their lap, desperate and breathless, kissing them like it’s not enough // @pittmade
she'd uttered his name, light brushing over his form in feathery strokes. her limbs followed, wrapped in 8a8179HIS SCENT, his shirt, any part of him she could press to her skin. all-encompassing as the arm that reaches out to ensnare the willing. gloria lands in his lap with a soft exhale, the worry of her brow and part of her lips silenced by the heat of his embrace. her palms found his shoulders, pressing gently on the knots of tension he carried like every burden of duty without complaint. his mouth on hers is not careful. it’s not patient. it’s frantic. a hunger she is fluent in. one with no earthly comparison or poetic scripture because it was only meant to exist between them. the prettiest stranger she'd thought of in passing over years of carnage and heartache made her own. all the suffering and war beneath her palm, and he was life breathed anew.
her hands are buried in his hair, dragging him closer like she can crawl inside him if she clings hard enough. always close, closer still and begging for more because it's still never enough. gloria can feel the bloom of sweet bruises beneath the imprint of his fingertips. handfuls and mania, trying to decipher where to touch and craving all at once. she understands the same instinct that hums almost violently beneath her flesh. her ribcage, cracked open to a heart and soul that finds purpose with the one who makes it all whole.
there is nothing subtle in how they dance. all fire, all intensity carried through the working of lips and tongue— AND TEETH. a dizziness that crowds every thought, she has no use for anything outside of him. every molecule, every drop of blood in her veins, screamed — ❛ jack. ❜ caught between a shattered breath and the frenzied serpentine roll of her hips. forehead pressed to his, her lips catching his in short bursts of unyielding devotion. entwined soul reaching out by the way she searches his gaze for any turmoil she was prepared to chase from his psyche. ❛ give it all to me, i'm here. let me take it. ❜
I just wanted to make a bit of a tiny psa; in that, there’s many instances where, if I’m shipping with someone, I don’t want to write with or ship with duplicates ( pending ppl using the same fc for multiple characters cause all interpretations are different). I have no interest in writing with the same face claims over and over, it’s not authentic to my brain. Nor is it authentic to what I’m building, canons are different, yes but there can be major associations with how someone plays them. if we’ve discussed it, then I have no issue practicing exclusively, especially with face claim association. for example, I will only ever write with one frank castle and billy russo because I have no desire to write with any others based on dynamics built. Face claim wise, I will not write with any others based Oliver Jackson-cohen face claims or honestly Jensen ackles because they’re associated with characters from partners I like writing with. But if we don’t have any conversation about these things, I won’t know. I’ll still prioritize your character if I’m not writing with any other canons or ocs with their face but I’m not tied to exclusivity unless we talk about it. But this psa is also me saying NO I DO NOT EXPECT THE SAME MANNER OF THINKING FROM OTHERS. and again unless the conversation is there, it’s business as usual.
Did this make any sense cause I feel like an asshole trying to explain my brain and I know I should put the list in my pinned and carrd but anyways.
how are you holding up ? @pittmade
her gaze fixed on the horizon, where the light filters in too softly for the weight in her chest. she stifles any wryness, any iteration that MIRRORS how he might stand in her position. though to her credit, she isn't standing. legs curled over railings, her hands are still, clasped in her lap like she’s holding something fragile there. a memory, maybe. or the version of herself she used to be before the uniform, before the field kits soaked in blood, before the nights that still wake her up sweating through the sheets.
the question lingers in the air, burning through her with guilt. he asks with that arc of militant sureness and grace, but she hears the worry beneath it. ❛ some nights are louder than others. ❜ she doesn't speak it outright, doesn’t mention the dream that clung to her ribs this morning, or the way she caught herself zoning out between rounds, replaying things she can’t fix. but he knows, he always does. the way he sees her— really sees her and doesn’t flinch, doesn’t try to fix her. JUST STAYS. and as long as she's above ground, she'll do the same for him. new as it was between them, it wasn't by way of soul. a synchronicity extended by the universe to make amends for how much it worked them over.
❛ that young private on leave — ❜ it's coarse on her tongue from how it crawled up between serrated edges in her throat. her hand reached for jack, quietly and without rumination, like a reflex her body had already absorbed into its DNA. ❛ he reminded me of someone, felt like losing them all over again. ❜